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Marshall JTM45 - 2245 Manual

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SPEED INTENSITY PRESENCE BASS
MIDDLE TREBLE
MAINS
ON ON
STANDBY
INPUTS
1
1
2
2
0
28
6
4
10 0
28
6
4
10 0
28
6
4
10 0
28
6
4
10
0
28
6
4
10 0
28
6
4
10
VOLUME IVOLUME II
0
28
6
4
10 0
28
6
4
10
JTM
8 9
10
11 12
9. TREBLE (Agudos)
Controla el contenido de frecuencias altas
del sonido. Al girar en el sendo de las agujas
del reloj se incrementan los agudos, lo que
proporciona un sonido más brillante.
Nota tonal: La ecualización del previo del
amplicador es dinámica y altamente interacva
y, por lo tanto, cuando se modica el ajuste
de un control de ecualización, puede cambiar
el modo en que los otros controles responden;
experimenta con los ajustes de los controles
para encontrar tu sonido deseado.
10. VOLUME I (Volumen I)
Controla el nivel de salida global del Canal 1.
Nota tonal: Este canal está congurado para
producir una mayor respuesta en agudos que
la del Canal 2.
11. VOLUME II (Volumen II)
Controla el nivel de salida global del Canal 2.
Nota tonal: Este canal está congurado para
producir una respuesta normal.
12. INPUTS (Entradas)
1 (Superior)
Sirve para conectar la guitarra al canal 1.
1 (Inferior)
Sirve para conectar la guitarra a la entrada de
menor sensibilidad del canal 1.
2 (Superior)
Sirve para conectar la guitarra al canal 2.
2 (Inferior)
Sirve para conectar la guitarra a la entrada de
menor sensibilidad del canal 2.
Nota tonal: Aunque la entrada superior del
canal 1 es la más ulizada por los guitarristas,
te recomendamos no tengas miedo de
experimentar y prueba a tocar con esta entrada
para conseguir sonidos diferentes. Algunos
guitarristas preeren mezclar los dos canales
haciendo un corto, es decir, enlazando un cable
patch apantallado, entre la entrada inferior
del Canal 1 y la entrada superior del Canal 2.
De este modo, puedes mezclar las diferentes
caracteríscas tonales de cada canal al enchufar
a connuación la guitarra a la entrada superior
del Canal 1, lo que proporciona una mayor
exibilidad (ver diagrama).
INPUTS
1
1
2
2
ESPAÑOL
… 59 …


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