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EN
Subject type Scene mode Description
Nightscapes
G
Nightscape
Suitable for tripod shooting of night scenes.
Use of a tripod and remote control via OI.Share is
recommended (P. 122).
U
Portrait +
Nightscape
Suitable for portrait shooting against a background of
night view.
Raise the ash (P. 64).
Use of a tripod and remote control via OI.Share is
recommended (P. 122).
H
Handheld
Starlight
Suitable for shooting night scenes without a tripod.
Reduces blur when shooting low light/illuminated
scenes.
The camera makes eight exposures and combines
them into a single photograph.
X
Fireworks
Suitable for shooting reworks at night.
Use of a tripod and remote control via OI.Share is
recommended (P. 122).
d
Light Trails
The camera automatically shoots multiple images,
takes newly bright areas only, and composites them
into a single image.
With normal long exposure, an image of light trace such
as star trails with bright buildings tends to get too bright.
You can capture them without over exposure while
checking the progress.
Press the shutter button to start shooting, then view the
changing result in the monitor and press the shutter
button again to end shooting once the desired result is
achieved (maximum 3 hours).
Use of a tripod and remote control via OI.Share is
recommended (P. 122).
Advanced settings can be accessed via live
composite photography (dark and light eld
composite) in M mode (P. 50).
Motion
C
Sport
Suitable for fast action shooting.
The camera will take photos while the shutter button is
pressed.
m
Children
Suitable for photographs of children and other active
subjects.
J
Panning
Choose to blur the background behind moving objects.
The camera chooses the optimal shutter speed for
panning shots based on camera motion.
Scenery
F
Landscape Suitable for landscape shooting.
`
Sunset Suitable for shooting the sunset.
g
Beach & Snow
Suitable for shooting at snow-capped mountains,
seascapes in the sun, and other whitish scenes.
E
Backlight HDR
Suitable for contrasting scenes. This mode captures
multiple images and merges them into one, properly
exposed image (P. 36).
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