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USER MANUAL
Audya Series
2 KETRON • AUDYA
IMPORTANT SAFETY PRECAUTIONS
KETRON • AUDYA 3
The exclamation point within an equilateral triangle is intended to alert the user to
the presence of important operating and maintenance (servicing) instructions in
the literature accompanying the appliance.
Warning sign, within equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the product’s enclosure that
may be of sufficient magnitude to constitute a risk of electric shock to persons.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING
TO QUALIFIED SERVICE PERSONNEL.
WARNING: TO PREVENT FIRE OR SHOCK
HAZARD, DO NOT EXPOSE THIS
APPLIANCE TO RAIN OR MOISTURE.
This appliance has a serial number
located on the rear panel (Audya) or on
the bottom panel (Audya 4, 5 and 8).
Please record the model name and the
serial number and retain them for your
records.
Model name
Serial number
CE Marking Information
a) Applicable electromagnetic environment: E4
b) Peak inrush current: 15 A
1 Read these instructions.
2
Keep these instructions.
3
Heed all warnings.
4
Follow all instructions.
5
Do not use this apparatus near water.
6
Clean only with dry cloth.
7
Do not block any ventilation openings. Install in
accordance by using the manufacturer’
s instructions.
8
Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that pr
oduce heat.
9
Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A gr
ounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. If
the provided plug does not fit into your outlet, consult
an electrician for replacement of the obsolete outlet.
10
Protect the power cord fr
om being walked on or
pinched particularly at plugs, convenience recepta-
cles, and the point where they exit from the apparatus.
11
Only use attachments/accessories specified by the
manufacturer.
12
Use only by using the cart, stand, tripod, bracket, or
table specified by the manufacturer, or sold by using
the apparatus. When a cart is used, use caution when
moving the cart/apparatus combination to avoid injury
fr
om tip-over.
13
Unplug this apparatus during lightning storms or when
unused for long periods of time.
14
Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way
, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has been
exposed to rain or moisture, does not operate nor-
mally, or has been dropped.
•
Do not expose this apparatus to drips or splashes.
•
Do not place any objects filled with liquids, such as
vases, on the apparatus.
•
Do not install this apparatus in a confined space such
as a book case or similar unit.
•
The apparatus should be located close enough to the
AC outlet so that you can easily grasp the power cord
plug at any time.
•
The main plug is used as the disconnect device; the
disconnect device shall remain readily operable.
•
An apparatus with Class I construction shall be
connected to an AC outlet with a protective grounding
connection.
•
Excessive sound pressure from earphones and head-
phones can cause hearing loss.
•
The apparatus draws nominal non-operating power
from the AC outlet with its STANDBY/ON in the
Standby position.
•
No l
ive flame, like candles lights, must be placed on
this apparatus.
For European Users
Disposal of old appliance
1 When this crossed-out
wheeled bin symbol is
attached to a product
it means the product is
covered by the European
Directive 2002/96/EC.
2 All electrical and
electronic products
should be disposed
of separately from the
municipal waste stream
via designated collection
facilities appointed by the
government or the local
authorities.
3 The correct disposal of
your old appliance will help
prevent potential negative
consequences for the
environment and human
health.
4 For more detailed
information about disposal
of your old appliance,
please contact your city
office, waste disposal
service or the shop
where you purchased the
product.
Table of contents
4 KETRON • AUDYA
Introduction .............................................. 5
Main features ............................................... 5
Top panel ...................................................... 7
Rear panel .................................................... 8
USB connectors on the front side ............... 8
The new panel on Audya 4 and 5 ............... 9
Connections ............................................ 12
AUDIO connections .................................... 12
MIDI connection ......................................... 13
VIDEO connection ...................................... 14
USB connection .......................................... 14
Display and function keys ..................... 16
Display ........................................................ 16
F1, F2, F3, F9 and F10 function buttons .... 16
User buttons ............................................... 17
Arranger Conductor buttons .................... 17
Selecting voices ...................................... 18
Selecting the Style ................................. 21
Play Control ............................................ 22
Mixer ....................................................... 24
Player ...................................................... 25
Enable Number File ................................... 32
Wave Sync................................................... 33
MIDI Remix ................................................. 34
Voicetron ................................................ 37
Master ..................................................... 39
Main View .............................................. 40
Autoswitch Time ........................................ 41
Main View description ............................... 42
MIDI Player (MAIN VIEW) .......................... 44
WAVE Player (MAIN VIEW) ........................ 45
MP3/SFX Player (MAIN VIEW) .................... 46
DJ LOOP Player (MAIN VIEW) .................... 47
Program ...................................................... 48
Program .................................................. 48
Registration ................................................ 60
Play List ....................................................... 64
Key Tunes.................................................... 65
Double, Harmony ....................................... 66
Style View .............................................. 67
Audio Style Modeling ................................ 69
The Audio Style Modeling sections .......... 72
User Audio Drum ....................................... 75
User Live Guitar .......................................... 76
Edit Pattern ................................................ 77
User Styles .................................................. 81
Style Mode ................................................. 82
GM Part ................................................... 89
Drum Mixer .................................................. 92
Drum Set ....................................................... 95
Drawbars ...................................................... 97
RAM Ins / Supersolo .................................... 98
MSP Function ............................................. 99
Voice List ............................................... 101
User Voice List .......................................... 102
Menu ..................................................... 104
Voicetron .................................................. 130
Search (Main View) .................................. 138
Search ....................................................... 139
User Assignable .................................... 140
Text scrolling ........................................ 141
Disk ....................................................... 142
USB drive .................................................. 143
Technical Tables .................................... 144
GM Voices ................................................. 144
Drum Set ................................................... 146
Audio Drum .............................................. 147
Groove Bank (Drum 2) ............................. 149
Bass Bank .................................................. 151
Arp & Licks ................................................ 153
Live Guitar ................................................ 155
AUDYA FACTORY STYLES ........................ 156
Drum Set ................................................... 161
Voice Preset .............................................. 182
MIDI Implementation ........................... 184
Control Change ........................................ 185
Non Registered Parameter Numbers ...... 186
Specifications ....................................... 201
Introduction
KETRON • AUDYA 5
1. Press the REGISTRATION and PLAY LIST buttons
simultaneously.
2. By using the buttons from F1 to F10 (to the right
and to left of the display) select one of the 10
demo songs displayed on the current page.
3. By using the DATA/VALUE wheel you can scroll
various pages of demo songs.
4. Use the START/STOP button for start or stop the
playback of the current song.
5. Press either the REGISTRATION or the PLAY LIST
buttons to exit the DEMO mode.
Playing the DEMO songs
F
F
Thank you for purchasing Ketron Audya Advanced Music Station. In this “User Manual” you can find the
descriptions of all the main functions to get started by using the keyboard. Before using the unit, we strongly
recommend you to read this manual thoroughly to ensure that you understand the operation of its many useful
and convenient functions. After you have finished reading this manual, please keep it in a safe place for future
reference.
Main features
Audya is the new state-of-the-art arranger
keyboard by Ketron, featuring many advanced
functions, designed for live entertainment and
professional use. It offers a powerful audio
multiplayer, a very high quality sound engine
and an unique automatic accompaniment
arranger. Audya includes a versatile video
support, separate audio connections and three
USB ports to connect to a computer and other
storage devices.
New sounds and Supersolo voices
Following the Best Natural Sounds tradition
by Ketron, Audya includes a new high quality
sound engine: 360 MB stereo and multilayer
sound library, including a new Stereo Grand
Piano featuring an outstanding natural
resonance. There are an additional 64 MB
RAM for custom sounds that can be quickly
loaded in memory from disk while playing.
Audya also has a brand new DSP section,
with Rotor, Distortion, Phaser, Flanger,
Tremolo, Chorus, Reverb effects, and more
.
Audio Style Modeling
For the first time ever, an arranger keyboard
features real audio grooves of drums,
percussions, basses, guitars, arpeggios and
licks, all synchronized to MIDI clock. A rich
audio recordings library played by famous
drummers and musicians have been added
to the project, and the live performances of
the musicians have been recorded to match
the styles and MIDI file playback with no
distortion nor loss of quality. Moreover, also
the live guitar grooves are synchronized
perfectly to styles and MIDI files with no
pitch shifting when the tempo is changed.
Player
The professional player can play up to five
tracks simultaneously: that is two WAVE files,
two MP3 files and one MIDI file, with pre-
listen feature on headphones, play list and
crossfade functions.
Introduction
6 KETRON • AUDYA
Karaoke
A wide range of lyric options to display the
text within MIDI files or synchronized to
audio files are available.
MAC
RO RECORDING
Global recording of the performances events
(under Menu). Recording starts with Start Rec and
stops by pressing the Record button. The file is
memorized under the MIDI folder, with the .Msr
extension (Macro Song Recording). To start the
playback just select the file and press Enter (page
129).
USER AUDIO DRUMS
• New function that allows to replace the internal
Audio Drum with custom Loops Wave of the user
located into a new Audya folder called User Audio
Drum.
• The Wave Loops must be 44 KHz , 16 bit and
their name must include the @ symbol followed
by the precise BPM information. For example:
HOUSE2@127.wav.
• The Loops are automatically synchronized with
MIDI and may be associated to each Style part
such as 4 Arranger Variations, Fill In, Break,
Intros, Endings.
• Provided under Style Mode > Drum2/2 an option
to skip the initial automatic loading for the User
Audio Drum resources.
MIDI and Audio Recording
You can record and remix your songs within
a complete audio/MIDI hard disk recording
environment
.
Dra
wbars
Audya includes a built-in professional organ
with nine faders for digital Drawbars control.
You can create in real time all the sonic
power of a real tonewheel organ, featuring
percussion, click, rotary speaker, distortion,
vibrato and much more.
USB
Audya has an internal large hard disk
accessed by USB connection from a
computer. In this way, you can easily
manage the musical content of the disk and
make backup copies of your songs and
settings. Moreover, two USB ports on the
front side panel accept any USB storage
device such as pendrives, external hard
disks, CD and DVD players, and more.
Voicetron
The new Voicetron section features a
vocalizer with a new five voices engine. The
vocalizer has an effects library with many
presets that can easily fit all the needs of the
singer. You can also edit the parameters to
your needs, for example, to set the Vocalizer
effects set to automatically follow the
Arranger or the MIDI file playback.
User interface
The top panel is designed to help musicians
especially during their live performances.
Seventeen sliders (one slider is User
assignable) allow powerful and efficient
control over volumes and effects. There are
also numberus buttons with a built-in LED
showing their on/off status. A large colourful
LCD display with TFT technology (320x240
pixels) and a multi-page system based on
function buttons around the display allow
an easy navigation in the menus and the
settings pages.
Key Tunes
You can assign a song to each button of
the keyboard. Every button tune has loop
capabilities and can be played as a Dj
.
Use
r Live Guitars
New User LIVE GUITARS suitable on Ins-Ram
memory.
Edit P
attern
New menu where create or edit your own styles.
Wav
e Edit/Sampler
New Menu for Wave track Sampler and MSP Edit.
Introduction
KETRON • AUDYA 7
Top panel
The front panel of Audya is divided in various
operative sections.
In the figure below, each number corresponds to
its description.
1
Pitch
This wheel changes the pitch of the sound
currently selected for the right hand. The default
value is ±2 semitones, modifiable from MENU.
2
Modulation
This wheel changes the modulation of the sound
currently selected for the right hand. The default
value of sensitivity is 14, modifiable from MENU.
3
Play Control
Section for the main controls on sound:
Transposer, Octave, Rotor, etc. (see on page 22).
4
User / Arranger / Voices
Mixer section for the Arranger parts, the right/left
hand, the Style, etc. In DRAWBARS mode you can
control the Drawbars parameters (see on page
20).
5
Function buttons F1 - F5
The function buttons at left of the display allow the
selection of voices, styles, controls, parameters,
etc. that are shown on the left side of the display
accordingly to the different operative modes.
By pressing a function button, the name on the
display is highlighted in blue colour.
6
Function buttons F6 - F10
As above. Function buttons at right of the display.
7
Display
Colourful backlit liquid crystal display (LCD). See
on page 16 the explanation on how to operate the
display.
8
Brightness
Small knob for the display brightness adjustment.
Turn clockwise/counter-clockwise in order
to match the right brightness of the display
accordingly to your needs and the environmental
light conditions.
9
User, Back and Forward buttons
The five User buttons and two Back
Ô
and
Forward
Ô
buttons below the display allow
the selection of the functions that appear on the
display accordingly to the operative modes (see
on page 16).
