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(1) Rate mode: Selects one of three modes (Sync, Free, OSC), which determine the rate in which
the LFO repeats its cycles.
In Sync mode, the LFO is synchronized to the host tempo. It provides a slider with five posi-
tions, each of which can be programmed to your desired time division. Editing the numerator
and denominator separately allows you to produce specific time divisions, and also facilitates
more esoteric ones. Sync mode organizes the denominator values in a non-linear manner, to
provide quick access to the most common values. Standard values /4, /8, /16, /32 are then fol-
lowed by triplets /12 (8-note triplets), /24 (16-note triplets), /48 (32-note triplets), and so on, un-
til 99. The change of Rate happens as soon as the slider hits a new position, with no fading in
between.
In Free mode, the Rate is absolute and independent from the host tempo. The slider subdivi-
sion are replaced with a continuous knob to control the speed of the LFO. The range, in Hz,
extends from very slow to very fast rates. The knob is scaled in this respect, giving finer control
in the middle ranges. The overall rate range is 0.004 Hz to approximately 60 Hz. Centre posi-
tion is around 5.3 Hz, which is ideal for pitch vibrato.
In Osc mode, the LFO operates at audio rate, becoming an additional keytracking oscillator.
The values generated by the Rate control are linked to incoming MIDI notes, turning Rate into
a control for transposition, ranging from zero when turned fully right, down to -96 semitones
lower than the note pitch.
(2) Latch Rate: When activated, changes to the Rate (via direct control or modulation) are latched
until the next note is received.
(3) Waveform Selector: Selects one of sixteen waveforms for the LFO. The new shape is updated
with each cycle, providing a synchronized switch when heavily modulated.
(4) Latch Shape: When activated, changes to the Shape (via direct control or modulation) are
latched until the next note is received.
Modulators
119 Manual
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