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PRESENCE BASS MIDDLE
TREBLE HIGH TREBLE NORMAL
MAINS
ON ON
STANDBY
LOUDNESS 1 LOUDNESS 2
INPUTS
1
1
2
2
0
28
6
4
10 0
28
6
4
10 0
28
6
4
10
0
28
6
4
10 0
28
6
4
10 0
28
6
4
10
MK
II
7 8 9 10
el ajuste de un control de ecualización, puede
cambiar el modo en que los otros controles
responden; te recomendamos que experimentes,
para encontrar así tu sonido deseado.
8. HIGH TREBLE LOUDNESS 1
(Volumen de sobreagudos 1)
Controla el nivel de salida global del Canal 1.
Nota tonal: Este canal está congurado para
producir una respuesta en agudos mayor que la
del Canal 2.
9. NORMAL LOUDNESS 2
(Volumen normal 2)
Controla el nivel de salida global del Canal 2.
Nota tonal: El canal 2 está congurado para
producir una respuesta normal.
10. INPUTS (Entradas)
1 (Superior)
Sirve para conectar la guitarra al canal 1.
1 (Inferior)
Sirve para conectar la guitarra a la entrada de
menor sensibilidad del Canal 1.
2 (Superior)
Sirve para conectar la guitarra al canal 2.
2 (Inferior)
Sirve para conectar la guitarra a la entrada de
menor sensibilidad del Canal 2.
Nota Tonal: Aunque la entrada superior del
canal 1 es la más ulizada por los guitarristas,
no tengas miedo de experimentar. Algunos
guitarristas preeren mezclar los dos canales
haciendo un corto, es decir, enlazando un cable
patch apantallado, entre la entrada inferior
del Canal 1 y la entrada superior del Canal 2.
De este modo, puedes mezclar las diferentes
caracteríscas tonales de cada canal al enchufar
a connuación la guitarra a la entrada superior
del Canal 1, lo que proporciona una mayor
exibilidad (ver diagrama).
INPUTS
1
1
2
2
ESPAÑOL
55


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