0
Arranger Conductor
This section contains the buttons for real time
control of the Arranger: Intro/Ending, button Start/
Key Stop, ABCD, Fill In, Break, Tempo, Hold (see
on page 17).
q
Data/Value
This group is made of one wheel and four
CURSOR buttons (
Ó Á
§ ¶
). By using the
wheel and cursor buttons you can input data,
change parameter values or navigate through the
lists and menu items, accordingly to the operative
modes (see on page 18).
w
Transport
This section includes Start/Stop and Count In/
Restart controls in Arranger mode or Start/Stop
and Pause for the song currently selected.
e
Style
This section is for the selection of the Arranger
styles (see “Selecting the Styles” on page 21).
r
User Style/Disk area
This section is for the User Styles selection and
the disk management (see on pages 81 and 142).
t
Voice
Section dedicated to the selection of the voices
(see “Selecting voices” on page 18).
y
Player
Multimedia Player (see “Player” on page 25).
u
Voicetron
Microphone and voice effects (see “Voicetron” on
page 37).
i
Master
Main output control (see “Master” on page 39).
ENTER
STYLE
MASTER DR UM BASS CHORD LOWER LEFT 2
ND RIGHT
SLOW FAST
MIDI MICRO FADEVOCALIZER
PORTAMENTO
TRANSPOSER
OCTAVE BASS
ROTOR
AFTER
TOUCH DRUM SET
DRUM
MIXER GM PART
MANUAL TO LOWEST BASSIST
SLOW FAST
LEFT
VOICE
USER
ASSIGNABLE
PLAY CONTROL
USER VOICES
SPLIT PIANIST
PIANOBALLAD POP DANCE
PARTY ROCK COUNTRY
SWING LATIN R&ROLL
UNPLUGGED
EXIT SAVE
EDIT
PAUSE
STOP
FOLK BALLROOM
REGISTRATION PLAY LIST
CROSSFADE
EL.PIANO CHROM ORGAN ACCORDION GUITAR BASS STRINGS
CHOIR BRASS SAX FLUTE PAD SYNTH ETHNIC
EFFECT
SFX
DRAWBARS DOUBLE HARMONY
MASTERVOICETRON
2ND
VOICE
GM
VOICE
PROGRAM RAM INS
RECORD
MENU
USER STYLE
START
DISK
KEY START KEY STOP FILL IN BREAK HOLD
INTRO/ENDING TEMPOBA C D
DATA / VALUE
PITCH MODULATION
VOICE LIST KEY TUNES
Ketron - Audya - frontale - NERO - 03/07/2008
STYLE
SEARCH
MODE VIEW
DJ LOOPWAVE SFXMP3
ARRANGER CONDUCTOR
ARRANGER
STYLE
PLAYER
VOICE
COUNT IN REMIX MIDISTYLE
MORPHING
+
+
RESTART
PRESET USER
1 2 3
[RIFF]
MIDIMIX
BASS ORCHESTRA LEADDRUM
16’ 8’ 5 1/3’ 4’ 2 2/3’ 2’ 1 3/5’ 1 1/3’ 1’
USB
BACK
Ketron - Audya - frontale - COLORE - 03/07/2008
WAVE
DEMO
MP3 MIDI
PFL
1 2 S/PDIF - LINE IN
TAP
1 2 3
4 5 6
7 8 9
*
0 #
MIDI RESET
TALK
AUX 3/4
TRACK
ORIG. TEMPO
SUPERSOLO
1 2
4
0
3 5 6
7
9
8
q
e
w r
t
y u i
NOTE
Some buttons and controls on the front panel are
marked by a blue serigraphy, meaning that a second
function is available accordingly to the selected
operative mode.
Introduction
8 KETRON • AUDYA
Rear panel
USB connectors on the front side
All the connections to external devices are on
the rear panel.
In the
Figure
below, each number corresponds to
its description.
1
Headphone
Standard stereo jack for the headphone. The
Master volume adjusts also the headphone output
level.
2
Gain 2
Gain adjustment of the signal input level of the
Micro 2 jack.
3
Micro 2
Standard combo mono jack for the connection of
a dynamic microphone.
4
Micro 1
Standard combo mono jack for the connection of
a dynamic microphone.
5
Gain 1
Gain adjustment of the signal input level of the
Micro 1 jack.
6
Main Out
Two standard mono jacks for main right/left
or mono (RIGHT, LEFT/MONO) outputs to be
connected to a PA system.
7
Aux Out
Four standard mono jacks as auxiliary outputs
to be connected to monitors, mixers, outboard
effects, etc.
8
S/PDIF
Standard RCA connectors for stereo digital input
and output with digital devices (CD Player, digital
console, etc.)
9
Line In
Standard RCA connectors for line right/left input
(RIGHT, LEFT) of stereo devices with line level
signal (CD Player, etc.)
0
Sustain Pedal
Standard mono jack for the connection of one
Sustain pedal (optional).
q
Volume Pedal
Standard stereo jack for the connection of one
Volume pedal (optional).
w
Foot Switch
Standard multipolar connector for an optional
pedal to control internal functions.
e
MIDI
Standard MIDI IN/IN2 (KEYB), MIDI OUT and MIDI
THRU jacks.
r
USB Device
Standard USB port (type-B) for the connection to
a personal computer.
t
Video Interface
Standard VGA jack for the connection to an
external video VGA monitor.
y
Main Switch/Fuse
Standard AC power connection (220 V) with ON/
OFF switch and protection fuse.
On the front panel, there are two USB ports
(type-A)
for easy connection to USB devices
such as pen drives, card readers, etc.
For the connection to a computer, please use
the USB connector on the rear panel.
1
USB connector 1
USB connector for pen drives and other USB
devices (card readers, players, hard disk, etc.)
2
USB connector 2
The same of USB 1.
1 3 6 7 8 92
1
2
4 0 q w e r t
y
5
NOTE
Along the keyboard, from C3 to E6, you can find letters
and numbers for easy input of names, when saving
files on the hard disk, and for a quick file search. On
Audya 4 and Audya 8 use arrows key.
(
Ó Á
§ ¶
)
Please, do not use a USB cable longer than 30 cm.
Introduction
KETRON • AUDYA 9
Multi-Tabs are made of a group of 16 buttons on the left side of the keyboard with which you can activate and
control many of the functions provided by the instrument.
In the various operating modes you can control the mute percussion sections, direct access to 16 shares of
General Midi, control the playlist, change the pitch of the tempered scale.
Moreover, the functions can be assigned directly to these keys by the user, who can customize the tool to suit his
needs and his own way of playing.
By default these buttons are set as printed on the panel as follows:
1. Audio reset: Resynchronization of style between MIDI and Audio.
2. Wave filter: It assigns the user filter wave to the slider.
3. Micro rev.: It assigns the reverb into the micro slider user.
4. Wha to pedal (page 59)
5. Bass to root (page 86)
6. Unplugg: switch off all style parts except Live Guitar, Arp&Lick or Chord (page 11)
7. Lead (page 25)
8. Lyric (page 25)
9. Juke-box (page 123)
10. Zoom (page 25)
11. Autocrash (page 85)
12. After fill (page 83)
13. Fill to arr. (page 83)
14. Auto fill (page 83)
15. Reintro (page 140)
16. Fill to end
The new panel on Audya 4 and 5
Introduction
10 KETRON • AUDYA
MULTI-TABS MENU
By pressing the MODE button, the menu
management Multi-Tabs will open. By pressing the F1
.. F6 function keys you can activate various modes
of operation which will be described in detail in the
following section.
F1) DRUM ON/OFF: (Figure 1) DRUM ON/OFF
mode enables or quickly mute the percussive
instrument sections. The correspondence
between the multi-tabs and percussion group is
as follows:
Tab1 Kick
Tab2 Snare (Snare, Rim Shot)
Tab3 Hi Hat
Tab4 Cymbals (Crash, Ride, Cup)
Tab5 Toms/FX
Tab6 Tamb
Tab7 Latin 1 (Congas , Bongos, Tambora)
Tab8 Latin 2 (Cowbell, Guiro, Claves)
Tab9 Latin3/ (Maracas, Cabaza, Shaker, Guira,
Whistle)
Tab10 CLAP
• When the LED is lit, the section is muted.
The multi-tab #14 and #15 enable the solo
function of the percussion group of the kicks
and the hi-hats. Multi-Table #16 has the RESET
function, that is, un-mute all the percussive
sections currently in this state and restores the
normal operation of the percussion part.
F2) GM PAGE: (Figure 2) This mode allows to access
to 16 parts of General Midi by only pressing the
corresponding multi-tab. If you use a midi file, this
mode is useful to fast access to all parameters of
the various tracks of the midi file.
For example you can change the program
change of the bass and the drums inside a midi
file, by pressing the multi-tab of the track and
modify the parameters as explained in GM Part
Chapter.
F3) ARAB. SCALE: (Figure 3) By pressing multi-tab 1
to 12 you can set the alterations on the 12 notes
of the musical scale. When the LED is lit, the note
of the multi-tab is altered, when the LED is off, the
note has no alterations.
You can quickly restore the ordinary scale by
pressing the multi-tab 16 (RESET).
The amount of hundredths of a semitone about
the alteration for each individual note can be set
from the ARABIC SCALE menu on the MENU ->
Keyboard control -> Arabic page.
Figure 1
Figure 2
Figure 3
Introduction
KETRON • AUDYA 11
F5) PLAYLIST: This mode allows you to drive the first
16 tracks of any loaded playlist. The first press
on the button starts the corresponding track
playback, and re-selecting the same button, while
the LED is lit, the track playback is stopped.
F6) FACTORY TABS: It sets the multi-tabs factory
default.
F4) ASSIGN.TABS: (Figure 4) This mode allows to
assign functions called by each of the 16 multi-
tabs.
You can therefore customize the multi-tabs
configuration and assign the desired function to
them.
In order to make the assignment, simply select
the desired multi-tabs by pressing DATA CURSOR
(Up and Down) and scroll through the available
functions by pressing DATA CURSOR (Left and
Right) or using the dial.
The following table shows the available functions.
Audio Reset
Micro Rev.
Autocrash Fill/Break
Sustain
Soft
Sostenuto
Arr. A
Arr. B
Arr. C
Arr D
Int./End 1
Int./End 2
Int./End 3
Fill 1
Fill 2
Fill 3
Fill 4
Fill In
Break 1
Break 2
Break 3
Break 4
Break
Start Stop
FillToArr.
Key Start
Key Stop
Hold
Tempo+
Tempo-
Transp-
Transp+
Voice To Arr.
ReIntro
Auto Fill
After Fill
Inter.Gtr.
Manual Bass
Bas Mono/Poly
Swing Bass
BassToRoot
Bassist
Bass Sust.
BasToLowest
Lower Mute
Low.Off Stop
Lower1 Hold
Lower2 Hold
Pianist
PianistSustain
Accordion
Swell
Left Drum
Fade Out
Manual Drum
Crash
Play Kick1
Play Kick2
Only Kick
Drum&Bass
Kick Off
Snare Off
HiHat Off
Cymbal Off
Tom/Fx Off
Rimshot Off
Latin1 Off
Latin2 Off
Latin3 Off
ClapFx Off
minor
7th
m7th
5+
dim
6th
7th+
Midi Reset
Lead Mute
Lyric On/Off.
Zoom
A.play On/Off
Loop On/Off
Text Page-
Text Page+
Cross Fade
Wha-Wha
Reverb
Chorus
Echo/Delay
Dist./Overdr.
Voicetron
Micro On/Off
Micro Talk
DryOnStop
Voc. On/Off
Voice Down
Voice Up
Regis Down
Regis Up
2nd Voice
Harmony
Double
Rotor On/Off
Rotor Slow/Fast
Arabic_1
Arabic_2
Arabic_3
Arabic_4
Arabic_5
Arabic_6
Arabic_7
Arabic_8
Arabic_9
Arabic_10
Arabic_11
Arabic_12
Arabic_13
Arabic_14
Arabic_15
Arabic_16
Right Boost
Exit
Style Stop
Pause/Count In/Res.
Program/Preset
Aftertouch
Portamento
EndOnStop
FillToEnd
Left Voice
Unplugged
Glide
Jukebox
Wave Filter.
Enter
Back/Forward Tab
File Up/Down
Sub Reg. Up/Down
Back/Forward Tab
Enter
File Up/Down
Sub Reg Up/Down
Figure 4
Connections
12 KETRON • AUDYA
AUDIO connections
Stereo jack connection to a PA system.
Connecting 4 auxiliary outputs to a mixer and to a PA system.
AMPLIFIED SPEAKERS
AMPLIFIED SPEAKERS
MAIN OUT RIGHT/LEFT
AUX OUT 1, 2, 3 and 4
LINE INPUT 1 and 2
LINE INPUT 1, 2, 3 and 4
MAIN OUT L/R
MAIN OUT L/R
INPUT L
INPUT R
MIXER
MIXER
INPUT L
INPUT R
Connections
KETRON • AUDYA 13
MIDI connection
Connecting one or two microphones and one headphones.
MIDI connection to an external interface connected to a computer.
STEREO HEADPHONES
MICRO 1
MIDI OUT
MIDI IN
COMPUTER WITH A DAW
APPLICATION
(Cubase, Pro Tools, SONAR, Logic,
Reaper, Live, Reason, Fruity Loops,
Sequel, etc.)
