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Magix Movie Edit Pro - 2004 Manual

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Media Pool
Media-Pool buttons
At the top of the Media Pool are the Shortcut buttons for
exploring \the most important directories:
Drives: The button on the left accesses the navigation bar
on the left-hand side of the Media Pool.
Own: This button opens the ‘MyAudioVideo’ directory,
which is automatically created upon program installation.
All arrangements are exported to and saved in this direc-
tory unless changed by the user.
Records: This button opens the “My Records” directory,
which is automatically created when the program is in-
stalled. All MAGIX Movie Edit Pro 2004 captures are stored
in this directory.
Takes: This button opens the Takes directory. The Takes
directory stores the individual scenes taken from longer
videos and objects edited with effects. All the takes recog-
nized by automatic scene recognition dare stored in this
directory. The drag & drop function for moving objects from
the arranger to the Takes directory enables you to use the
arranger to neatly cut up videos into individual takes.
Titles: This button accesses the titles directory. The titles
directory contains the various RTF files that may be dropped
onto the tracks and used for video subtitles. Further infor-
mation on subtitles and use of RTF text objects can be found
in the chapter “Videos and Pictures”.
Trans FX: In the Timeline mode you can drag & drop the
transitions onto the objects. Click this button to open the
directory “transitions”, select a transition of your choice,
and drag and drop the transition between two objects.
Video FX: This directory contains video effects that may
be applied to videos or images. Simply drag & drop the
effects onto videos or images in the arranger. To see all of
the effects available for the selected object, select the video
controller form the effects menu or the context menu.
Audio FX: This directory contains the audio object effects.
Simply choose an effect and drop it onto audio objects in
the arranger. Effects may be combined for more
customization of the final sound,
… 55 …


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