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PRESENCE BASS MIDDLE
TREBLE HIGH TREBLE NORMAL
MAINS
ON ON
STANDBY
LOUDNESS 1 LOUDNESS 2
INPUTS
JTM
45
1
1
2
2
0
28
6
4
10 0
28
6
4
10 0
28
6
4
10
0
28
6
4
10 0
28
6
4
10 0
28
6
4
10
MK
II
7 8 9
10
responden; experimenta para encontrar tu
sonido deseado.
8. HIGH TREBLE - LOUDNESS 1
(Sobreagudos - Volumen 1)
Controla el nivel de salida global del Canal 1.
Nota tonal: Este canal está congurado para
producir una mayor respuesta en agudos que
la del Canal 2.
9. NORMAL - LOUDNESS 2
(Normal - Volumen 2)
Controla el nivel de salida global del Canal 2.
Nota tonal: El canal 2 está congurado para
producir una respuesta normal.
10. INPUT (Entrada)
1 (Superior)
Sirve para conectar la guitarra al canal 1.
1 (Inferior)
Sirve para conectar la guitarra a la entrada de
menor sensibilidad del canal 1.
2 (Superior)
Sirve para conectar la guitarra al canal 2.
2 (Inferior)
Sirve para conectar la guitarra a la entrada de
menor sensibilidad del canal 2.
Nota tonal: Aunque la entrada superior del
canal 1 es la más ulizada por los guitarristas,
te recomendamos que no tengas miedo de
experimentar. Usa esta entrada para conseguir
sonidos diferentes. Algunos guitarristas preeren
mezclar los dos canales haciendo un corto, es
decir, enlazando un cable patch apantallado,
entre la entrada inferior del Canal 1 y la entrada
superior del Canal 2. De este modo, puedes
mezclar las diferentes caracteríscas tonales
de cada canal al enchufar a connuación la
guitarra a la entrada superior del Canal 1, lo
que proporciona una mayor exibilidad (ver
diagrama).
INPUTS
1
1
2
2
ESPAÑOL
63


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