AUDIO/MIDI USB INTERFACE
(or FIREWIRE)
MICRO 2
MIDI IN
MIDI OUT
USB
Connections
14 KETRON • AUDYA
USB connection
USB connection to a computer.
VIDEO connection
Connecting a VGA monitor.
VIDEO PORT
USB DEVICE
VGA MONITOR
COMPUTER CONNECTED VIA USB
Connections
KETRON • AUDYA 15
USB
con
nection procedure
1. Connect the USB cable to the USB DEVICE port
of Audya, and to the USB port of a computer.
2. After a while, “USB connected” will appear on the
display of Audya (Figure A). All the functions on
the front panel are disabled.
3. After a while, a screen like Figure B should
appear on the screen of your computer. From this
windows you should choose the “Open folder to
view files using Windows Explorer” option (Figure
B).
Anyway, you will be able to open Audya drive
from your local computer resources. You will see
Audya drive as any ordinary “Removable Disk”.
4. After opening the Audya hard disk root folder,
you can handle the files like any ordinary storage
device (Figure C).
5. You can copy from and to the internal folders of
Audya hard disk the following file types:
•MP3
•MIDIFILE
•STYLES
•PLAYLIST
•DJ_LOOPS
•INSTRUMENTS
•REGISTRATION
•WAVE
•SFX
•ETC.
6. After you finished copying the files, please follow
the USB hardware SAFE REMOVAL procedure
and disconnect the USB cable from the rear panel
of Audya and/or from the computer USB port.
In Windows OS, you can click on the icon located
on the task bar. A pop-up window will open
allowing you to disconnect the USB device safely.
7. After a while, Audya will operate again. You do
not need to restart Audya.
For advanced file handling and/or file updating
on the internal hard disk of Audya, please see
“Disk” on page 142.
Figure A
Figure B
Figure C
16 KETRON • AUDYA
Display
F1, F2, F3, F9 and F10 function buttons
The heart of Audya is the display. The F1-F5
function buttons to the left, the F6-F10 function
buttons to the right and the five User buttons
below the display allow you to select the items
displayed in the various screens.
1
F1-F5 function buttons
Press the five function buttons from F1 to F5 to
select one voice (VOICE) or one STYLE or a menu
displayed on the display, for example.
2
F6-F10 function buttons
The same as above.
3
User buttons
In Arranger mode, the five User buttons below the
display will select five FILLS or five BREAKS. In
the other operative modes they will select various
functions, menus and user functions.
4
(Back) button
It allows to display the previous five functions
corresponding to the User 1/6, 2/7, 3/8, 4/8, 5/10
buttons (see User Assignable on page 140).
5
(Forward) button
It allows to display the next five functions
corresponding to the User 1/6, 2/7, 3/8, 4/8, 5/10
buttons (see User Assignable on page 140).
The F1, F2, F3, F9 and F10 function buttons allow
you to access the AUDIO STYLE MODELING when
they are used in STYLE VIEW mode, in the PLAY
CONTROL section (see details on page 67).
Press the STYLE VIEW button and one of the
following:
F1 - Audio Drum (see groove list on page 147)
Press F1 to set the AUDIO DRUM part.
F2 - Groove Bank (see groove list on page 149)
Press F2 to set the GROOVE BANK part.
F3 - Bass Bank (see groove list on page 151)
Press F3 to set the BASS BANK part.
F9 - Arp & Lick (see groove list on page 153)
Press F9 to set the ARP&LICK part.
F10 - Live Guitar (see groove list on page 155)
Press F10 to set the LIVE GUITAR part.
1
4 3 5
2
B
B
NOTE
The serigraphy below the User buttons has the
following numbering: 1/6, 2/7, 3/8, 4/8, 5/10. In this
manual we use USER 1, USER 2, etc., for short.
Display and function buttons
KETRON • AUDYA 17
User buttons
In addition to the FILL and BREAK selection in
Arranger mode and other assignable user functions
(see User Assignable on page 140), the five User
buttons can access many functions.
For example, while in the different operative modes
(MENU, DISK, PLAYLIST, STYLE VIEW, DRUM MIXER
and so on), these five User buttons allow the selection
of further pages that open their own settings menus.
In the Figure you can see how the User buttons, in
STYLE VIEW mode, allow the selection of the VOICE,
EFFECT, PAN and MUTE SINGLE pages. By pressing
one of the five User buttons, you can view the content
of the corresponding page.
Arranger Conductor buttons
The buttons of the ARRANGER CONDUCTOR
section allow real time control of the styles
when the Arranger mode is selected. See the
PLAY CONTROL settings to select the desired
Arranger mode on page 22.
From left to right, here are the descriptions for
each button:
INTRO/ENDING 1 2 3
When the Arranger is stopped, by pressing one of
these three buttons you can enable one of the three
“introductions” of the style.
When the Arranger is playing, by pressing one of
the three buttons you can enable one of the three
“endings” of the style.
KEY START/KEY STOP
If button START is on, the Arranger will instantly start
when you start playing the keyboard.
If button STOP is on, the Arranger will instantly stop
when you release all the buttons.
A B C D
Each button corresponds to a style variation.
FILL IN
By pressing this button you can enable one FILL of
the selected style and the Arranger will automatically
start. If the Arranger is already playing, by pressing
this button you will enable the same FILL.
BREAK
By pressing this button, you can enable one of the
BREAK of the selected style and the Arranger will
automatically start.
If the Arranger is already playing, by pressing this
button you will enable the same BREAK.
TEMPO SLOW/FAST
By pressing these buttons you can slow down (SLOW)
or speed up (FAST) the tempo of the Arranger. By
pressing the two buttons simultaneously, you will set
the T.Lock function, that is Tempo Lock.
To restore the original tempo of the style, press the
and
buttons simultaneously in the RECORD
section.
HOLD
By pressing the HOLD button, the accompaniment of
the Arranger will play even if you release all the keys
from the keyboard.
If HOLD is disabled, when you release the keys from
the keyboard, the accompaniment of the Arranger will
stop playing, except the drum part.
Display and function buttons
18 KETRON • AUDYA
Selecting voices
You can find three rows of eight buttons each
in the VOICE section on the front panel. The
first two rows allow the selection of the voice
families, ordered by a common use (see a full
list of the voices at the end of this manual).
The third row contains the PROGRAM button
and other voices selection buttons. Moreover,
there are also the DOUBLE, HARMONY buttons.
Selecting a basic voice
1. Select one voice family by pressing one of the 16
buttons on the first two rows in the VOICE section.
For example, press the “PIANO” family button.
The first page showing the first ten available
voices of the PIANO family will appear.
2. By pressing one of the F1-F5 or F6-F10 buttons,
select one of the ten voices shown on the display,
corresponding to the name of the voice.
For example, by pressing the F4 button, you will
select the voice named “HONKY_TONK” (Figure
1).
3. Press the CURSOR
Ó Á
to select the various
VOICE pages with further ten voices each (Figure
2). Note that you can access more than 2 pages
for each voice family.
NOTE
By turning the wheel clockwise/
counter-clockwise you can scroll the
pages, just like the CURSOR
Ó Á
.
Also, you can scroll the pages by
pressing repeatedly the same VOICE
family button (e.g. PIANO, EL.PIANO
and so on.)
Figure 1
Figure 2
B
B
F
F
Selecting voices
KETRON • AUDYA 19
Sel
ecting a INS voice
1. Press the RAM INS / SUPERSOLO button of the
third row in the VOICE section. The display will
show a list of the SUPERSOLO voices stored on
the hard disk (Figure 3).
2. Select one voice by using the CURSOR
§ ¶
.
3. Press the ENTER button to load the INS voice into
the selected memory location. The display will
show the INS voice on the first free location.
In the example, the APACHE_GUITAR voice is
loaded onto the memory location corresponding
to the F1 button (Figure 4).
Sel
ecting more INS voices
1. Press the RAM INS / SUPERSOLO button of the
third row in the VOICE section. The display will
show a list of the INS voices stored on the hard
disk.
2. Select one voice by using the CURSOR
§ ¶
.
3. Press the SELECT button that appears on the
display next to the USER 5 button. A dot will
appear before the name of the selected INS
voice. Repeat the choice in order to select more
INS voices by using the CURSOR
§ ¶
and the
SELECT button (Figure 5).
4. Press the ENTER button to load in the memory
location all the selected INS voices. In the
example, five INS voices have been loaded in the
first five memory locations corresponding to the
F1-F5 buttons (Figure 6).
For advanced operations about the INS voices
see on
page 98
.
NOTE
The INS voices appear on the display with an asterisk.
For example: DJIANGO.ins*.
If you try to load one voice already loaded in memory,
this will not be loaded twice.
WARNING
The RAM INS indication next to the SUPERSOLO button
means that the INS voices will be loaded into memory
temporarily. For this reason, when you power OFF, the
INS voices will not be retained in memory.
Figure 3
Figure 4
Figure 5
Figure 6
B
1
Selecting voices
20 KETRON • AUDYA
Add
ing a second voice to the right hand
(2nd VOICE)
1. Press the 2nd VOICE button on the third row in
the VOICE section.
2. According to the PRESET or PROGRAM voice,
you will add a second voice to the sound of the
right hand.
3. Note that the 2nd VOICE voices can be freely
programmed by the user in any PROGRAM. Press
the EDIT button and the USER 2 button to open
the 2nd VOICE page (Figure 7). For more details
on how to create/edit a PROGRAM see on page
48.
Sel
ecting the organ DRAWBARS
1. Press the DRAWBARS button on the third row
in the VOICE section. The display will show the
organ DRAWBARS screen (Figure 8).
2. Select one organ by using the F1-F10 buttons
(ORGAN1, ORGAN2, etc.) Press the CURSOR
button
Ó
to select the second page of
DRAWBARS (ORGAN11, ORGAN12, etc.)
3. Press the USER 1 button (PedToRotor) below
the display to control the ROTOR by using one
external SUSTAIN pedal. By pressing the pedal
repeatedly you can toggle ROTOR SLOW/ROTOR
FAST. If “PedToRotor” is disabled, the SUSTAIN
pedal returns to its ordinary function.
4. Use the fader controls in the MIXER section
(page 24) to set the nine footages of the organ
DRAWBARS:
16, 8’, 5 1/3’, 4’, 2 2/3’, 2’, 1 3/5’, 1 1/3’, 1
Figure 9 shows the exact correspondence of
the nine faders of the mixer section and the nine
DRAWBARS displayed on the screen.
5. Press the USER 5 button (Drw:Lock/Unlock)
below the display to toggle Lock/Unlock function,
so you can use the faders for mixing the Arranger
parts or the MIDI file tracks instead of the
DRAWBARS.
For advanced operations about the DRAWBARS
see on
page 31.
Sel
ecting the GM (General MIDI) voices
1. Press the GM button on the third row in the
VOICE section. The display will show a list of the
GM voices (Figure 10).
2. Follow the same procedure for voices selection
described on page 18.
Figure 7
Figure 8
Figure 10
Figure 9
1 1
Selecting voices
1
KETRON • AUDYA 21
Selecting styles
The numeric keypad of the STYLE section
allows the selection of twelve style families,
divided into various musical genres.
Sel
ecting a PRESET style
1. Select one style family by pressing one of the
twelve buttons of the keypad in the STYLE
section. For example, press the “POP” family
button.
2. The display will show the first ten available styles
Press one of the F1-F10 buttons to select one of
the ten displayed styles. In the example, the F3
button selects the FUSION_FUNK style (Figure
11).
3. Press the CURSOR
Ó Á
to select further pages
of STYLE containing ten styles each (Figure 12).
Note that you can access more than two pages
for each style family.
Figure 11
Figure 12
NOTE
By turning the wheel clockwise/
counter-clockwise you can scroll the
pages, just like the CURSOR
Ó Á
.
Also, you can scroll the pages by
pressing repeatedly the same STYLE
family button (e.g. BALLAD, POP and
so on.)
NOTE
Note that the styles which contain an audio part
(AUDIO DRUM, GROOVES, LIVE GUITAR) have the
symbol ^ before the style name.
B
B
F
F
Selecting the styles
22 KETRON • AUDYA
The PLAY CONTROL section contains all the
control functions so you can start playing the
keyboard and modify the settings accordingly to
your own way of playing.
TRA
NSPOSER
By pressing the [-] and [+] buttons you can
transpose the overall pitch in 24 semitones up or
down (1 semitone step), including the Arranger
(except the drum). The display shows the current
TRANSPOSE value (Figure 13). Press the [+] and
[-] buttons simultaneously to instantly reset the
transpose value to 0.
OCT
AVE
The [+] and [-] buttons allow the pitch of the
RIGHT part to be shifted up or down by one
octave. The display shows the current value of
OCTAVE Up or Down (Figure 14).
