Manual Midas M32 (page 43 of 61) (English)

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43 M32 DIGITAL CONSOLE User Manual

The BALANCE push encoder allows you to emphasise the mono and stereo

components of the input signal. The mono and stereo signals can be panned

independently with the MONO PAN and STEREO PAN controls. OUT GAIN is

used to compensate for level changes resulting from the eect. The phase can

also be shifted using the shelving push encoders. Select the frequency and

bandwidth (Q) using the corresponding push encoders, then adjust the gain with

SHV GAIN.

Edison EX1

The Edison EX1 is an unbelievably powerful psycho-acoustic processor, which

allows you to completely manipulate all spatial parameters of the stereo image

– such as width and depth – in a way never before possible. You can widen or

narrow the stereo spread, bring instruments to the front or move them to the

background, and make corrections to the stereo image – even on a nished

master. Inspired by the Behringer Edison EX1.

St Spread increases the perceived width of the audio eld over which the

signal is present. Balance simply adjusts the levels between the left and

right channels, and Center Dist moves the audio source back and forth in the

perceived audio eld. LMF Spread further adjusts the stereo depth by increasing

or decreasing the perceived spaciousness of the output signal.

Sound Maxer

The SOUND MAXER restores natural brilliance and clarity to any audio signal by

adjusting the phase and amplitude integrity to reveal more of the natural texture

of the sound, which is often hidden when using some eects and equalisers.

Inspired by Sonic Maximizer 482i.

Use LO CONTOUR to determine the curve on which the PROCESS control is

eective. GAIN determines how much of the input signal passes through the

eect. Selecting either of the ACTIVE functions activates the eect for either of

the two stages.

Dual Guitar Amp / Stereo Guitar Amp

Modelled after the Tech 21 SansAmp, the Stereo / Dual Guitar Amp simulates the

sound of plugging into a real guitar amp. From shimmering cleans to saturated

crunch, the M32’s Stereo / Dual Guitar Amp allows an electric guitar player to

sound great without using an amp on stage.

The PREAMP push encoder adjusts the amount of input gain prior to the

band-specic distortion adjustment. BUZZ adjusts the low-end breakup,

PUNCHadjusts the midrange distortion, and CRUNCH tailors the high-frequency

content and distortion for smooth or cutting notes. The DRIVE push encoder

simulates the amount of power amp distortion from a tube amp. The LOW and

HIGH push encoders allow EQ adjustment independent of distortion content,

and the overall output is controlled by the LEVEL push encoder. The CABINET

simulation can be bypassed if the guitarist is already using a real cabinet, which

allows the eect to function like a boost or distortion pedal. The Dual Guitar Amp

allows the left and right channels to be adjusted independently.

Dual Tube Stage / Stereo Tube Stage

Tube Stage / Overdrive is a versatile eect capable of emulating a variety of

modern and classic tube amps. Available in stereo and dual-mono versions,

use Tube Stage / Overdrive to dial in warm and fuzzy sounds from subtle to

fully-saturated.

DRIVE adjusts the amount of harmonics being driven by the eect. EVEN and

ODD adjusts the amount of even and odd harmonics. GAIN adjusts the output

gain of the eect. LO CUT sets the input frequency below which the source

signal will not pass through the eect. HI CUT sets the input frequency above

which the signal will not pass through the eect. BASS GAIN/FREQ adjusts a

low-shelving lter at the output of the eect. TREBLE GAIN/FREQ adjusts a

high-shelving lter at the eect’s output.

Dual Pitch Shifter / Stereo Pitch

Pitch sifting is often used in two dierent ways; one is to set the MIX control

lower and only use the CENT control to make a small oset in pitch between

the wet and dry tones. This results in a ‘voice doubling’ eect that thickens the

overall sound in a more subtle way. The extreme use of this eect is to turn

the MIX control fully-clockwise so that the full sound is aected. This way,

the signal can be shifted into other keys up to an octave above or below the

original key. When used on a voice, it results in a ‘chipmunk’ sound or a low,

‘DarthVader’eect.

When the SEMI and CENT push encoders are set to 12:00, the pitch is not altered.

Making adjustments by semitone will have a very pronounced eect, whereas

changes to the CENT control will be very minor. The DELAY control creates a

time dierence between the wet and dry sounds. The LO CUT and HI CUT push

encoders allows the aected signal to be band-limited. The Dual-Pitch eect

allows the left and right channels to be adjusted independently, and allows gain

compensation and panning of the two channels.

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Midas M32 Manual

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