3
UNPACKING INSTRUCTION
CAUTION! Immediately upon receiving the product, carefully unpack the carton, check the contents to ensure that all parts are
present, and have been received in good condition. Notify the shipper immediately and retain packing material for inspection if
any parts appear damage from shipping or the package itself shows signs of mishandling. Save the package and all packing
materials. In the event that the product must be returned to the factory, it is important that the product be returned in the original
factory box and packing.
If the device has been exposed to drastic temperature fluctuation (e.g. after transportation), do not switch it on immediately. The
arising condensation water might damage your device. Leave the device switched off until it has reached room temperature.
POWERSUPPLY
On the label on the backside of the product is indicated on this type of power supply must be connected. Check that the mains
voltage corresponds to this, all other voltages than specified, the product be irreparably damaged. The product must also be
directly connected to the mains and may be used. No dimmer or adjustable power supply.
Always connect the device to a protected circuit (circuit breaker or fuse). Make sure the device has an appropriate
electrical ground to avoid the risk of electrocution or fire.
CONTROL ELEMENTS
1. Microphone Input
Balanced XLR input jacks.
2. LINE Input
Balanced 6.3mm (¼”) jack line inputs. You can connect either balanced or unbalanced phone
plugs to these jacks.
3. TRIM Control
Adjusts the input signal level. To get the best balance between the S/N ratio and the dynamic
range, adjust the gain so that the peak indicator (8) lights only occasionally and briefly on the
highest input transients. The +10dB to +60dB scale is the MIC input adjustment range. The +10dB
to -40db scale is the line input adjustment range.
4. 3-BandsEqualizer
Three-band equalizer adjusts the channel's high, mid and low frequency bands. Setting the knob to
the "O" position produces a fiat response in the corresponding band. Turning the knob to the right
boosts the corresponding frequency band, while turning to the left attenuates the band.
5. FX Control
Adjusts the effect signal level.
6. PAN Control
The PAN control determines the position of the channel signal within the stereo image. When
working with subgroups, you can use the PAN control to assign the signal to just one output, which
gives you additional flexibility in recording situations.
7. ON/OFF Switch
Turn this switch on to send the signal to master. The switch lights when on.
8. Peak LED
The peak-led lights up when the input signal is driven too high. If this happens, back off the TRIM
control and, if necessary, check the setting of the channel EQ.
9. Solo Switch
The solo switch is used to route the channel signal to the solo bus (Solo In Place) or to the PFL
bus (Pre Fader Listen). This enables you to listen to a channel signal without affecting the main
output signal.
10. Channel Fader
Adjusts the level if the channel signal. Use these faders to adjust the balance between the various
channels.
11. Line Input
These RCA jacks input for stereo sound source. Use this jacks when you want to connect a CD
player directly to the mixer.
12. Line Output
These RCA jacks can be connected to an external recorder.
13. FX Output
The FX output jacks carries the master aux mix (from the channel FX controls). You can connect this to an external
effects device to process the FX bus. The processed FX-signal can then be brought from the effects device back into
the stereo Return jacks.
14. Returns stereo
The stereo aux return jacks generally serve as the return for the effects mix (created using the post-fader aux sends)
by connecting the output of an external effects device.