ROT
OR
The SLOW and FAST buttons allow to change
the speed of Rotary Speaker, when you select
DRAWBARS in the VOICE section and for the
voices for which the ROTARY SPEAKER setting is
set to ON.
POR
TAMENTO
Turns the PORTAMENTO on and off, only the
voices for which the portamento has been
programmed. For example, the SYNTH family.
AFT
ER TOUCH
Turns the AFTER TOUCH on and off, only
the voices for which the after touch has been
programmed (GUITAR, SYNTH, etc.)
DRU
M SET
Selects one of the 53 built-in DRUM SETS to play
directly from the keyboard (Figure 15). For more
details see DRUM SET section.
Figure 13
Figure 14
Figure 15
Play Control
Play Control
B
KETRON • AUDYA 23
BAS
S
The MANUAL, TO LOWEST and BASSIST buttons
set the following modes, respectively.
MANUAL: sets the manual bass for the left hand.
TO LOWEST: sets the lowest note of the chord to
the root. For example, when you want to play a
bass pedal within a chord progression.
BASSIST: allows to play free bass notes on
a chord played by using the right hand. For
example, when you play bass solos.
SPL
IT
Holding the SPLIT button, a small keyboard at the
bottom of the display appears. By pressing any
key on the keyboard, you can set the split point
for the Arranger. In the example, the SPLIT point
has been set on F2 note (Figure 16). The SPLIT
point is always set on C3 note, at startup.
PIA
NIST
The PIANIST button allow you to play on the
entire keyboard. Basically, by pressing this button
you remove the SPLIT point. If Arranger mode, the
chords will be recognized on the entire keyboard.
LEF
T VOICE
By pressing the LEFT VOICE button, this will flash
until you choose the voice for the left hand (Figure
17). Once selected, press LEFT VOICE button
again.
Figure 16
Figure 17
NOTE
For the detailed explanation of the PLAY CONTROL
section, please see the following pages, corresponding
to the namesake buttons:
• DRUM MIXER page 92
• GM PART page 89
STYLE MODE page 82
STYLE VIEW page 67
USER ASSIGNABLE page 140
SEARCH page 138
Play Control
24 KETRON • AUDYA
Mixer
The Mixer section features nine vertical faders.
The first fader at left allows to control the
USER functions (see “User Assignable”). The
remaining 5 faders control the volumes of the
ARRANGER parts and 3 faders the volumes of
the VOICES parts.
USE
R
This first fader at left allows to control the USER
ASSIGNABLE functions described on page 140.
The default value is the volume control for AUX
3/4 output.
ARR
ANGER
These five faders adjust the volumes of the
Arranger parts of the style. Respectively:
STYLE MASTER: main volume of the style.
DRUM: drum part volume.
BASS: bass part volume.
CHORD: volume of the chords part.
LOWER: volume of the left split.
VOI
CES
These three faders adjust the volumes of the
VOICES parts on the keyboard.
Respectively:
LEFT: volume of the voice on the left split.
2
ND: volume of the second voice on the right split.
RIGHT: volume of the voice on the right split.
The volumes of the parts are shown on the
display
(
Figure 18
). In the upper part at left, the
STYLE MASTER volume is shown. In the upper
part at right, the RIGHT and 2
ND volumes are
shown. In the lower part at left, DRUM, BASS,
CHORD and LOWER volumes are shown.
Figure 18
NOTE
When a MIDI file is playing on the Player (see the
details on page 25), the DRUM, BASS, CHORD and
LOWER faders, marked by “MIDIMIX” in blue letters,
adjust the volumes of the DRUM, BASS, ORCHESTRA
and LEAD tracks, respectively, in the following way:
DRUM: adjusts the volume of the drum track
BASS: adjusts the volume of the bass track
ORCHESTRA: adjusts all the other tracks
LEA
D: adjusts the volume of the melody track, usually
on MIDI channel 4
NOTE
When the DRAWBARS mode is on, the nine faders of
the Mixer will adjust the footage of the organ. For
details see on page 20 and on page 97.
Mixer
B
KETRON • AUDYA 25
The Player section is a complete multimedia
environment for live performances. It’s a mixer
consisting of five faders allowing volume control
over WAVE, DJ LOOP, MP3, SFX and MIDI file.
The five buttons above the faders switch on/off
in order to select the tracks for the mix.
WAV
E
The WAVE button enables the WAVE screen
where you select the audio track to start playback
(Figure 19). The fader below adjusts the volume
of the track. To navigate in this screen, use the
cursor buttons, the ENTER and EXIT buttons.
• CURSOR
§ ¶
buttons (or the wheel): scrolls
up/down the titles.
• ENTER button: opens the selected folder.
• EXIT button: exits from the selected folder
• CURSOR
Ó Á
buttons: when the title is too
long, scroll the letters of the titles.
• The USER 5 button below the display enables
the START function to start playback. Once
the track is playing, the USER 4 and USER 2
buttons below the display enable the PAUSE
and STOP functions, respectively.
The F1-F10 buttons enable the following functions:
•
F1 - LEAD MUTE: mute the volume of the
melody track.
•
F2 - LYRIC ON: shows the text (lyric).
•
F3 - ZOOM OFF: makes the text smaller.
•
F4 - MARKER: Marker view .Located when
available on display side .Once available allow
to jump from different song point . Select
Jump meas” by User 5/10 button to jump
on the next marker as soon measure will be
played or select “Jump Next” by User 5/10
button to jump on the next marker just only
when marked phrase will be played.
•
F5 - MY FOLDERS: when enabled, by
pressing one of the 0-9 numeric keypad in
STYLE section, that folder is recalled. To store
the position of a folder (WAVE, DJ LOOP,
MP3, etc.) hold to 0-9 button of the keypad
while the content of the folder is shown.
Page 1
•
F6 - GLOB./LOCAL VIEW: enables the global
view or local view. In LOCAL VIEW mode, only
the files by using the same extension (e.g.
WAV) are shown. In GLOBAL VIEW mode, all
the file types are shown. Note that the TXT
files are always shown.
•
F7 - SONG TR.: shows the transpose value
previously stored in the song.
•
F8 - TRANSP: transpose the track in the
range of +/- 24 semitones.
•
F9 - Wave Edit: see next paragraph.
•
F10 - PREV/NEXT (1/3 NEXT: by pressing this
button (NEXT) you can access to next pages.
Page 2
•
F6 - A.PLAY PAUSE ON SPACE 3s: In
Autoplay position the player will automatically
playback all the files in the folder. In PAUSE
position, after the current track, the player
moves to the next without starting. If set to
SPACE 3s, instead, the player add a 3-second
pause between the track. You can customize
the waiting time by using the Dial.
Figure 19
Player
B
NOTE
When a track of the Player is playing, the corresponding
LED flashes.
NOTE
The Remix On/Off function works only when MIDIFILE
is selected, even if it is shown on the WAVE and MP3
player screens.
Player
26 KETRON • AUDYA
Player
•
F7 - LOOP ON/OFF: enables/disables the
loop playback of one track.
•
F8 - PFL ON/OFF: enables/disables the PFL.
When PFL is active, the Player is routed to
AUX3&4 and AUX3&4 outputs to headphones.
This works only if the Player’s volume Fader
is set to 0. If different from 0, the output signal
is routed to MAIN. The headphones volume
is adjusted by the PFL Fader from the USER
panel. It doesn’t work with MIDI FILES.
•
F9 - LEAD (4): selects the channel of the
melody from 1 to 16, in case of MIDI file. The
default value is MIDI channel 4.
KETRON • AUDYA 27
On Wave Player menu a new WAVE EDIT feature
located on F9 button.
In order to operate with this new function firstly select
the wave to edit than select WAVE EDIT button (Figure
20).
Once Wave Edit button is pressed a pop up menu will
show on display the Import progress activity.
When this procedure will be completed the waveform
will be displayed on Audya screen. Related at this
new waveform screen Audya will show a tools palette
to operate on this imported file (Figure 21).
NOTE
Stereo file will be shown on Audya display as a single
waveform, however the editing and storing functions
will maintain the properties of the current file.
Beside the new imported waveform Audya will show
three markable lines (see on Figure with arrows) to
indicate a Start Point (Blue) Fade Start Point (Grey)
End Point (Black)
Here is on detail:
• Zoom: allows to magnify (or reduce) waveform
displayed.
• Start: Set the Start Point of waveform.
• End: Set the End Point of waveform.
• Norm: Apply Normalize (or amplify) function on
waveform (range 0%-200%).
• Fade: Set the Fade Out time (showed on ms)
related of the original waveform End (Max. 8 s).
Once you’ll select a new Start (F2), End (F3) o Fade
(U1/6) point, the Blue transport bar colour will be
changed on red just to inform on new operating
status point. All values are editable by alpha Dial (step
by step) or by cursor (quickly edit).
Arrows cursor pressed (Left & Right) at the same time
will restore default value of Start / End point and will
clear any previous Fade setting.
Using up or down arrows will be useful to catch Zero
crossing function automatically.
As showed on Figure 22 when a new parameter will
be selected a Preview, Restore e Save tab will appear
on bottom of display.
Figure 20
Figure 21
Figure 22
Player-Wave Edit
28 KETRON • AUDYA
In detail:
• Preview: Allows preview function of edited
waveform with new assigned value
• Restore: as Restore mean and useful as UNDO
of preview use
• Save: Just to Save an edited file.
In order to hear NORM and FADE rendered feature
user must select PREVIEW function. As probably
know this feature needs a computing time (related of
wave length) to elaborate final wave result.
Rendering feature will not necessary in case of using
START or END features. You ‘ll hear it immediately.
If for instance you select NORM parameter at 100%
your own waveform will be Normalized in order
to gain all dynamic range available. However we
suggest to use less (i.e. at 90%) is any sound source
will be applied on this wave the whole amount could
be overloaded even a properly distortion or overdrive
is request.
After that pre PREVIEW and when computing
rendering will be completed you could hear and see
the difference as showed of Figure 23.
If you would catch the right START (or else) Point will
be really useful manage with ZOOM feature
Here is the ZOOM value to use: 1x, 8x, 16x, 32x, 1:8,
1:4, 1:2, 1:1.
The first (1x, 8x, 16x, 32x,) set value allows to magnify
waveform in a traditional way. The others will be useful
as a
Sample windows to analyze waveform as block of 1:8,
1:4, 1:2, 1:1.
In detail:
1. Move a Start Point ahead just focused in a better
way your waveform (i.e. put value to
24040).
2. Select ZOOM feature and assign 16x value.
3. Select START feature again.
If everything will done as suggest display will show as
in Figure 24.
Display will show more detail with ZOOM feature
(Figure 25)
When ZOOM will be magnify display will inform you
on Value related on point selected (Arrow will show
value updated)
Figure 23
Figure 24
Figure 25
Player-Wave Edit
KETRON • AUDYA 29
WAVE EDIT on MSP template
See MSP editing on page 99.
WAVE EDIT menu is available also on MSP template
to create your own MSP
Select MSP Edit, load your wave file and it will be
available on display (Figure 26).
Once the wave file will be imported on WAVE EDIT
Audya display will show a screen shot alike the
previous issue . The main remarkable difference is
LOOP (F4) (Figure 27).
LOOP feature, as well name say, allows to set a Loop
point on the selected wave (previously imported). The
LOOP point will be notable on display by the Green
horizontal line (as showed by).
Once LOOP point is selected (F4 button) value can be
edited by usual directional button or with Alpha Dial.
When navigation arrows are both pressed LOOP point
will be set at the same START point automatically
(Thus caused repetition of whole waveform). If arrows
button will be pressed once again this feature will be
de activated.
NOTE
The SAMPLER recognizes the LOOP Point which can
be assigned by using a professional Audio Editor on a
computer.
As previously mentioned a START, END, Loop preview
feature is possible by pressing assigned wave button
of MSP.
NORM and FADE function need a rendering PREVIEW
(as well mentioned on previous issue)
Once modification will be completed you can save
your edit file by SAVE feature.
If during a SAVE procedure a different name will be
used, Audya will replace automatically the previous
file with the new one named assigned (Figure 28).
If MSP file is arranged with several sounds to operate
on MSP VIEW will be necessary press Enter to select
than WAVE EDIT in order to operate directly on a
Single file.
On this feature we suggest to use SOLO function to
avoid other wave playing at the same time
Sampler
On Menu-> Audio Recording we add a couple new
function called Sampler Rec. Mic. And Sampler Rec
Lin In.
This new feature allows to record directly from
microphone or Line in. If user operate in wave folder,
once recording is completed Audya automatically
swap on Wave Edit to operate modifications and
saving your own sample.
Figure 26
Figure 27
Figure 28
Player-Wave Edit
30 KETRON • AUDYA
DJ LOO
P
The DJ LOOP button enables the DJ LOOP
screen where you start playback of the selected
audio loop (Figure 29). The fader below adjusts
the volume of the track. To navigate in this screen
use the cursor buttons, the ENTER and EXIT
buttons as described for the WAVE screen.
