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Modeled Amps & Cabs
3•2
control fully left you’ve got big bottom 21st Century Clean, and fully right you’ve got
paint-peeling ultra-drive. Set it anywhere in between, and you get to have your cake and
smear it all over your audience, too.
“Line 6 INSANE”. Our goal here was to provide you with as much input gain distortion
as possible short of complete meltdown. You get ridiculous, rich tube drive to shame the
distortion of pretty much any amp on the planet while still retaining tonal definition and
character. As a result, you get lots of bottom end and cabinet character with tons of wide-
ranging tone shaping. Crank up the Drive control and take no prisoners!
“Tube Preamp”. Not even close to being a guitar amp, but once we got started, we just
couldn’t stop ourselves. The thinking went like this: ‘Once people get this Pocket POD,
it’s gonna be so great that they’re gonna wish they could use it for everything warming
up keyboards, crunching up drums, fuzzing up vocals. We’ve gotta give ’em something to do
that!’ So we did. The Tube Preamp Amp Model lets you warm up any sound source the
way producers and engineers often do in the studio with vintage tube gear. For more “edge”
on vocals, try running your vocal tracks through Pocket POD. Or punch up (or munch up)
a synth bass track by sending it through Pocket POD and cranking up the Drive and EQ
controls to suit your taste. Although this is not actually a guitar amp model, you can even get
some great guitar tones out of it. Also try using it as a direct box for bass. When you do this
stuff, you want to use the Drive control like a mix knob on a reverb to control how much
processing you want to hear. You generally don’t want to mix the pre-Pocket POD sound
with the post-Pocket POD sound because of the comb filtering that results. Instead, jack the
sound source right into Pocket POD and then only monitor it post-Pocket POD processing.
With the tone controls at 12 o’clock, the EQ is “flat.”
“Jazz Clean”. Based on* the classic Roland
®
JC-120. This
transistor amp was known for a strident clean sound and built-
in stereo chorus. When using the Jazz Clean Amp Model, try
cranking up the Treble for a shimmering clean sound that’ll cut
through just about any mix. It’s also perfect for that 80’s “new
wave” sound. Alternatively, try backing off on the Treble and
turn up the Bass and Mid for a darker jazz tone. It’ll give you an
essentially flat response, providing a balanced tone across the fret
* All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6.
These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were
studied during Line 6’s sound model development. ROLAND
®
is a registered trademark of Roland Corporation.
16


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