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Marshall RF-1 Reflector Manual

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3. 'Out 1 / Left' Jack Socket - Passive Bypass
Out 1 is connected to a passive bypass circuit. The passive
bypass ensures complete tonal integrity by disconnecting the
output of the effects circuit when not in operation. When a
jack is connected to Out 1 the pedal operates in mono mode.
4. 'Out 2 /Right' Jack Socket - Spill-Over
Out 2 is connected to a spill-over circuit. When the pedal is
switched off the reverb tail it has produced is allowed to 'spill'
and naturally decay over your playing while the input feeding
the effects circuit is switched off. When a jack is connected to
Out 2 the pedal operates in mono mode.
When jacks are connected to Out 1 & Out 2 the pedal operates
in Stereo mode, the input is dispersed over the stereo field
creating an even more spacious reverb. No spill-over is
present when the pedal operates in stereo mode.
5. Mode
The Reflector offers six different reverb modes. Selected by
switching the mode knob in to one of the six positions.
Hall A large, lush reverb, adding smooth diffuse trails
to your playing without letting your tone be
swallowed by its wave of sound.
Plate Recreating the sound of a high quality studio plate
reverb, bringing space and presence to your tone.
Room A small reverb, wrapping a subtle presence round
your sound.
Spring 1 Recreating the classic sound of the spring reverb
with it's characteristic pulse and resonant
ambience.
Spring 2 Accompanying Spring 1, this mode takes the
sound of springs and infuses it with a lush reverb
that only a digital pedal could, providing you with
the perfect combination of old and new.
Reverse The reverse mode creates ghostly textures as your
notes spill backwards out into space, rushing up to
your face before melting off into the distance.
54
ENGLISH
6. Reverb Time
Controls the decay time of the reverb tail from no tail (fully
anti-clockwise), providing just the initial sense of space, to full
decay (fully clockwise), providing long reverb tails trailing off
into the modelled space.
7. Damping
Controls the amount of high frequencies that are reflected
within the reverb. Fully clockwise all the high frequencies are
reflected creating a bright vibrant reverb. Fully anti-clockwise
and only a small amount of high frequencies are fed back
producing a dark smooth reverb.
8. Level
Controls the level of the overall effect. Fully anti-clockwise
gives the least effect and driest (uneffected) guitar signal,
while fully clockwise gives the most effected guitar sound.
9. Foot Switch
For switching the Reflector on and off.
10. LED
Indicates when the Reflector is in operation.
11. DC Input
For input of a 9V DC centre negative regulated adaptor should
you not wish to use batteries.
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