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26. MAINS INPUT
Connects the amplier to the mains
electricity supply.
Note: The MAINS INPUT socket has an
integrated fuse compartment. Ensure that
the value of a replacement fuse matches the
labelling on the amplier rear panel. You
MUST ALWAYS switch the amplier OFF
and disconnect it from the mains electricity
supply before aempng to access the fuse
compartment. If in doubt, contact your
Marshall dealer.
27. MIDI IN
Connect your external MIDI device to
the MIDI IN socket.
Note: The amplier only accepts incoming
data and it is not able to send any MIDI
commands.
You can set the channel, the state of the
LOOP and MASTER volume via MIDI
messages.
MIDI commands allow the remote
control of some front panel funcons
(refer to MIDI implementaon chart at
the end of this manual).
The MIDI receive channel is factory-set
to channel 1. In order to set a dierent
channel, press and hold the Loop On/O
switch (Front Panel Funcon #23) while
powering up the amplier to acvate
MIDI waing mode. The LED will ash
unl a valid MIDI command is received.
The MIDI receive channel will be set to
the channel of that command.
To select MIDI OMNI receive, put the
amplier into MIDI waing mode and
REAR PANEL FUNCTIONS
DSL40CR REAR PANEL
DSL100HR REAR PANEL
ENGLISH ENGLISH
2827
26
then press and hold the Master Select
switch (Front Panel Funcon #18) unl
its LED lights up.
Note: When the 2-way footswitch is
connected the amplier will not respond to
any MIDI messages.
28. FX LOOP RETURN
Connect the output of an external FX
pedal or processor.
29. FX LOOP SEND
Connect the input of an external FX
pedal or processor.
30. F/S
Connect the supplied 2-way footswitch
or the oponal 6-way footswitch here.
31. AUDIO IN
Connect an external device here to
pracce with or to jam along to music.
32. EMULATED OUT
Emulated line level output for
headphones or connecon to a mixer.
The DSL is equipped with a high quality
emulated output using Soube-designed
studio cabinet emulaon. This ensures
that your headphone and output signal
from this socket provide the best
possible tone for pracce or recording.
Note: Using EMULATED OUT does not omit
the need for a speaker load to be connected
to the amplier (Rear Panel Funcon #33).
Note: For silent recording via EMULATED
OUT set the OUTPUT switch to STB (Front
Panel Funcon #24).
2933 31 2830 2732 26
31
3029
32 33
6


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