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<DRB1317>
En/Fr
English
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MIC LEVEL
LOW
TALK OVER CH-4
HEADPHONES CUE
AUTO BPM COUNTER SELECTOR
CH-3CH-2 EFFECTS/SAMPLERMASTERCH-1
10
0
1
2
3
4
5
6
7
8
9
10
0
1
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3
4
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10
0
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9
10
0
1
2
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10
0
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0
1
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10
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1
2
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0
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0
1
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3
4
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9
MID
EQ EQ EQ EQ
HI
+12dB-12dB
MIXING
MASTER
ONOFF
CUE
LEVEL
CH-1
213
SAMPLERCH-2
CROSS FADER CURVE
FADER START
PHONES
CROSS FADER
ASSIGN A
THRU
14
23
SAM-
PLER
CROSS FADER
ASSIGN B
THRU
14
23
SAM-
PLER
+12dB
-12dB
+12dB
-12dB
TRIM MASTER LEVEL
14
70-139
BPM
91-180
BPM
BPM
3
AUTO BPM COUNTER
2
TRIMTRIMTRIM
CH-1
HEADPHONES
MIC
MASTER
BEAT
EFFECTS
BEAT
SAMPLER
CH-4CH-3CH-2
LOW
LR
MID
HI
LOW
MID
HI
LOW
MID
HI
LOW
MID
HI
LINECD1/LINE PHONO 1
PROFESSIONAL
DJ MIXER
DJM-600
CD2/LINE PHONO 2 STEREO
POWER
LINE
SUB MIC
/PHONO 3
LINE MONO
dB
14
-24
-15
-10
-7
-5
-3
-2
-1
0
1
2
4
7
10
dB
14
-24
-15
-10
-7
-5
-3
-2
-1
0
1
2
4
7
10
dB
14
-24
-15
-10
-7
-5
-3
-2
-1
0
1
2
4
7
10
dB
14
-24
-15
-10
-7
-5
-3
-2
-1
0
1
2
4
7
10
dB
14
-24
-15
-10
-7
-5
-3
-2
-1
0
1
2
4
7
10
+12dB+12dB
-26dB-26dB-26dB-26dB
+12dB+12dB
+12dB
+12dB
+12dB
+12dB
-26dB-26dB-26dB-26dB
+12dB+12dB
-26dB
+12dB
-26dB
+12dB
-26dB-26dB
EQ
1
MASTER
4MIC
%
BPM
mSec
3
PARAMETER1
2
1
/
2
1
/
1
4
/
1
2
/
1
3
/
4
14
BEAT
1682
STEREOMONO SPLIT
MASTER BALANCE
RL
MAX
MASTER
PARAMETER 1
TIME
PARAMETER 2
LEVEL/
DEPTH
1
CF. B2
CF. A3
MIC
SND/RTN
AUTO BPM
FRANGER
REVERB
FILTER
PITCH
DELAY
TRANS
ECHO
PAN
4
MIN
BOOTH MONITOR
ON/OFF
TAP
CH.
SELECT
ONOFF ONOFF
BA
0dB
0dB
-
-
-
-
-
0dB +9dB+9dB -
+9dB -
+9dB
BEAT SAMPLER
REC
STRETCH
EDIT
LOOP
SINGLE
CONNECTIONS
DJM-600
2. Connection of Outputs, Microphones, etc.
Main microphone
Microphone principal
Headphones
Casque
If connecting an analog player, remove the six short-circuit pin
plugs inserted in the PHONO terminals (PHONO 1, PHONO 2
and PHONO 3) of CH-2, CH-3, and CH-4.
These short-circuit pin plugs serve to cut fine noise, ensuring
outstanding performance when no analog player is connected.
Make sure to store the plugs carefully after removing them.
When you disconnect an analog player, reinsert the plugs as
they were originally.
*1 Connect the cord for the analog player’s ground.
This terminal is exclusively for an analog player and is not a
safety earth.
*2 If you are using the unit with the separately sold CDJ-100S,
CDJ-700S, or CDJ-500
II connected to the CH-1 or CH-2 CD
terminals, the fader start function can be used if the unit and
CD player are connected with a control cord.
*3 Because the unit’s PHONO input terminals are exclusively
for MM, use MM-type cartridges for the analog player
connected.
Connecting audio cords
Use the cords with the red and white pin plugs.
Connect the white plug to ”L“ and the red plug to ”R“. Make
sure to insert the plugs completely.
L
R
White plug
Red plug
Si vous raccordez un lecteur analogique, retirez les six fiches à
circuit court des bornes PHONO (PHONO 1, PHONO 2 et
PHONO 3) correspondant à CH-2, CH-3 et CH-4.
Ces fiches à circuit court permettent de réduire le bruit et
d’obtenir des performances exceptionnelles si aucun lecteur
analogique n’est raccordé. Veillez à ranger soigneusement les
fiches après les avoir retirées. Lorsque vous déconnectez un
lecteur analogique, réintroduisez les fiches aux mêmes
endroits.
*1 Raccordez le cordon correspondant à la terre du lecteur
analogique.
Cette borne est destinée uniquement à un lecteur
analogique et n’est pas une terre de sécurité.
*2 Si vous utilisez l’appareil avec des lecteurs vendus en option,
comme le CDJ-100S, le CDJ-700S ou le CDJ-500 II ,
raccordés aux bornes CH-1 ou CH-2 pour CD, la fonction
démarrage par variateur peut être utilisée à condition que
l’appareil soit raccordé au lecteur de CD à l’aide d’un cordon
de commande.
*3 Comme les bornes d’entrée PHONO de l’appareil ne
fonctionnent qu’avec le système MM, il faut utiliser des
cassettes de type MM dans le lecteur analogique raccordé.
Raccordement de cordons audio
Utilisez les cordons munis d’une fiche rouge et blanche.
Raccordez la fiche blanche à “L” et la fiche rouge à “R”. Veillez
à introduire les fiches à fond.
L
R
Fiche blanche
Fiche rouge
2. Raccordement de périphériques, de
microphones, etc..
RACCORDEMENTS
7


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