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Magix Movie Edit Pro 15 Manual

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132 Titles and effects
www.magix.com
er the room, the longer the sound travels
cts. Our brain "calculates" the size from the
time difference. The size impression is mainly determined from so-
fluenced by the composition of the
walls, ceilings, and floors. This reverb time is highly frequency-
dependent. For instance, the highs and mids are dampened more in
ith curtains, carpets, furniture, and some corners than in an
empty, tiled room.
n. The sequence of the first reflection is
that
complex as they develop. They
stead where individual echoes can still be heard at the
beginning of the reverb but then reflect amongst each other more
the provided sliders.
oms we have modeled two device types in the
time: Plate Reverb and Spring Reverb.
A of a large metal plate (often 0.5 to 1m² thick,
(similar
to r). On the reverb plate, so-called "taps" are
th
di r
pe
w
S
it
different designs
• Size of room: The larg
between walls or obje
called first reflections and the discreet echo. We don’t notice a
(diffused) reverb.
• The reverberation time is mainly in
rooms w
• The density of the reflectio
particularly important. A room with many individually recognizable
echoes feels alive, especially if they are quite far apart.
• The diffusion. Simple reverb machines do not take into account
reflections become more and more
blur the first echoes at the beginning, which sounds artificial and
"two-dimensional" for many signals. Our reverb effect works like a
real room in
and more until they disappear in the signal sustain as a so-called
"diffused hiss".
The presets include many rooms that were designed for certain
instruments and applications and whose internal parameters have
been optimized for these applications. However, you can influence
most of the characteristics of the room using
In addition to the ro
reverb effect that allow you to create an artificial reverb for a longer
Plate reverb
plate reverb consists
or more) that is put into motion by a magnet and coil system
a loudspeake
positioned at different locations. These are pick-ups comparable to
ose on a guitar. Reverb plates have a very dense sound (high
ffusion); no direct echo can be heard. They are therefore ideal fo
rcussive metal. A plate reverb generates a smooth "pleasant effect"
ith vocals.
pring reverb
You probably remember spring reverb from guitar and keyboard
amps, particularly the older ones. At the bottom of these amps, a un
consisting of two to four spirals is mounted on a vibration-free
carriage. As with the reverb plate, it uses systems for transforming
the electric signal into a mechanical one. There are
and sizes of spring reverb; however, they all have the same quite
peculiar sound: the typical "bloing" sound when the springs are
… 132 …


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