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THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND
CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED
WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED
WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A
PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE
FOUNDATION OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT,
INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR
CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO,
PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF
USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER
CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN
CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE
OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS
SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH
DAMAGE.
LFE
Dies ist eine Abkürzung für Low Frequency Effect (Niedrigfrequenz-
Effekt), ein Ausgangskanal, der Klang mit Niedrigfrequenz-Effekten
betont. Surround-Audio wird durch die Ausgabe von 20 Hz bis 120 Hz
tiefen Bässen an die System-Subwoofer intensiviert.
MP3 (MPEG Audio Layer-3)
Dies ist ein international standardisiertes Komprimierungsverfahren für
Audiodaten, bei dem der Videokomprimierungsstandard “MPEG-1”
verwendet wird. Die Datenmenge wird dabei auf etwa ein Elftel der
ursprünglichen Größe reduziert. Die Tonqualität bleibt dabei vergleichbar
mit einer Musik-CD.
MPEG (Moving Picture Experts Group), MPEG-2, MPEG-4
Diese Bezeichnungen stehen für digitale Komprimierungsstandards zur
Kodierung von Video- und Audiodaten. Die Videostandards umfassen
“MPEG-1 Video”, “MPEG-2 Video”, “MPEG-4 Visual”, “MPEG-4 AVC”. Die
Audiostandards umfassen “MPEG-1 Audio”, “MPEG-2 Audio”, “MPEG-4
AAC”.
WMA (Windows Media Audio)
Dies ist ein Audio-Komprimierungsverfahren, das von Microsoft
Corporation entwickelt wurde.
WMA-Daten können mithilfe von Windows Media® Player decodiert
werden.
Zur Kodierung von WMA-Dateien dürfen nur Anwendungen genutzt
werden, die von Microsoft Corporation genehmigt sind. Bei Verwendung
einer nicht genehmigten Anwendung besteht die Gefahr, dass die Datei
unbrauchbar ist.
Abtastfrequenz
Bei der Abtastung wird eine Tonamplitude (analoges Signal) in
regelmäßigen Abständen eingelesen. Die Amplitudenhöhe wird bei jedem
Einlesen in einen digitalen Wert umgewandelt (dadurch entsteht ein
digitales Signal).
Die Anzahl der Einlesungen pro Sekunde stellen die “Abtastfrequenz” dar.
Je höher der Wert, desto originalgetreuer klingt der reproduzierte Ton.
Inhalt Anschlüsse Wiedergabe Einstellungen Tipps Anhang
224
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