Manual Marantz SR-9300 (page 44 of 57) (English)

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2 PRO LOGIC II MOVIE, PRO LOGIC II MUSIC, PRO LOGIC

This mode is used with source materials encoded in Dolby Digital and

Dolby Surround.

Dolby Pro Logic II brings the excitement of surround sound to any

stereo mix, while making existing Dolby Surround mixes sound more

like discrete 5.1 channels Surround sound.

Dolby Pro Logic II has below 3 modes.

Pro Logic II MOVIE provides 5.1 channel surround sound from Dolby

Surround encoded stereo movie sound tracks.

Pro Logic II MUSIC mode provides 5.1 channel surround sound from

conventional stereo sources, analog or digital, such as CD, tape, FM,

TV, stereo VCR, etc.

PRO LOGIC emulated original Dolby Pro Logic decoding (3/1

surround) suit for Dolby Surround encoded stereo movie soundtracks.

Notes:

• Pro Logic II mode is available to 2ch input signal which is

encoded Dolby Digital or PCM format.

• PCM-audio signals can be subjected to Pro Logic processing

when the sampling frequency is 32 kHz, 44.1 kHz or 48 kHz.

DSP SURROUND (HALL, MATRIX, MOVIE)

These modes provide surround effect processing from each input

source material.

They will produce theater, concert hall and stadium like atmospheres.

Select as your taste desires.

STEREO

This mode bypasses all surround processing.

Stereo program sources the left and right channels play normally

when PCM-audio or analog stereo is input.

With Dolby Digital and DTS sources, the 5.1 multi-channels are

converted to two channel stereo. 96 kHz source material can be

playback in stereo mode.

CIRCLE SURROUND II (CSII-CINEMA, CSII-MUSIC, CSII-MONO)

Circle Surround is designed to enable multi-channel surround sound

playback of non-encoded and multi-channel encoded material.

Backward compatibility provides listeners with up to 6.1 channels of

surround performance from entire collection of music and film,

including broadcast, videotape and stereo recorded music.

Regarding to source material, you can select CSII-Cinema mode,

CSII-Music mode or CSII-Mono mode.

Note:

• CS II mode is available to 2ch input signal which is encoded

Dolby Digital or PCM format.

• PCM-audio signals can be subjected to Pro Logic processing

when the sampling frequency is 32 kHz, 44.1 kHz or 48 kHz.

MULTI CH. STEREO

This mode is used to create a wider, deeper and more natural

soundstage from two channel source material.

This is done by feeding the left channel signal to both left front and left

surround speaker and the right channel signal to both right front and

right surround speaker. Additionally, the center channel reproduces a

mix of the right and left channel.

VIRTUAL

This mode creates a virtualized surround sound experience from a

two-speaker (front L and R) playback system playing any multi-

channel audio source (such as found on DVDs and digital

broadcasts), including Dolby Digital, , Dolby Pro Logic or DTS.

CAUTION

NOTE for Dolby Digital Surround EX signal

* When playing Dolby Digital Surround EX-encoded software in 6.1

channels, it is required to set the THX Surround EX mode. Note that

some of Dolby Digital Surround EX-encoded software does not

contain the identification signal. In this case, set the THX Surround

EX manually.

NOTE for 96kHz PCM audio

* AUTO, Source- DIRECT, and STEREO modes can be used when

playing PCM signals with a sampling frequency of 96 kHz (such as

from DVD-Video discs that contain 24 bit, 96 kHz audio). If such

signals are input during playback in one of the other surround

modes, output from SR9300 will be muted.

* Certain DVD player models inhibit digital output. For details, refer to

the player’s operation manual.

* Some DVD formatted discs featured copy protection. When using

such disc, 96 kHz PCM signal is not output from the DVD player. For

details, refer to the player's operation manual.

NOTE for DTS signal

* Connected DVD-player, laser-disc player or CD-player needs to

support DTS-digital output. You may not be able to play some DTS

source signals from certain CD players and LD players even if you

connect the player to the SR9300 digitally. This is because the

digital signal has been processed (such as the output level,

sampling frequency, or frequency response) and the SR9300

cannot recognize the signal as DTS data.

* If you press the PAUSE or SKIP button on the player while playing a

DTS source, a short noise may be heard. This is not a malfunction.

In such cases, select the surround mode the “DTS” or “DTS-ES”.

* If DTS cinema, DTS music or DTS-ES mode is selected, digital

input cannot be switched to analog input.

* When the analog input function has been selected, Surround mode

cannot be switched to DTS cinema, DTS music or DTS-ES mode.

* While signals from DTS-laser disc or CD are playing in another

Surround mode, you cannot switch to digital input or from digital

input to analog input by INPUT SETUP in OSD menu system or A/D

button.

* You cannot listen to DTS-encoded source in MULTI ROOM.

* The outputs for the VCR 1 OUT, VCR 2 OUT, TAPE OUT, and CD-

R OUT output analog audio signals. Do not record from CDs or LDs

that support DTS using these outputs. If you do, the DTS-encoded

signal will be recorded as noise.

NOTE for HDCD signal

* HDCD is effective only at the time of digital input.

* AUTO, Source- DIRECT, and STEREO modes can be used when

playing HDCD signals (such as from CD discs that contain HDCD).

* You may not be able to play some HDCD source signals from

certain CD players if you connect the player to the SR9300 digitally.

This is because the digital signal has been processed (such as the

output level, sampling frequency, or frequency response) and the

SR9300 cannot recognize the signal as HDCD data.

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