The DJ LOOP song are a particular kind of
looping tracks, prepared for several music
genres. The USER 5 button allows the JUMP
NORM/IMM function (normal/immediate jump).
MP3
The MP3 button enables the MP3 screen where
you start playback of the selected track (Figure
30). The fader below adjusts the volume of
the track. To navigate in this screen use the
cursor buttons, the ENTER and EXIT buttons as
described for the WAVE screen
.
SFX
The SFX button enables the SFX screen where
you start playback of the selected track (Figure
31). The fader below adjusts the volume of
the track. To navigate in this screen use the
cursor buttons, the ENTER and EXIT buttons as
described for the WAVE screen.
The SFX tracks are particular tracks containing
special effects to be used in different situations,
including applause, orchestral hits, snare rolls
and many more. This Player can play back MP3s
with max 192 Kb/s bitrate e does not support
joint-stereo formats.
MID
I
The MIDI button enables the MIDI screen where
you start playback of the selected MIDI file
(Figure 32). The fader below adjusts the volume
of the MIDI file. To navigate in this screen use the
cursor buttons, the ENTER and EXIT buttons as
described for the WAVE screen.
When a MIDI track is playing and the lyric is
shown (because you pressed LYRIC ON), you can
go back to the list of the MIDI files, by pressing
the EXIT button or the F2 button (LYRIC OFF).
Figure 29
Figure 30
Figure 31
Figure 32
Player
KETRON • AUDYA 31
In the lateral menus there are some items that
were not present in the previous ones.
Page 1/3
F9 - Remix: parameter that allows a MIDI remix
(see page 34)
Page 2/3
Wave Sync function that lets you synchronize
your MIDI tracks with Wave files associated with
the MIDI and accurately synced (see description
on page 33).
Page 3/3
F8 - S. Medley: Medley Sync function. If set to
On, it starts the new MIDI file from the beat.
F9 - Ch Quant. : Chord Quantization. It enables/
disables the quantization of the chords using
Live Guitar in case of Midi Remix.
Making a MIX
The Player allows the single track playback or
the MIX playback of two or more tracks at the
same time, up to four audio tracks and one MIDI
track simultaneously.
MIX a WAVE file and one MP3
1. Press the WAVE button.
2. Select an audio file from the WAVE folder.
3. Press the START button (USER 5) or the ENTER
button or the START button on the panel.
4. The WAVE track starts playback and its LED
flashes.
5. Press the MP3 button.
6. Select one MP3 file from the list.
7. Press the START button (USER 5). Press the
START button on the panel, the WAVE track stops
and you must press START again in order to start
playback the MP3 track.
8. The MP3 track starts playback and its LED
flashes. The WAVE track stops and its LED turns
off.
9. Instead, if you press the ENTER button, the MP3
track will start playback while the WAVE track is
playing. The LED of the MP3 track flashes while
the LED of the WAVE track lights steadily.
In this case, you should lower manually the
volume fader of the WAVE track and raise the
volume fader of the MP3 track in order to make a
sort of manual crossfade between the two tracks.
MIX two WAVE files
1. Press the WAVE button.
2. Select an audio file from the WAVE folder.
3. Press the ENTER button to start playback.
4. Select another audio file from the same WAVE
folder.
5. Press the ENTER button to start playback.
6. Adjust the fader 1 and fader 2 of the Player in
order to mix the two audio files (TRACK 1 and
TRACK 2 in blue colour on the panel).
Figure 33
Figure 34
NOTE
If you want to create a MIX using all the five tracks,
just press the ENTER button when you select the files.
Be sure that the CROSSFADE LED is off. For example:
1. Press the WAVE button, select a file from the WAVE
folder and press ENTER.
2. Press the DJ LOOP button, select a file from the
WAVE folder and press ENTER.
3. Press the MP3 button, select a file from the folder
MP3 and press ENTER.
4. Press the SFX button, select a file from the folder
SFX and press ENTER.
5. Press the MIDI button, select a file from the folder
MIDIFILE and press ENTER.
In this way, all the tracks will be playing simultaneously,
and you will be able to adjust the volume of each track
by moving the corresponding fader, acting like a Dj
player.
Player
32 KETRON • AUDYA
Player
CROSSFADE
If you want to execute an automatic crossfade
between the two tracks while playing, press the
CROSSFADE button on the panel and follow the
procedure below.
CROSSFADE between WAVE and MP3 files
1. Press the WAVE button.
2. Select an audio file from the WAVE folder (Figure
33).
3. Press the START button (USER 5) or the ENTER
button or the START button on the panel.
4. The WAVE track starts playback and its LED
flashes.
5. Press the MP3 button.
6. Select an MP3 file from the list (Figure 34).
7. Press the ENTER button.
8. The CROSSFADE button flashes while
crossfading the two tracks, accordingly to the
CROSSFADE settings (see MENU > KEYBOARD
CONTROL > UTILITY > NEXT PAGE) (Figure 35).
9. The volume of the WAVE track decreases while
the MP3 track volume increases up to the level
set by its fader. Both LEDs of the tracks will flash
during the CROSSFADE. When the CROSSFADE
is finished, the LED of the WAVE track lights
steadily while the LED of the MP3 track flashes.
10. Note that you can apply the same procedure to
any other tracks.
Enabled Numb. Files Function
By setting the Enabled Numb. Files parameter to ON
on the MENU > Keyboard Control > Utility > Next
Page, as illustrated in Figure 36, all the files in the
Player are numbered. When they are numbered (Fig-
ure 39), they can be recalled in to numerical way, as
for Registrations, using the numeric keypad. When
this Function is active, by pressing twice the F10 but-
ton (3 NEXT) you can access to window similar to Fig-
ure 39 where adjust the following parameters:
F6– Alphab./Numeric Sort: file sorting in alphabetical
or numerical way.
F7– Number Ass: it allows to assign permanently the
numbers into files so that in future if you modify
the folder, indexing of files remains the same. This
option opens to pop-up where you can assign
numbers only to files of the actual Player (F1) or to
all file types (F2). In the lower part of the window
a progress bar will appear during the file number-
ing of the folder. Instead, if a numbering is already
assigned, a pop-up to remove numbering will ap-
pear.
Figure 36
Figure 37
Figure 38
Figure 39
Figure 35
KETRON • AUDYA 33
Wave Sync
Figure 40
Figure 41
Figure 42
NOTE
1) No limitations to add same audio track on different
points of MIDI file.
2) User can assign just one single Wave at a time.
3) If a Wave have the parameter Repeat set into Loop
mode (before the value 1) then all the others Waves
associates to the MIDI file having a subsequent Start
bar will be ignored.
Wave Sync
WAVE SYNC Environment allows to assign several
wave tracks synchronized to MIDI track by MIDI
clock. On this feature you can assign Starting /Stop /
Repeat measure for each Wave track assigned.
1. WAVE and MIDI tracks must be located on the
same folder.
2. Use F8 button to select WAVE SYNC feature .This
action allows to Create or Edit your WAVE SYNC
files.
3. Enter into the MIDI player and select the MIDI file
to be edit and press Load MIDI (F10). Display will
show a loading pop-up message. Once loading
procedure will be completed PLAY and STOP
function will be available on F10 button to listen
the MIDI file. This function is also replicated by
the Start button on Main layout (Figure 40).
4. Now add your own Wave on MIDI file. Use panel
arrows to navigate on desiderated Waves and
then press ADD LOOP (F8) button to assign
(Figure 41).
5. Once Wave Loop will be assigned Audya’s
display will show info and properties related to
this file:
• F1 - Wav: This value show the Wave’s progressive
number.
• F2 - Name: name of selected Wave.
• F3 - Bpm: Beat per minute of selected Wave in
case on a Drum Loop. This basically info will be
used to sync your Audio file onto the MIDI clock.
Correct BPM information is essential to define the
best synchronization between Audio and MIDI.
The BPM value can be modified also when Audio
and MIDI are playing.
• F4 – Start: Start information for the Wave file.
User can define just only Audio Start bar as the
Stop bar will be defined automatically according
to Length and Repeat parameters.
• F5 - Length: Length on bars for the Wave.
This value will define the right length for the
Wave performance. Pay attention when set this
parameter to obtain the correct playing and stop
point for your audio track..
• F6 - Repeat: This function select the number of
repetitions for the Wave. When set to the Loop
value (before the number 1) the Audio track will
be repeated from it’s initial Start bar until the end
of the MIDI file.
• F7 - Remove Wav: allows to remove the selected
Wave.
• F8- Add Wav: this command permit to add the
Wav to the MIDI file.
• F9 - Play Wav: allow to Play the selected Wave
(Figure 42).
6. Once all parameters are set properly the user
can arrange a sort of preview of the final project
simply by playing the MIDI file (F10).
7. In order to save the new MIDI + Audio
combination it’s enough to press SAVE on the
panel. Give a new name and confirm again with
the button 5 / 10 – Save.
8. The playback is obtained by selecting the new
MIDI file and starting with Enter. The Wave volume
may be adjusted separately from MIDI by the
slider Wave.
9. In order to add other tracks repeat carefully point
from #5 to #7 .
MIDI REMIX
34 KETRON • AUDYA
MIDI Remix
Audya features the MIDI REMIX function which allows
to replace original midi file drum track (usually on
track #10) with a Drum part of Audya Style (Audio
Drum or else).
Her
e how create your own MIDI DRUM
REMIX:
1. Press MIDI button on Player Section than select
your own Midi file. (As showed on Figure 1
we have select “Raindrops_Keep_Falli.mid”
(metronome tempo as 123 BPM).
2. Press F9 button to activate REMIX ON feature
(Figure 43).
3. Select your favourite Style with a same (more
or less) metronome BPM of midi file previously
select. If the BPM tempo will be too different
between Style and midi file a warning message
will inform you to select another style more
suitable. On Figure 44 we select (i.e.) a
“SWING_2”style.
4. By using STYLE VIEW menu and than F1 button
will be possible replace Drum kit with your own
Audio Drum. As well you can see on Figure 45
we select Audio Drum SWING2_120 (120 as 120
BPM).
5. Press USER 5 button (START) to activate REMIX
Feature.
6. After a while START led button will flash and will
be possible play midi file with your new own Audio
Drum track (see next Automation paragraph).
7. While REMIX playing will be possible select
A, B, C, D Variation and also Fill on style (as
well showed on Figure 46). Moreover arranger
variations will be recordable and playable
automatically (see in detail Automation Issue).
8. Press Save to store your own REMIX file while
midi file and Remix are running.
9. Digit a name for your own file than press Save
again. (For further information please refer from
Saving Section). Select REMIX file from disk list by
using Alpha Dial or cursor button. Wait until RMX
file will be loaded than press USER 5 (START).
When led button will flashing press REMIX button.
Figure 43
Figure 44
Figure 45
Figure 46
MIDI REMIX
KETRON • AUDYA 35
Fun
ctions of the Style and MIDI buttons
(User Style/Disk Area Figure 47).
These buttons enable (or disable) style on REMIX
while REMIX is running. Moreover REMIX function
can be linked with a midi file while is playing. Firstly
select your own midi file than activate REMIX function
and add your favourite style. User could change your
styles while REMIX play easily. Thus will be useful to
catch the suitable style for your own midi file without
stop playing (For further info please see Tips & Tricks
on page 36).
Automation
In order to Save Arrange Variation sequence (plus
Style and Midi button) while REMIX function is playing
user must activate RECORD button. While user
manage this procedure all data are saved on Midi file.
To complete this procedure press SAVE while REMIX
is still playing with RECORD button led active. By the
way with this procedure will be possible record Chord
change sequence coming from LEFT part.
For further information please see LIVE GUITAR
REMIX 2nd method.
Saving Procedure
We add a couple options in order to Save MIDI
REMIX:
F1–Start Bar
F2–Stop Bar
F6- Save As: Mid-Kmx
F7- RmxGtr
Start Bar and Stop Bar
(Figure 48): These bar show respectively Beat Start
(from) and Beat Stop (to) of Midi Remix plus Style
which will play. Please notice: Outside these marker
(Start and Stop bar) Midi File will play with original
Drum part.
Save As
Allows to Save your work in a two different format file.
The first one will be a traditional midi file which include
Exclusive message to play it as Remix. The second
one will be renamed as KMX file. This file format is a
Ketron proprietary format which include all information
to play a Remix plus Style, Transposer, tempo and so
on. This file is really useful to export all information
over another Audya keyboard and guarantee to play
it properly. Of course all resources (Audiodrum, Live
guitar,) must be installed on thus other Audya.
RmxGtr
Live Guitar setting to Save on File.
Figure 47
Figure 48
MIDI REMIX
36 KETRON • AUDYA
LIVE GUITAR REMIX
On Midi Remix feature is also possible add Live Guitar
(coming from selected style) beside drum part.
Live Guitar could be played manually or automatically
by Live Guitar REMIX which will extract harmony tune
directly from midi file.
