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52 KETRON • AUDYA
2ND VOICE
Presser la touche USER 2 (2nd Voice1) pour ouvrir
une page-écran pareille à la Figure 93sont affichés
les paramètres pour la deuxième sonorité 2nd VOICE,
activable de la touche du même nom de la section
VOICES.
Les paramètres disponibles pour la modification de la
2nd VOICE sont accessibles à l’aide des touches F1...
F10. Ou pourra modifier les valeurs sélectionnées en
employantlamoletteDATA/VALUEoulestouches
CURSEUR
Ó Á
.
• F1–2ND VOICE: il est possible d’assigner un
instrument parmi les instruments disponibles
dans les différents bancs GM.
Par exemple:
Strings1
Strings2
Strings3
Symphonic
Timpani
Geige
Contrabass
Tremolos
... etc.
•F2–VOLUME:règlelevolumedela2ndVOICE.
Pour établir la valeur 0 presser simultanément
les touches CURSEUR
Ó Á
.
•F3–OCTAVE:onpourrasélectionnerla2ndVOICE
surunevaleurde+/-2octaves.Pourmettre
la valeur à zéro (—) presser simultanément les
touches CURSEUR
Ó Á
(Figure 94).
•F4–TUNE:onpourraréglerdefaçonfinel’intonation
de+/-100centdedemi-ton(valeursde-63à+
64).
•F5–REVERB:règlel’envoidel’effetréverbération.
Pour établir la valeur 0 presser simultanément
les touches CURSEUR
Ó Á
. (Figure 95).
•F6–EFFECTASSIGN:ilestpossibled’assignerun
deuxième effet, c’est-à-dire un CHORUS ou un
ECHO.
•F7–EFFECTSEND:règlel’envoidudeuxièmeeffet
(CHORUS ou ECHO).
•F8–SUSTAIN:active/désactivelapédaledu
SUSTAIN sur la deuxième sonorité.
•F9–SPLIT:établitlanotedesplitdroitepourla
deuxième sonorité.
•F10–CONTROLS:ouvreunedeuxièmepagede
contrôles (Figure 96)pouractiver/désactiver
les paramètres suivants concernant la 2nd
VOICE:
F1–PORTAMENTOON/OFF:active/désactive
le contrôle du Portamento.
F2–AFTERTOUCHON/OFF:active/désactivele
contrôle via Aftertouch.
F3–PITCHBENDON/OFF:active/désactivele
contrôle de Pitch Bend.
F4–MODULATIONON/OFF:active/désactivele
contrôle de la Modulation Wheel.
F5–EXPRESSIONON/OFF:active/désactivele
contrôle de l’expression.
Program
Figure 93
Figure 94
Figure 95
Figure 96
52


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