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Marantz Model 4300 Manual

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MONITOR Switch in the TAPE 2 position.
During recording, the MODE Switch should
be
in
DISCRETE,
VARI-MATRIX
or sa DECODER
positions. This applies the source signal, un-
changed,
directly
to
the tape outputs.
To
record a discrete 4-channel source
on
a
2-
channel recorder,
put
the MODE Switch in the
2
CH
position.
Leave
the MONITOR Switch in
the SOURCE position while recording. This will
feed
the
sum
of
the left-front
and
left-rear inputs
to
the
left·front
TAPE MONITOR OUT jack, and
the
sum
of
the right-front
and
right-rear inputs
to
the right-front TAPE MONITOR OUT jack.
To record any type
of
source on a monaural
recorder,
put
the MODE Switch in the MONO
position.
Leave
the MONITOR Switch in the
SOURCE position while recording.
MAIN
AND
REMOTE
SPKR
SWITCHES
These
switches select the loudspeaker terminals·
to
wh
ich audio power
is
fed. The
MA
I
Nand
REMOTE groups
of
loudspeakers may
be
operat-
ed
separately or simultaneously. With both
speaker
switches in the
"out"
position, all loud-
speakers
are
disconnected. The
signal
at the
FRONT
and
REAR PHOI\lES jacks
is
not
affected by the
MAIN
and
REMOTE SPKR
Switches.
NOTE:
When
using both
MAIN
and
REMOTE
speakers
simultaneously, the combined
impedance
of
all the
speakers
should
not
be
less
than 4 Ohms.
POWER
SWITCH
This pushswitch turns the Power
on
or
off.
When
the
POWER
Switch
is
"in",
the dial lamp illumi-
nates.
Be
sure
to
turn
the
POWER
pushswitch
off
before plugging or unplugging the power cord.
FRONT AI\lD REAR PHONES JACKS
These
jacks accept a standard 3-conductor phone
plug employed with standard stereo or 4-channel
headphones.
When
using 2-channel headphones,
insert the plug into the FRONT PHONES jack.
When
using
4-channel headphones, insert the
front
plug
into
the FRONT PHONES jack
and
the
rear
plug into the REAR PHONES jack.
Either high- or low-impedance headphones may
be
used.
a
LOUDNESS SWITCH
When
listening at
low
levels,
set
this switch
"in".
The LOUDNESS Switch boosts
bass
and
treble
tones
to
compensate
for
the human ear's lack
of
response
to
those frequencies at low volume
levels.
LOW
FILTER
SWITCH
With the pushswitch
set
"in",
the LOW
FILTER
suppresses
low
frequency noise,
such
as
turntable
rumble or
"boomy,
exaggerated"
bass.
The
use
of
this
filter
will
also
reduce desired
low
fre-
quency sounds,
as
well
as
unwanted noise. In the
"out"
position, the LOW
FILTER
is
switched
out
of
the circuits.
HI
FI
LTER SWITCH
With this pushswitch
set
";n",
the High
Fre-
quency Filter
suppresses
high frequency noise,
such
as
"scratch" from worn phonograph records
and tape "hiss". The
filter
will also slightly
reduce high frequencies in the program material.
When
the program
does
not
have
high frequency
noise, the HI
FILTER
pushswitch should
be
"out"
.
METERS
The Model 4300
is
eqUipped
with
two
meters,
a SIGNAL·STRENGTH Meter
and
an
FM
TUNING
Meter. The SIGNAL-STRENGTH Meter
indicates the signal-strength
of
any
AM
or
FM
broadcast. The FM
TUNING
Meter operates
on
FM only
and
indicates correct station tuning. The
SIGNAL·STRENGTH Meter acts
as
a Dolby
Calibration Meter when the
DOLBY
Switch
is
in
any position other than
"OFF".
TUNING
AM: For optimum AM reception, tune
to
the
Figure
10.
Stereophone
Plug
… 11 …


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