Manual Philips N3410 (page 5 of 20) (English, German, Dutch, Danish, French, Italian, Swedish, Spanish, Finnish)

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2 and 3

N 8410 - Electret HiFi stereo microphone

Of very high quality, this stereo microphone com-

plies

throughout

with

the requirements of the

HiFi

Standard

DIN 45 500.

In this microphone, use is made of the 'electret

condensor' principle. According to this principle,

the diaphragm of these microphones is made of a

thin

synthetic

foil

which, having been specially

treated, has the properties of

'electret', which is

to say that it

possesses

a permanent electrostatic

charge.

This

provides

microphone which

has

the excellent

properties of the professional condensor micro-

phones,

but

without

the disadvantages of that type

of microphone

(need

for

high polarisation voltage,

vulnerability etc).

This

stereo microphone consists of two unidirec-

tional ('cardioid'.fig. 10) electret

HiFi

microphones,

each

having a jack plug of 6.3 mm diameter (fig. 9).

Also

supplied are two foamrubber

windshields,

two

stable

stands, two adjustable microphone clamps

with

fixing

screws

and a stereo

floor

stand adapter.

All parts are packed in a deluxe storage cassette

(fig.

1).

With the aid of these provisions, the micro-

phones can be

used:

- hand held (fig. 7);

- mounted on one or two table stands (fig. 4);

- mounted on one or two

floor

stands (fig. 6).

Supply

- fig. 2

• Remove the top of the microphone and insert in

each

microphone one 1.5 Volt 'penlight' battery

(type

equivalent),

this for powering of the

built-in

pre-amplifier.

• Note on the paper, which can be removed

from

the battery compartment, the date on which a new

battery

inserted and replace the paper. When this

done, the battery

can

always

be replaced in

good

time. A fresh battery in the microphone will suftice

for about one year, regardless of how

often

the

microphone is

used.

• The batteries need not be removed when the

microphones are not in

use.

To avoid battery leak-

age,

however, it is recommended to remove the

battery when it has been in the microphone for

longer than a year.

Table stand mounting - figs. 3 and 4

The

microphone clamps can be mounted on the

table stands (and also on the stereo

floor

stand

adapter - fig.

with

the

aid

of the

screws

which

can

found

turned in the clamps.

There

one stud

the table

stand

and

there

are

five

holes

in the

base

of the microphone ciamp, so the

microphones can be mounted at five angles, each

differing45°.

When the damp

mounted, the microphone

can

attached to the damp by simply pushing it

from

above

into

the ciamp.

The

microphones

can

be mounted either together in

the stereo table stand, or one microphone in the

stereo

table stand and the other in the single table

stand.

Adjustable

microphone clamps - fig. 5

If the knurled

screws

both

sides

of the ciamp are

loosened,

the angle of incllnation can be adjusted.

When the desired inclination is found, this position

can

be fixed by

turning

the knurled

screws

home

tight.

Floor

stand mounting - fig. 6

The

microphones can be mounted on

floor

stands

with

%" (inch)

Whitworth

thread. The clamps can

either be turned directly on the

floor

stand or use

can

be made of the stereo

floor

stand

adapter which

turned on the

floor

stand, while the microphone

clamps

are mounted on the adapter

with

the aid of

the

screws

supplied.

Windshields

- fig. 7

When the microphones are used outdoors or at

range,

disturbing

noise

such

that

caused

the wind can be prevented by sliding the wind

shields

supplied over the

front

of the microphones.

When

the microphones

are

hand

held,

the

use

of the

wind shields is recommended.

Stereo

positloning - fig. 8

When making stereo recordings, the microphone

for the

left

channel must be directed to the

left

side

and that for the

right

channel to the

right

side of the

sound

source.

The greaterthe separation between

the

left

and

right

sides

of the sound source, or the

nearer

each

microphone

brought

to its respective

side

of the sound source, the more pronounced is

the stereo effect (the apparent separation between

left

and right).

When

both

microphones

are

mounted

the stereo

table stand or on the stereo

floor

stand adapter, it is

important

for

getting

the

optimum

stereo effect that

the microphones are positioned at an angle of 90°.

Addltional hints for use

For

speech,

the best distance between

mouth

and

microphone is about 30 cm. In noisy surroundings

and when using the wind shield it is recommended

to speak closer to the microphone.

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Philips N3410 Manual

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