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58 KETRON • AUDYA
Program
These parameters are of course linked to the
Harmony parameter, which specifies the voice
affected by harmonization.
• Aft.Morphing: it assigns the morphing to the
aftertouch control.
• Aft.Morph.Coupl.: it assigns the additive
morphing to the aftertouch control.
• Ped.Morphing: it assigns the morphing to the
pedal control.
• Ped.Morph.Coupl.: it assigns the additive
morphing to the volume pedal control.
• Sustain Switch: it switches sounds by using the
sustain pedal.
• Key off: you can assign sounds on key off.
• Key off time 1,2: key off sound accordingly to the
key pressure time.
• Key off random1,2: random key off sound.
•
F5SPLIT -12 (ON/OFF) (Figure 118): you can
enable/disable the SPLIT to -12 semitones
function. That is, when SPLIT mode is set, the
RIGHT hand will sound a -1 octave, instead, when
PIANIST mode is set, the keyboard will sound the
original octave.
•
F9HARMONY (Figure 119): you can set the
harmonization type choosing from the following
parameters:
Voice1 - set Harmony at voice 1
Voice2 - set Harmony at voice 2
Voice3 - set Harmony at voice 3
Off
•
F10AFTER/WHEELS: opens a further window
where you can set the Aftertouch and Modulation
Wheel parameters.
AFTER/WHEELS
•
From the AFTER/WHEELS window you can
modify the parameters using the F1... F10
buttons. Once you have selected the parameter,
the value can be modified by using the DATA/
VALUE wheel or the CURSOR Ó Á buttons.
•
F1/F6–VOICES: you can assign up to three
VOICES to the same PROGRAM, as already seen
in the first PROGRAM EDIT screen.
•
F2/F7–AFTERT. (Figure 120): you can assign an
Aftertouch control to each instrument. If stored
in the PROGRAM and then enabled in Aft&Port
Autoswitch (Menu > Keyboard Control >
Aftertouch) you can activate it from the button on
the front panel.
For example:
Pitch1, Pitch2: changes the pitch
Filter: changes the filter
Amplitude: changes the amplitude
Figure 118
Figure 119
Figure 120
58


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