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Native Straylight Manual

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• Select the tag(s) in the sound category of your choice.
Selected tags are highlighted, and items in the Results list are limited accordingly. You can
also multi-select tags within or across sound categories to further refine your search.
Preserved Tag Settings
After closing the browsers, STRAYLIGHT preserves the tag settings for each browser. After exiting
a browser, its tag settings are also reflected in the corresponding next preset and previous buttons
within the headers. The next preset and previous buttons indicate if they step through all available
items (Snapshots or presets) or if a filtered search is in use:
• If there are no tags selected in the browser, the next preset and previous buttons appear as
open brackets:
• If any tags have been selected, the Results list contains filtered items, the next preset and pre-
vious buttons appear as filled triangles:
3.2.4. Snapshots – Sound Types and Tags
This section gives you an overview of the sound types and a brief explanation of the tags you can
use to limit your search for Snapshots in the Snapshot browser.
STRAYLIGHT Snapshots are often designed to cover a wide range of the sonic spectrum, mean-
ing that they can cover a whole movie scene but have to be thinned out to work in a fuller musical
arrangement. Thinning can easily be achieved by disabling one of the layers and/or applying the
High/Low Pass filters, which are setup up on the Macros A and B for the majority of the presets.
Often the character of the sounds can widely be controlled by the number of notes played and the
octave range where you play them. STRAYLIGHT is very sensitive to the voicing. Wide chords
with few notes will often give you better results than a common, narrow keyspacing, which you
might use to play a standard piano patch.
Types
The sound type Types contains the following tags:
• Atmospheres: The sound is best played using a single note or just a few notes. Try octaves in
the lower register and one or two additional notes in the higher range. Atmospheres can also
be atonal or noisy soundscapes and are often more complex than pads.
• Pads: Sounds playable much like a typical polyphonic synthesizer. Not as “complex” as the At-
mosphere category but more suitable in typical arrangements with other instruments.
• Lead: Sounds which can function as lead sounds in a higher octave range.
• Transistion / Risers: The sound contains a spectral transition or movement, which is either
scanned through automatically synced to the host clock or the transition is the main parameter
on the XY pad allowing realtime control of the spectral change.
• Keys: The sound is based on keyboard instruments like pianos and organs.
Basic Workflows
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