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If this didn't work, use the "Windows mixer" button to open the Windows Mixer and
select the channel manually.
Adjusting the recording level is essential when recording digitally via sound cards in
order to achieve optimum sound quality. If the adjustment is set too high, distortion
occurs and the incoming signal must be reduced. If you reduce input sensitivity, the
resolution at which the analog signal is digitized is also reduced. The level controllers
of your sound card should generally be set as high as possible in order to achieve
optimum results. Yardstick for an optimal level is the loudest part of the material. The
loudest part should be adjusted to the maximum. You can now adjust the recording
level with the help of the LED display in the record dialog.
You can adjust the level of the source manually using the "Volume" controller. If you
activated "Automatic level adjustment", the level controller will automatically be set
to the correct value.
24-bit Audio Support
Note: 24-bit recording is not available in MAGIX Audio Cleaning Lab 2014.
Not only can audio data be recorded in MAGIX Audio & Music Lab 2014 Premium in
16-bit CD quality, but also in higher-quality 24-bit resolution. You can select this 24-
bit resolution audio format in the recording dialog. 24-bit recording requires a high-
quality audio card with 20 or 24-bit conversion, plus a 24-bit capable MME driver.
Audio cards with SPDIF digital interfaces can also record audio material in 24-bit
quality.
The high-resolution audio data are saved and edited by MAGIX Audio & Music Lab
2014 Premium in 32-bit floating point data format. This ensures full 24-bit quality
regardless of the level. The dynamics increase to more than 140 dB, the signal-to-
noise ratio of the recordings drops to 110 dB and more depending on the sound card.
Thanks to Floating Point Processing there is no need to worry about clipping during
internal processing. A Floating Point Signal only begins to clip at approximately 1500
dB above 0 whereas a 16-bit signal clips as soon as 0 dB is exceeded.
Even if the audio material is to be burned on a 16-bit audio CD in effect, it pays to use
a 24-bit audio resolution for the recording because all effect calculations also then run
with a higher quality and do not generate any rounding errors in the audible 16-bit
range.
Compared with 16-bit recordings, 24-bit recordings take up double the memory on
the hard drive (by saving them as 32-bit float data), but considering the capacity of
modern hard drives this is a good compromise for the increase in quality.
High-resolution audio data can be imported and exported as 24-bit WAV files so that
the data exchange with other high-quality audio systems – e.g. MAGIX Samplitude –
is not a problem.
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