Live Guitar Remix can be activate on Manual or
Autoplay way directly form MENU->KEYBOARD
CONTROL> UTILITY (Page #1) -> Remix Live Guitar.
By Manual mode User can insert LIVE GUITAR on Midi
Remix simply playing on Left part of Audya keyboard
while midi file run. By Autoplay feature (as well term
say) Live Guitar will be detected automatically from
midi file while playing.
How t
o follow chord’s track to live guitar
remix:
1st method:
If Chord (Txt format) track is built on Midi file thus
will play automatically by simply press Menu->
KEYBOARD CONTROL->UTILITY(Page #1)->Remix
Live Guitar = Autoplay (Figure 49).
CH.QUANT:
Here Mode Chord Quantize will be available. Chord
Quantize is really useful to guarantee suitable
synchronization for Chord playing on Live Guitar
Remix feature (Figure 50).
2nd method:
Here you could set your own midi track to assign on
Left Part:
1. Set on Menu KEYBOARD CONTROL-> UTILITY
(Page #1)->Remix Live Guitar = Autoplay.
2. On selected Midi File record or locate Chord Part.
Set on GM PART “Chan TX”: Left. Save Song Set
up with F3 flag Part & MIX to On.
3. Select your own Style with more suitable Live
Guitar pattern built in to assign on current Midi
file.
4. Insert REMIX function to ON (Midi Player page
selection). Once Midi file will play press SAVE
button to store Remix feature recorded.
5. Play again Midi file just saved.
3rd method:
How to Record Chord Track:
1. Set on Menu KEYBOARD CONTROL-> UTILITY
(Page #1)->RemixLiveGuitar = Manual
2. Activate Remix feature.
3. Press RECORD while midi file playing.
4. Play Chord on Left part of keyboard following
harmony tune. Chord played will be record as is.
5. Press Save to store all data.
Tips & Tricks:
In order to get the “Best Deal “ between Midi File and
Style select firstly Midi File and play it. Now activate
Remix feature than select style to link on !
Go ahead until the best Style will be catch!
Please unaware if Live Guitar will be unsuitable during
this procedure. You’ll replace it on next step.
Once the Audio Drum will be selected (while Drum
Remix is playing) you could assign your own Live
Guitar on different arranger from Style View Menu and
than Save it as usual.
Accordingly Internal or User Style selection we
suggest once Remix feature will be completed to Stop
and Play it again in order to check procedure done.
Of course you could create your own Remix by using
User Audio Drum also specially designed for Remix
feature purpose.
Figure 49
Figure 50
KETRON • AUDYA 37
Voicetron
The Voicetron section has one volume fader for
MICRO and one volume fader for VOCALIZER,
both with on/off LED button. Once you connect
a microphone to the MICRO 1 connector and/or
MICRO 2 connector, you can access to a wide
range of options for the voice processing.
MIC
RO
The MICRO button enables both MICRO 1 and
MICRO 2 inputs. Connect one or two dynamic
microphones to the connectors on the rear panel
and adjust the gain level by using the GAIN 1 and
GAIN 2 small knobs on rear panel.
VOC
ALIZER
The VOCALIZER button enables the multi-
processor effects for harmonization and
automatic pitch control only on MICRO 1 input.
Setting a vocal effect
1. Press and hold for few seconds MICRO button.
2. The screen where to choose the MICRO
PRESETS will appear (Figure 51).
3. Press the F1-F10 buttons to set one of the MICRO
PRESETS, that is an effect for the microphone
connected to MICRO 1 and/or MICRO 2 input.
4. Press the CURSOR
Ó Á
to scroll the MICRO
PRESETS pages.
By pressing the F1-F10 buttons you can
access two pages with ten MICRO PRESETS
each:
PAGE 1 PAGE 2
F1DRY F1–GIRL
F2–REVERB SMALL F2–BABY
F3REVERB MEDIUM F3–VIBRATO
F4REVERB LARGE F4PHONE
F5REVERB GATED F5ANGEL
F6BOOST F6MICRO_01
F7–ECHO REVERB F7–MICRO_02
F8ECHO REVERB TAP F8MICRO_03
F9CORRECTION F9MICRO_04
F10BEAR F10MICRO_05
Figure 51
Voicetron
B
NOTE
To access the configuration menus of MICRO and
VOICETRON, hold down few seconds the corresponding
buttons.
NOTE
Audya microphones input allows to use only Dynamic
Microphones.
38 KETRON • AUDYA
Setting a VOCALIZER effect
1. Press the VOCALIZER button.
2. The screen where to choose the VOICETRON
PRESETS will appear (Figure 52).
3. Press the F1-F10 buttons to set one of the
VOICETRON PRESETS, that is an effect for the
microphone connected to MICRO 1 input.
4. Press the CURSOR
Ó Á
to scroll the pages of
VOICETRON PRESETS.
By pressing the F1-F10 buttons you can
access two pages with ten VOICETRON
PRESETS each:
PAGE 1 PAGE 2
F1–VOCALIZER F1USER 1
F2–AUTOTUNE VOCAL F2–USER 2
F3BLUEGRASS DUET F3USER 3
F4COUNTRY DUET F4USER 4
F5CHAINED DUET F5USER 5
F6STANDARD TRIO F6USER 6
F7–STANDARD TRIO 2 F7–USER 7
F8CHAINED TRIO F8USER 8
F9STAND. QUARTET F9USER 9
F10JAZZ QUARTET F10MIDI MODE
Editing a VOCALIZER effect
1. Select a VOCALIZER effect.
2. By pressing the EDIT button, a screen like the
Figure 53 will appear.
3. Press the F1-F10 buttons to access the parameter
settings of the VOCALIZER
:
F1 - DUET: duet effects (two voices).
F2 - TRIO: trio effects (three voices).
F3 - QUARTET: quartet effects (four voices).
F4 - QUINTET: quintet effects (five voices).
F5 - FIXED INTERV.: fixed interval effects.
F6 - VOCODER: vocoder parameters.
F7 - VOICES EDIT: parameters of the voice
(up to five voices) Volume, Pan, Formant,
Detune, Cutoff, Resonance.
F8 - EQUALIZER: 10 bands graphic equalizer.
F9 - EFFECTS: parameters of the effects.
F10 - VOCAL TO ARR.: the vocalizer effect
changes accordingly to the Arranger parts.
For example, you can set a DUET effect for the
START, a TRIO effect for the A variation of the
Arranger, a VOCODER effect for the B variation
of the Arranger and so on. For details see on
page 137.
Figure 52
Figure 53
Voicetron
KETRON • AUDYA 39
Master
The Master fader is located at right of the
Voicetron section and adjusts the global volume
of the instrument. It features a FADE function
which enables an automatic fade-out during
playback, that is a gradual smooth volume
reduction to zero.
FAD
E
By pressing the FADE button, the LED flashes
and the volume will be reduced gradually,
accordingly to the CROSSFADE settings. Please
see MENU > KEYBOARD CONTROL > UTILITY >
NEXT PAGE > Fade Time (Figure 54). Once the
fade-out is over, the LED of the FADE button turns
off.
Note that the fade-out does not apply to the
microphone output. In this way, you will be able
to talk/sing during the fade-out.
Figure 54
Master
B
NOTE
The FADE function works both as FADE Out and FADE
In. Just press the FADE button while the Arranger or
the Player are stopped.
40 KETRON • AUDYA
Main View
The new MAIN VIEW interface allows to display
all the items of the main screen in a more easy-
to-operate way.
Activating the MAIN VIEW
1. Press the MENU button on the front panel to open
the screen MENU as shown in Figure 55.
2. Press the F4 button corresponding to KEYBOARD
CONTROL as shown by the arrow in Figure 55.
3. Press the F10 button corresponding to UTILITY as
shown in Figure 56.
4. Press the USER button 5 (NEXT PAGE) as shown
in Figure 57.
5. Press the F6 button to select MAIN VIEW as
shown in Figure 58.
6. Now you can uIf the DATA/VALUE wheel or the
CURSOR
Ó Á
to select the value OFF or ON as
shown in Figure 58.
7. Press the EXIT button to go to the previous
window of the MENU.
8. Press the MENU button to exit the MENU
environment.
Storing MAIN VIEW at start-up
Once out of the MENU environment, you may want to
store the new MAIN VIEW at start-up of the keyboard.
Press the SAVE button on the front panel. A screen
like Figure 59 will appear. Press the F6 button
corresponding to CUSTOM STARTUP. At start-up the
display will be set to the new MAIN VIEW.
Main View
Figure 55
Figure 56
Figure 57
Figure 58
Figure 59
KETRON • AUDYA 41
Main View
Strictly pertaining to the new MAIN VIEW
interface, the AUTOSWITCH TIME function
allows to set the switching time up to 60
seconds before the MAIN VIEW switches from
other environments. For example, after you
choose a style or an instrument, the display
switch automatically to the MAIN VIEW after the
AUTOSWITCH TIME set by this parameter.
Setting the AUTOSWITCH TIME
1. Press the MENU button on the front panel to open
the MENU screen.
2. Press the F4 button corresponding to KEYBOARD
CONTROL.
3. Press the F10 button corresponding to UTILITY.
4. Press the USER 5 button (NEXT PAGE).
5. Press the F7 button to select AUTOSWITCH TIME
(sec) as shown in Figure 60.
6. Now you can uIf the DATA/VALUE wheel or
the CURSOR
Ó Á
buttons to set the value in
seconds from 1 to 60 seconds as shown in Figure
61.
7. Please set a time value between 3 and 5 seconds
(even if you can set a higher value).
8. Press the EXIT button to go to the previous
window of the MENU.
9. Press the MENU button to exit the MENU
environment.
Autoswitch Time
Figure 60
Figure 61
NOTE
If you set the AUTOSWITCH TIME (sec) to OFF, the
AUTOSWITCH function will be switched off. In this
case, if you want to return to the MAIN VIEW from
other screens, you must press manually the EXIT button
on the front panel.
42 KETRON • AUDYA
Main View
Hereunder, you can see the organization of the
graphical layout of the MAIN VIEW window.
MAIN VIEW Window
1
BPM Tempo
It shows the BPM Tempo set for the style or
the current filely loaded in the Player. When
the Arranger or the Player are playing, the
red and green LED light accordingly to the
musical division.
2
Transpose
It shows the transpoIf value of the right hand
or of the current filely loaded in the Player.
3
Split
It shows the split point currently set on the
keyboard.
4
Octave
It shows the octave transpoIf value for the
right hand.
F1 – The F1 button opens the window for style
selection. It shows also the value of the volume
set from STYLE MASTER and the ABCD variation
of the Arranger (Figure 62).
F2 – The F2 button opens the window for the
REGISTRATION selection (Figure 52). More
details in the REGISTRATION section of this
manual.
Main View description
1 2 43
Figure 62
Figure 63
KETRON • AUDYA 43
Main View
F3/F4 – The F3 button (or F4) opens the default
window for MIDI files selection. It also shows
the value of the volume set on the MIDI Player
(Figure 64). More details on “MIDI Player
(MAIN VIEW)” section of this manual.
F5 – The F5 button does not open any window. It
indicates the MAIN VIEW section corresponding
to the mixer parts of the Arranger. In this section
the volume values of Drum, Bass, Chord and
Lower (Figure 65) are displayed.
F6 – The F6 button opens the window of VOICES
selection for the right hand (RIGHT). It also
shows the value of the volume set for the right
hand and the type of VOICE, such as PRESET,
PROGRAM, DRAWBARS or INSTRUMENT
(SUPERSOLO).
F7 – The F7 button opens the window for VOICES
selection for the 2ND VOICE. It also shows the
value of the volume set for the 2ND VOICE and
the octave shift (set by PROGRAM). If you select
an instrument from the MAIN VIEW window, the
octave will be set to the standard 0 value and “—”
will appear.
F8 – The F8 button opens the window for VOICES
selection for the left hand (LEFT VOICE). It also
shows the value of the volume set for and octave
shift.
F9 – The F9 button does not open any window.
F10 – The F10 button opens the LYRIC window. If no
MIDI file is selected or the MIDI file does not
contain lyrics, the LYRIC section of this window
will appear empty (Figure 66). To return to the
MAIN VIEW display, press the F10 button again,
or any other button (STYLE, VOICES, DRUM
SET, PROGRAM or Player button).
Figure 64
Figure 65
Figure 66
44 KETRON • AUDYA
Main View
From the MAIN VIEW window you can select
directly one of the MIDI files stored on disc and
display the karaoke lyrics, if present.
Selecting MIDI files from MAIN VIEW
1. In the MAIN VIEW window, press the F3 button (or
F4). A list of MIDI files of the MIDIFILE folder will
appear (Figure 67).
2. Select using the CURSOR § ¶ buttons or the
DATA/VALUE wheel a MIDI file from the list. Our
example is “JENNIFER.MID”.
3. Press the ENTER button to start MIDI file
playback.
