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130 Titles and effects
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interference signals by 3-6 dB rather than as much as is possible, so
te removal.
regular "white" noise typically produced by
rters,
N is
better 3-6 dB rather than as much
in order to keep the sound "natural".
vel
duces artifacts and should be avoided, since
high settings will produce
woodwinds) which are
Equalizer
The 10-track equalize
(tracks) and supplies
to achieve many impr
to total sound transformation. raise the low frequencies too
much throughout the whole level, it might cause distortions.
.
ink frequency bands: The frequency fields can be bundled together
al
The compressor is essentially an automated dynamic volume control
ow
the
vocals,
tio: Regulates the compression ratio.
Function: Defines the compressor's mode of operation depending
Reducer: This sets the balance between the original signal and the
signal with the applied noise reduction. It's often better to reduce
as to keep the sound "natural". In case of buzzing, it’s best to apply
comple
Dehisser
The DeHisser eliminates
analog tape recordings, microphone pre-amplifiers, A/D conve
or transformers.
o e reduction can be regulated in decibels with the fader. It is often
to reduce interference signals by
as possible
Noise level: You can choose between different noise levels. The le
of the noise reduction function should be set as precisely as possible.
Low settings result in incomplete deletion of the hissing. Incomplete
deleting of hissing pro
dull results and some useful signals (i.e.
similar to hissing are also filtered away.
r divides the frequency spectrum into 10 areas
them with separate volume controls to allow you
essive effects, from the simple rising of the bass
If you
Fader: The volume of each of the 10 frequency bands can be set
separately with the 10 volume controls
L
flexibly in order to avoid artificial-sounding exaggeration in individu
frequency fields.
Compressor
tool. Pitch dynamics are limited, loud passages stay loud, and l
passages become louder. Compression is often used to make
material more powerful, particularly for bass recordings and
but also as master effects in the mixer for adding to the overall
sound.
Ra
130


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