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Chord Basics
Reading Chord Names
Some Chord Types
“chord”.
The most basic chord type is the "triad" consisting three
notes:
the root, third, and fifth degrees of the corresponding
scale.
A “C major triad”, for example, is made up of the notes
C (the root),
E(the third note of the C major scale),and
G (the fifth note of the
C major scale).
In the C major triad shown as above, the lowest note is
the “root” of the chord(this is the chord’s “root position”
...using other chord notes for the lowest note results in
“inversion”). The root is the central sound of the chord,
which supports and anchors other chord notes.
The distance(interval) between adjacent notes of triad
in root position is either a major or minor third.
The lowest interval in our root-position triad (between
the root and the third) determines whether the triad is a
major or minor chord, and we can shift the highest note
up or down by a semitone to produce two additional
chords, as shown below.
The basic characteristics of the chord sound remain
intact even if we change the order of the notes to create
different inversions. Successive chords in a chord
progression can be smoothly connected, for example,
by choosing the appropriate inversions (or chord
“voicings”).
Chord names tell you just about everything you need to
know about a chord (other than the inversion/voicing).
The chord name tells you what the root of a chord is,
whether it is a major, minor, or diminished, whether it
requires a major or flatted seventh and what alterations
or tension does it use...all at a glance.
Style-bediening
Een paar akkoordtypes
Akkoordbeginselen
Drie of meer tegelijkertijd gespeelde noten vormen een
“akkoord”.
De basisvorm van een akkoord is de drieklank, bestaande uit
drie noten: de grondtoon (1), de terts (3) en kwint (5) binnen
een toonladder. Een C-majeur drieklank, bijvoorbeeld,
bestaat uit de noten C (grondtoon), E (de derde noot in de
toonladder C-majeur en de G (de vijfde noot binnen de C-
majeur toonladder).
Het onderste interval van een akkoord in de grondligging
(tussen de grondtoon en de terts) bepaald of de drieklank
majeur of mineur is, en de hoogste noot kan een halve noot
worden verplaatst om additionele akkoorden te vormen, zoals
hiernaast getoond.
De basiskarakteristiek van een akkoord blijft behouden ook als
we de volgorde van de noten onderling veranderen om andere
omkeringen te vormen. Opeenvolgende akkoorden en een
akkoordenprogressie kunnen vloeiend worden verbonden,
bijvoorbeeld, met goedgekozen omkeringen (ook wel “voicing”).
Kleine terts - drie halve noten
Grote terts - vier halve noten
Majeur-akkoord
Mineur-akkoord
Verminderd akkoord
Overmatig akkoord
Kleine terts
Grote terts
Kleine terts
Kleine terts
Grote terts
Grote terts
Grote terts
Kleine terts
Grondtoon
Akkoordtype
7
Mineur 7
Majeur 7
Mineur-majeur 7
7b5
Mineur 7b5
7 sus 4
Reine kwint
Reine kwart
Kleine septiem
Kleine septiem
Grote septiem
Grote septiem
Mineur-akkoord
Mineur-akkoord
Majeur-akkoord
Majeur-akkoord
Verminderde kwint
Verminderde kwint
Kleine septiem
7-akkoord
Minuer-7-akkoord
Sus-4-akkoord
Terts
Terts
Grondtoon
14


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