4. If the MIDI file contains lyrics, you will see them
on the right section of the MAIN VIEW window, as
illustrated in Figure 68.
5. The USER buttons from 1 to 4 under the MAIN
VIEW window will work like this:
USER 1: PAUSE/CONTINUE
USER 2: STOP
USER 3: LEAD ON/OFF (melody mute)
USER 4: EXIT (exit from the Lyric or MAIN VIEW
window).
6. While the MIDI file is playing back or paused, by
pressing the F3 button (or F4) a second time, the
MAIN VIEW window is divided in two sections
(Figure 69):
to the right, the section LYRIC.
To the left, the list of the MIDI files on the disc.
7. In this way, while the current file is playing back,
you can select the file from the list using the
CURSOR § ¶ buttons or the DATA/VALUE
wheel and start using the ENTER button.
8. Press the F3 button (or F4) again to dispaly the
ordinary window.
9. Press the F10 button To switch the window LYRIC
ON/OFF.
HOME button of the MIDI Player
By pressing the MIDI button of the Player you can
enter the usual list of MIDI files on the disc. The
window now shows the HOME function activated by
the USER 3 button, as illustrated in Figure 70. The
HOME function is useful when you want return to the
MAIN VIEW and operate from the new functions.
Figure 67
Figure 68
Figure 69
Figure 70
MIDI Player (MAIN VIEW)
KETRON • AUDYA 45
Main View
From the MAIN VIEW window you can select
directly the WAV file on disc.
Selecting a WAV file from the MAIN VIEW
1. The default MAIN VIEW window allows the
selection of MIDI files. For this reason it’s
necessary to press the WAVE button of the
Player. The list of the WAV file of the WAVE folder
will appear (Figure 71).
2. Select a WAV file from the list using the CURSOR
§ ¶ buttons or the DATA/VALUE wheel. Our
example is “Funky Tune.wav”.
3. Press the ENTER button to start playback of the
WAV file.
4. Press the USER 3 (HOME) button to activate the
MAIN VIEW window, as shown by the arrow of
Figure 71.
5. The MAIN VIEW window will appear and, on the
right side, the list of WAV files on the disc (Figure
72).
6. If the WAV file contains lyric, the LYRIC window
will appear in place of the list, as illustrated in
Figure 73.
7. The USER buttons from 1 to 4 in the MAIN VIEW
window will have the following functions:
USER 1: PAUSE/CONTINUE
USER 2: STOP
USER 3: LEAD ON/OFF (melody mute)
USER 4: EXIT (exit from the Lyric or MAIN VIEW
window).
8. By pressing the F3 button (or F4) a second time
while the WAV file with lyric is playing back or
paused, the MAIN VIEW window is divided into
two sections (Figure 74):
the section LYRIC on the right side.
the list of the WAV files on the disc on the left
side.
9. In this way, while the current file is playing back,
you can select a file from the list by using the
CURSOR § ¶ buttons or the DATA/VALUE
wheel and start by using the button ENTER.
10. To return to the main window, press the F3 button
(or F4) again.
Figure 71
Figure 72
Figure 73
Figure 74
WAVE Player (MAIN VIEW)
46 KETRON • AUDYA
Main View
From the MAIN VIEW window you can select
directly the MP3 or SFX files on disc.
Selecting an MP3/SFX file from MAIN VIEW
1. The default MAIN VIEW window allows the
selection of MIDI files. For this reason it’s
necessary to press the MP3 button or SFX button
of the Player. A list of MP3 files of the MP3 folder
(Figure 75) or SFX files of the SFX folder will
appear (Figure 76).
2. Select an MP3 file or SFX from the list by using
the CURSOR § ¶ buttons or the DATA/VALUE
wheel.
3. Press the ENTER button to start playback of the
MP3 file or SFX file.
4. Press the USER 3 (HOME) button to activate the
MAIN VIEW window, as shown by the arrow of
Figure 75 and Figure 76.
5. The MAIN VIEW window will appear and, on the
right side, the list of MP3 files (Figure 77) or SFX
files (Figure 78) on the disc.
6. If an MP3/SFX file contains lyric, the LYRIC
window will appear in place of the list, as
illustrated in Figure 78.
7. The USER from 1 to 4 buttons in the MAIN VIEW
window will have the following functions:
USER 1: PAUSE/CONTINUE
USER 2: STOP
USER 3: LEAD ON/OFF (melody mute)
USER 4: EXIT (exit from the Lyric or MAIN VIEW
window).
8. By pressing the F3 button (or F4) a second time
while an MP3/SFX file with lyric is playing back or
paused, the MAIN VIEW window is divided into
two sections (Figure 79):
the section LYRIC on the right side.
the list of the MP3/SFX files on the disc on the left
side.
9. In this way, while the current file is playing back,
you can select a file from the list by using the
CURSOR § ¶ buttons or the DATA/VALUE
wheel and start with button ENTER.
10. To return to the ordinary window, press the F3
button (or F4) again.
Figure 75
Figure 76
Figure 77
Figure 78
Figure 79
MP3/SFX Player (MAIN VIEW)
KETRON • AUDYA 47
Main View
From the MAIN VIEW window you can select
directly the DJ LOOP files on disc.
Selecting a DJ LOOP from MAIN VIEW
1. The default MAIN VIEW window allows the
selection of MIDI files. For this reason it’s
necessary to press the DJ LOOP button of the
Player. A list of DJ LOOP of the folder DJ_ LOOP
will appear (Figure 80).
2. Select a DJ LOOP from the list by using the
CURSOR § ¶ buttons or the DATA/VALUE
wheel. Our example is “ArtOfSun.djl”.
3. Press the ENTER button for load the DJ LOOP
into memory and the START button to start
playback of the DJ LOOP.
4. Press the USER 3 (HOME) button to activate the
MAIN VIEW window, as shown by the arrow of
Figure 80.
5. By pressing the F3 button (or F4) the MAIN VIEW
window will appear and, on the right side, the list
of DJ LOOP (Figure 81). In this way, while the
current file is playing back, you can select a file
from the list using the CURSOR § ¶ buttons or
the DATA/VALUE wheel and start with the ENTER
button.
6. Select “Arranger conductor” section buttons to
manage different pattern in your own ways.
7. The USER buttons from 1 to 4 in the MAIN VIEW
window will have the following functions:
USER 1: PAUSE/CONTINUE (Not Used)
USER 2: STOP
USER 3: LEAD ON/OFF (Not Used)
USER 4: EXIT (exit from the Lyric or MAIN VIEW
window).
Figure 80
Figure 81
DJ LOOP Player (MAIN VIEW)
48 KETRON • AUDYA
For each button of the VOICES section you can
create and store a PROGRAM sound.
You can modify a PROGRAM by pressing the
EDIT button and a button of the VOICES section.
Creating a PROGRAM
1. Press the PROGRAM button.
2. Press a button of the VOICES section, for example
PIANO. The current PROGRAM will appear (Figure
82).
3. Press the EDIT button. The parameters of the
current PROGRAM will be displayed (Figure 83).
4. The F1-F10 buttons allow the selection of the
parameters of the PROGRAM as explained later.
F1/F6–VOICES
By pressing the F1 or F6 buttons you will highlight
repeatedly one of three voices that you can assign to
the same PROGRAM.
In the example, the first voice selected is CLAVINET
while the reamaining two voices are inactive (OFF).
Once you have highlighted one of three VOICES
of the PROGRAM you can rotate the DATA/VALUE
wheel or press the CURSOR buttons to select an
instrument available from the GM banks (Figure 64).
For example, you can choose an instrument for each
VOICE from the PIANO bank as follows:
•
Grand_Piano
•
Concert_Grand
•
Pop_Piano
•
Honky
•
Jingle
•
Harpsichord
•
Clavinet
•
Electric
•
Upright
•
Latin_Piano
•
Concert_L
•
Concert_R
•
Grand_L
•
Grand_R
•
Open_concert
•
Harps_Wide
•
Harps_Octave
•
Pulse_Clavi
•
Grand_Hammer
•
Pop_hammer
Press the CURSOR
Ó Á
buttons together to switch
a voice OFF.
You can also insert an INS instrument, already loaded
in memory (see RAM INS / SUPERSOLO section on
page 98)
5. You can also assign one DRAWBARS voice to
each PROGRAM, only for the third VOICE. Move
the selection on the third VOICE by using the
buttons F1 or F6 and press the DRAWBARS
button to select one organ voice by using the
CURSOR
Ó Á
buttons or the wheel (Figure 85).
Program
Figure 82
Figure 83
Figure 84
Figure 85
Program
NOTE
By using the CURSOR
§ ¶
buttons you can scroll
all the instruments from top to the bottom of the list
instead of scrolling them continuously. That is, in the
above example, from Grand_Piano up to Pulse_Clavi.
KETRON • AUDYA 49
F2/F7–VOLUME
By pressing the F2 or F7 buttons you will highlight
repeatdly the voice of which you want adjust the
volume. Use the DATA/VALUE wheel or the CURSOR
Ó Á buttons to adjust the volume from 0 to 63 of
three voices independently (Figure 86).
Press the CURSOR
Ó Á
buttons together to
automatically set the volume to zero.
F3/F8SHIFT
By pressing the F3 or F8 buttons you will highlight
repeatdly the voice of which you want adjust the
pitch.
Use the DATA/VALUE wheel or the CURSOR
Ó Á
buttons to adjust the pitch of three voices by +/-
24 semitones independently (Figure 87). Press the
CURSOR
Ó Á
buttons together to set automatically
the pitch to zero (—).
F4/F9–TUNE
By pressing the F4 or F9 buttons you will highlight
repeatdly the voice of which you want adjust the fine
pitch. Use the DATA/VALUE wheel or the CURSOR
Ó Á buttons to adjust the fine pitch of three
voices independently. The value from –63 to + 64
corresponds to +/- 100 cents, that is +/- 1 semitone
(Figure 88). Press the CURSOR
Ó Á
buttons
together to automatically set the fine pitch to zero
(—).
F5/F10PAN
By pressing the F5 or F10 buttons you will highlight
repeatdly the voice of which you want adjust the
panoramic position (PAN). Use the DATA/VALUE
wheel or the CURSOR
Ó Á
buttons to adjust the
PAN of three voices independently. The value from
63R to 64L corresponds to the right and to the left
position, respectively (Figure 89). Press the CURSOR
Ó Á buttons together to automatically set the PAN
in the center position (>|<).
Figure 86
Figure 87
Figure 88
Figure 89
Program
50 KETRON • AUDYA
VOICE EDIT
Press the USER 1 button to access the edit page of
each VOICE of the PROGRAM. You will see a screen
similar to Figure 90 where all the parameters of the
VOICE of the PROGRAM will appear. By using the
F1 to F10 buttons you can select a parameter and
modify the value using the DATA/VALUE wheel or the
CURSOR
Ó Á
buttons . Press the CURSOR
Ó Á
buttons together to set the default value (32).
•
F1–ATTACK: modifies the attack time of the
envelope. Values from 0 to 63 (default 32) (Figure
91).
•
F2–DECAY: modifies the decay time of the
envelope. Values from 0 to 63 (default 32).
•
F3SUSTAIN: modifies the sustain time of the
envelope. Values from 0 to 63 (default 32).
•
F4RELEASE: modifies the release time of the
envelope. Values from 0 to 63 (default 32).
•
F5LEVEL: modifies the envelope level. Values
from 26 to 63 (default 32).
•
F6RESONANCE: modifies the resonance level.
Values from 0 to 63 (default 32).
•
F7–CUTOFF: modifies the cutoff frequency.
Values from 0 to 63 (default 32).
•
F8DCA OFFSET: modifies the OFFSET of the
DCA (Digital Controlled Amplifier) envelope.
In other words, it raises/lowers the influence on
the amplifier. Values from 0 to 63 (default 32).
•
F9DCF OFFSET: modifies the OFFSET of the
DCF (Digital Controlled Filter) envelope. In other
words, it raises/lowers the influence on the filter.
Values from 0 to 63 (default 32).
•
F10- LFO. The F10 button opens a further edit
page to modify LFO parameters (Figure 92),
that is the parameters of the Low Frequency
Oscillator.
Program
Figure 90
Figure 91
Figure 92
KETRON • AUDYA 51
NOTE
If you set an organ DRAWBARS on the VOICE number
3 of the PROGRAM, the parameters of the VOICE EDIT
page are visible but you cannot modify the organ voice
parameters.
NOTE
Press the USER 1 button (Progr. Edit) to return from
the LFO page to the VOICE EDIT page. Press the USER
1 button (Progr. Edit) again to return to the initial
PROGRAM EDIT page.
Program
You can access the LFO parameters by using the
F1... F10 buttons. The selected parameter can be
modified by using the DATA/VALUE wheel or the
CURSOR
Ó Á
buttons. The value range for each
parameter is from 0 to 63. Press the CURSOR
Ó Á
buttons together to set the default value (32).
