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5
OTHER CONNECTION OPTIONS (contd)
Bi-wiring
Bi-wiring can improve clarity and bass
solidity. Two cables per speaker are required.
Connect speakers as shown (Fig. 9).
Bi-amplifying
Bi-amplification dedicates individual amplifier
channels to each of your speakers driver
sections. This configuration will optimize
channel separation and enhance soundstaging
and image localization. To ensure that an
accurate spectral balance is maintained, two
identical amplifiers (brand and model) are
required. Make sure they are operating in
the same non-bridged or bridged mode.
NOTE: If you choose to bi-amplify speakers with built-in powered subwoofers, you will actually be tri-amplifying your
system, since there are already subwoofer amplifiers built in. Tri-amplifying will even further optimize your system.
Vertical bi-amplification dedicates
one amplifier to each speaker. This
configuration will provide complete
channel separation, which will further
optimize your systems imaging ability.
Connect your speakers to one amplifier at
a time, as shown (Fig. 10).
Horizontal bi-amplification dedicates
one amplifier to your speakers mid/low
frequency inputs and another to their high-
frequency inputs. This configuration can
maintain better clarity if you listen at loud
levels if low-frequency demands cause
amplifier clipping, distortion will still be
kept away from high-frequency drivers.
Connect your speakers to one amplifier at
a time, as shown (Fig. 11).
VERTICALLY
BI-AMPING SPEAKERS
BLACK
-
RED
+
PREAMP/PROCESSOR
AMPLIFIER
INPUTINPUT
OUTPUT
LR
LR
AMPLIFIER
L
R
L
R
L
R
BLACK
-
RED
+
HIGH
FREQUENCY
INPUT
MID/LOW
FREQUENCY
INPUT
HIGH
FREQUENCY
INPUT
MID/LOW
FREQUENCY
INPUT
BLACK
-
RED
+
BLACK
-
RED
+
BLACK
-
RED
+
BLACK
-
RED
+
Fig.10
L
R
HORIZONTALLY
BI-AMPING SPEAKERS
INPUT
AMPLIFIER
INPUT
PREAMP/PROCESSOR
AMPLIFIER
BLACK
-
RED
+
L R
OUTPUT
L
R
L
R
BLACK
-
RED
+
BLACK
-
RED
+
BLACK
-
RED
+
BLACK
-
RED
+
L
R
HIGH
FREQUENCY
INPUT
MID/LOW
FREQUENCY
INPUT
HIGH
FREQUENCY
INPUT
MID/LOW
FREQUENCY
INPUT
BLACK
-
RED
+
Fig.11
HIGH
FREQUENCY
INPUT
MID/LOW
FREQUENCY
INPUT
BLACK
-
RED
+
BI-WIRING
SPEAKERS
AMPLIFIER/RECEIVER
SPEAKER OUT
BLACK RED
-
+
Fig.9
5
AUTRES OPTIONS DE RACCORDEMENT (contd)
Bi- câblage
Le bi- câblage peut améliorer la clarté et la
reproduction des graves. On doit alors utiliser
deux câbles de raccordement pour chaque
enceinte. Raccorder les enceintes selon les
indications de la fig. 9.
Bi- amplification
La bi- amplification permet d'alimenter chaque
section d'éléments actifs de l'enceinte par un
amplificateur individuel. Ceci optimise l'effet de
séparation entre les canaux et améliore la
reproduction spatiale du son. Pour obtenir un
équilibre spectral précis, on doit utiliser deux
amplificateurs identiques (marque et modèle).
Vérifier que les deux amplificateurs utilisent le
même mode de fonctionnement (avec pontage ou sans pontage). NOTE: Si on choisit l'option de bi- amplification pour des
enceintes comportant des transducteurs de basses profondes alimentés, on obtient en fait une triple amplification, puisqu'un
amplificateur est déjà associé aux transducteurs de basses profondes. La triple amplification améliore encore le système.
Dans le cas de la double amplification
«verticale», un amplificateur indépendant
alimente chaque enceinte. Ceci permet une
séparation totale des canaux et l'optimisation
de la capacité de reproduction patiale du son
par le système. Raccorder successivement
chaque enceinte à un amplificateur, selon les
indications de la fig. 10.
Dans le cas de la double amplification
«horizontale», un amplificateur alimente
l'entrée basses fréquences du haut-parleur, et un
autre amplificateur alimente les entrées
moyennes fréquences/hautes fréquences. Cette
configuration peut produire une meilleure clarté
pour l'écoute à volume élevé si la demande de
courant suscitée par les basses fréquences
provoque un écrêtage par l'amplificateur, la
distorsion que ceci induit n'affectera pas les
éléments actifs des hautes fréquences.
Raccorder successivement les enceintes à
chaque amplificateur, selon les indications de la
fig. 11.
DOUBLE AMPLIFICATION
>>VERTICALE<<
NOIRE
-
ROUGE
+
PREAMPLIFICATEUR/
PROCESSEUR
AMPLIFICATEUR
INPUTINPUT
OUTPUT
LR
LR
AMPLIFICATEUR
L
R
L
R
L
R
NOIRE
-
ROUGE
+
ENTREE
HAUTES
FREQUENCES
ENTREE MOYENNES
FREQUENCES/BASSES
FREQUENCES
ENTREE
HAUTES
FREQUENCES
ENTREE MOYENNES
FREQUENCES/BASSES
FREQUENCES
NOIRE
-
ROUGE
+
NOIRE
-
ROUGE
+
NOIRE
-
ROUGE
+
NOIRE
-
ROUGE
+
Fig.10
L
R
DOUBLE AMPLIFICATION
>>HORIZONTALE<<
INPUT
AMPLIFIER
INPUT
PREAMPLIFICATEUR/
PROCESSEUR
AMPLIFICATEUR
NOIRE
-
ROUGE
+
L R
OUTPUT
L
R
L
R
NOIRE
-
ROUGE
+
NOIRE
-
ROUGE
+
NOIRE
-
ROUGE
+
NOIRE
-
ROUGE
+
L
R
ENTREE
HAUTES
FREQUENCES
ENTREE MOYENNES
FREQUENCES/BASSES
FREQUENCES
ENTREE
HAUTES
FREQUENCES
ENTREE MOYENNES
FREQUENCES/BASSES
FREQUENCES
NOIRE
-
ROUGE
+
Fig.11
ENTREE
HAUTES
FREQUENCES
NOIRE
-
ROUGE
+
BI- CABLAGE
AMPLIFICATEUR/RECEPTEUR
SPEAKER OUT
NOIRE ROUGE
-
+
ENTREE MOYENNES
FREQUENCES/
BASSES
FREQUENCES
Fig.9
5


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