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MIDI 69
Maintenez enfoncé le bouton TRANSPOSE/FUNCTION et appuyez sur une tou-
che, dans la plage de notes Do2–Ré#3, correspondante au canal MIDI souhaité.
Note : lors de la mise sous tension, l’instrument se prédispose automatiquement
avec le canal 1 sélectionné.
Note : D’usine, le canal 10 est automatiquement affecté au métronome (notes Ré#5-
Mi5).
Note : En mode Layer, le second timbre est transmis sur le canal successif. Par
exemple, si vous choisissez le canal 7, le premier timbre est transmis sur le canal 7,
tandis que le second sur le canal 8. Si vous choisissez le canal 16, le second timbre
est transmis sur le canal 1 (retour en cycle au premier canal).
Utiliser le SP-250 en tant que générateur de sons multimbres
Si le SP-250 est piloté par un dispositif MIDI externe, il peut fonctionner en tant
que générateur de sons à 16 parties. Vous pouvez sélectionner un timbre différent
sur chacun des 16 canaux MIDI.
1 Utilisez un câble MIDI pour connecter la borne MIDI IN de votre SP-250 à la borne
MIDI OUT d’un séquenceur, etc.
2 Transmettez les données MIDI depuis le séquenceur connecté (ou autre dispositif).
Voir les instructions détaillées relatives à la sélection d’un timbre via un message de
Changement de Program dans le chapitre “Program Change” on page 70. La récep-
Touche Canal Touche Canal
Do2 1 Do#2 2
Ré2 3 Ré2 4
Mi2 5 Fa2 6
Fa#2 7 Sol2 8
Sol#2 9 La2 10
La#2 11 Si2 12
Do3 13 Do#3 14
Ré3 15 Ré#3 16
71


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