F1–VIBRATO RATE: vibrato frequency.
F2–VIBRATO DEPTH: vibrato depth.
F3–VIBRATO DELAY: vibrato delay.
F6LFO RATE: oscillator frequency.
F7–LFO TVF: LFO amount on the filter.
F8LFO TVA: LFO amount on the amplifier.
After you have modified the parameters of each
VOICE in the VOICE EDIT page, press the USER 1
button (Progr. Edit) to return to the previous page.
Select a different VOICE by using the F1 or F6
buttons and press the USER 1 button (Voice Edit) to
modify the voice parameters.
52 KETRON • AUDYA
2ND VOICE
Press the USER 2 button (2nd Voice) to see a screen
like Figure 93 by using the parameters for the second
voice (2ND VOICE), that you can activate by pressing
the 2ND VOICE button in the VOICES section.
Press the F1... F10 buttons to access the parameters
of the 2ND VOICE. Modify the values of the selected
parameter by using the DATA/VALUE wheel or the
CURSOR
Ó Á
buttons.
•
F1–2ND VOICE: you can assign an instrument
from those of the GM banks.
For example:
Strings1
Strings2
Strings3
Symphonic
Timpani
Geige
Contrabass
Tremolos
... etc.
•
F2–VOLUME: you can adjust the volume of the
2ND VOICE. Press the CURSOR
Ó Á
buttons
together to set the value to 0.
•
F3OCTAVE: you can set +/- 2 octaves of the
2ND VOICE (Figure 94). Press the CURSOR
Ó
Á buttons together to set the value to zero (—).
•
F4TUNE: you can adjust the fine pitch by +/-
100 cent of semitone (values from -63 to + 64).
•
F5REVERB: you can adjust the send level to
the reverb (Figure 95). Press the CURSOR
Ó Á
buttons together to set the value to 0.
•
F6EFFECT ASSIGN: you can assign a second
effect, such as CHORUS or ECHO.
•
F7–EFFECT SEND: you can adjust the send level
of the second effect (CHORUS or ECHO).
•
F8SUSTAIN: you can enable/disable the
SUSTAIN pedal on the second voice.
•
F9SPLIT: you can set the right split note for the
second voice.
•
F10CONTROLS: opens a further control page
for the 2ND VOICE (Figure 96) where to switch
the following parameters ON/OFF:
F1–PORTAMENTO ON/OFF: enable/disable the
Portamento control.
F2–AFTERTOUCH ON/OFF: enable/disable the
Aftertouch control.
F3PITCH BEND ON/OFF: enable/disable the
Pitch Bend control.
F4MODULATION ON/OFF: enable/disable the
Modulation Wheel control.
F5EXPRESSION ON/OFF: enable/disable the
Expression control.
Program Program
Figure 93
Figure 94
Figure 95
Figure 96
KETRON • AUDYA 53
Program
EFF. MODE
The USER 3 button opens a screen like Figure 97
where all the parameters for EFF. MODE will appear,
that is the effects mode of the PROGRAM. Use the
F1... F10 buttons to modify the parameters of the
effects mode. Once you select a parameter, you can
modify the value by using the DATA/VALUE wheel or
the CURSOR
Ó Á
buttons.
•
F1/F6–VOICES: you can assign up to three
VOICES to the same PROGRAM, as already seen
in the first screen of PROGRAM EDIT page.
•
F2/F7–REV TYPE: you can choose a reverb type
(Figure 98). For example:
Studio1
Studio2
Club1
Club2
Hall1
Hall2
Theatre1
Theatre2
Stage1
Stage2
Church1
Church2
Hangar
Galaxy
Space
User Rev1 (user reverb 1)
User Rev2 (user reverb 2)
User Rev3 (user reverb 3)
User Rev4 (user reverb 4)
User Rev5 (user reverb 5)
•
F3/F8EFF. ASSIGN: you can assign an effect to
each VOICE (Figure 99) as shown below:
NONE: no effect
CHORUS: Chorus effect
ECHO: Echo effect
ECHO+CHO: Echo + Chorus effect
DIST: Distortion effect
DIST+CHO: Distortion + Echo effect
DIST+ECHO+CHO: Distortion + Echo +
Chorus effect
•
F4/F9EFF. TYPE: for each assigned effect you
can set the effect type (Figure 100).
E.g., for the CHORUS effect type you can
choose:
Chorus1, Chorus2, Chorus3... Chorus6
Tremolo1, Tremolo2, Tremolo3
Phaser1, Phaser2, Phaser3
Flanger1, Flanger2, Flanger3
User Cho1, User Cho2 ... User Cho5
Figure 97
Figure 98
Figure 99
Figure 100
WARNING
If you select the DIST (Distortion) effect for one VOICE
you cannot select an effect like CHORUS or ECHO for
the remaining VOICES. You can select an effect like DIST
for the three VOICES or any combination of DIST+CHO
or DIST+ECHO+CHO effects.
NOTE
By pressing the CURSOR
Ó Á
buttons together you
set the default effect.
54 KETRON • AUDYA
Program
For the ECHO effect (Figure 101) you can choose
from the following types:
Mono Echo1, Mono Echo2... Mono Echo5
Stereo Echo1, Stereo Echo2... Stereo Echo5
Triple Echo1, Triple Echo2... Triple Echo5
Mono User1
Stereo User1, Stereo User2
Triple User1, Triple User2
For the DIST effect (Figure 102) you can choose from
the following types:
Overdrive1, Overdrive2, Overdrive3
Tube 1, Tube 2
Distorsion1, Distorsion2, Distorsion3
Hyper Dist.
Grunge
Fuzz
Hot British
Org. Over.1, Org. Over.2, Org. Over.3
Over. User1, Over. User2
Dist. User1, Dist. User2, Dist. User3
When you set a distortion, please consider that the
volume of the VOICE represents the volume to the
distortion input and the DISTORSOR item in EFF
SEND represents the output of the distortion.
•
F5ROTOR ON/OFF: you can enable/disable the
ROTOR effect (Figure 103). You can control the
speed by using the SLOW and FAST buttons of
the ROTOR section on the panel.
•
F10SUST. PEDAL TO ROTOR ON/OFF: you
can enable/disable the functionality of the
ROTOR effect to the sustain pedal (Figure 104)
connected to the SUSTAIN connector on the rear
panel.
EFF. SEND
The USER 4 button will open a screen like Figure 105
where you can modify the effects send parameters.
In this way you can hear the effects assigned in the
EFF. MODE page.
Once you select a parameter, you can modify
its value by using the DATA/VALUE wheel or the
CURSOR
Ó Á
buttons. Use the function F1/
F6 buttons to select one of three VOICES of the
PROGRAM.
WARNING
The values of the parameters for EFF. ASSIGN and EFF.
TYPE are strictly connected to the parameters of the
EFF. SEND page. You coud not hear any effect until you
adjust the sends in the EFF. SEND page, as explained
later.
Figure 101
Figure 102
Figure 103
Figure 104
Figure 105
Program
KETRON • AUDYA 55
Program
•
F1/F6–VOICES: you can assign up to three
VOICES to the same PROGRAM, as already seen
in the first PROGRAM EDIT screen.
•
F2/F7–REVERB: you can adjust the reverb
effect send. Values from 0 to 63 (Figure 106). By
pressing together the CURSOR
Ó Á
buttons
you set the reverb send to 0.
NOTE
If in the EFF. MODE page you choose an effect like
DIST, DIST+CHO or DIST+ECHO+CHO, you cannot adjust
the REVERB send independently for each voice. The
parameter adjustment of the effect send is common to
all three voices, so the adjustment of one effect send,
affects all the effect sends.
•
F3/F8CHORUS: you can adjust the Chorus
effect send when you select the CHORUS effect
type in the EFF. MODE page. Values from 0 to 63.
By pressing the CURSOR
Ó Á
buttons together
you set the effect CHORUS send to 0 (Figure
107).
•
F4/F9ECHO: you can adjust the Echo effect
send when you select the ECHO effect type in
the EFF. MODE page. Values from 0 to 63. By
pressing together the CURSOR
Ó Á
buttons
together you set the effect ECHO send to 0
(Figure 108).
•
F5/F10DISTORSOR: you can adjust the
distortion effect send when you select the DIST
effect type in the EFF. MODE page. Values from
0 to 63. By pressing together the CURSOR
Ó Á
buttons together you set the effect DISTORTION
send to 0 (Figure 109).
CONTROL 1
The USER 5 button opens a screen like Figure
110 where you can modify the parameters of the
CONTROL 1 page. You can access the parameters
by using the F1... F10 buttons in order to program the
VOICES in splits or dynamic layers on the keyboard.
Once you select the parameter, you can modify
the parameters by using the DATA/VALUE wheel or
the CURSOR
Ó Á
buttons. Use the function F1/
F6 buttons to select one of three VOICES of the
PROGRAM.
Program
Figure 106
Figure 107
Figure 108
Figure 109
Figure 110
NOTE
If you set an effect like DIST, DIST+CHO or
DIST+ECHO+CHO in the EFF. MODE page, you
cannot adjust the CHORUS, ECHO and DISTORSOR
sends independently for each voice. The parameter
adjustment of the effect send is common to all three
voices, so the adjustment of one effect send, affects all
the effect sends.
56 KETRON • AUDYA
•
F1/F6–VOICES: you can assign up to three
VOICES to the same PROGRAM, as already seen
in the first PROGRAM EDIT screen.
•
F2/F7–RANGE (Figure 111): you can set the split
points of the three instruments. You can set the
split points for each VOICE playing directly on
the keyboard. For example:
E0 (lower NOTE of the first VOICE)
B1 (higher NOTE of the first VOICE)
C2 (lower NOTE of the second VOICE)
B3 (higher NOTE of the second VOICE)
C4 (lower NOTE of the third VOICE)
G6 (higher NOTE of the third VOICE)
•
F3/F8–VELOCITY (Figure 112): you can set the
dynamic value for each VOICE (values from 0 to
127). For example:
Minimum VELOCITY for the first VOICE: 1
Maximum VELOCITY for the first VOICE: 88
Minimum VELOCITY for the second VOICE: 89
Maximum VELOCITY for the second VOICE: 127
Minimum VELOCITY for the third VOICE: 1
Maximum VELOCITY for the third VOICE: 127
This means that if you play on the keyboard with a
VELOCITY value (dynamic value) from 89 or above,
the first VOICE will stop playing, while the second will
play. Instead, the third VOICE will always play at any
velocity value.
By pressing together the CURSOR buttons you can
set the value to 1 in the odd VELOCITY boxes and to
127 in the even boxes.
•
F4/F9SUSTAIN (Figure 113): enable/disable the
sustain pedal for each VOICE.
•
F5/F10EXPR (Figure 114): enable/disable the
expression control for each VOICE.
CONTROL 2
You can open a second control page from the
CONTROL 1 page where you can modify further
parameters of the PROGRAM.
By pressing the USER 5 button (Control 2) from the
CONTROL 1 page you will see a screen like Figure
115. Once you select a parameter, you can modify
the value by using the DATA/VALUE wheel or the
CURSOR
Ó Á
buttons. Press the USER 5 button
(Control 1) again to return to the CONTROL 1 page.
You can choose the the parameters by using the F1...
F10 buttons:
•
F1/F6–VOICES: you can assign up to three
VOICES to the same PROGRAM, as already seen
in the first PROGRAM EDIT screen.
•
F2/F7–PORT/MONO (Figure 116): you can set the
PORTAMENTO time with choosing values from 5
to 127. By pressing the CURSOR Ó Á buttons
together you set the value to OFF.
Program
Figure 111
Figure 112
Figure 113
Figure 114
Figure 115
Program
KETRON • AUDYA 57
Program Program
•
When the portamento is OFF you can set the
MONO or POLY mode for the VOICE.
When you set the portamento to any value
between 5 and 127, the portamento can be
set to LEGATO or POLY: on the first case the
portamento acts on the sound in “legato” mode,
until a note is released.
In the second case, it acts in polyphonic manner,
retriggering the portamento every time a note is
played.
If the PORTAMENTO effect is stored in one
PROGRAM and enabled by the Aft&Port
Autoswitch parameter (Menu > Keyboard Control
> Aftertouch) you can activate it from the button
on the front panel.
•
F3/F8MORPHING (Figure 117): you can set the
Morphing modes from one VOICE to another
choosing one of the NORMAL, FIRST and
SECOND parameters. The MORPHING will affect
the sound by moving the Modulation Wheel, with
the wording MORPHING in blue.
You can set the MORPHING effect between two
or three VOICES by changing the MODES to
MORPHING or MORPH. COUPLING (see below).
•
F4MODES: by using this parameter you can
choose the interaction modes between the
VOICES. For example, if you select MORPHING,
you can move the Modulation Wheel and the
sound of the (FIRST) VOICE will morph gradually
to the (SECOND) VOICE. If the parameter is set
to NORMAL no MORPHING will be applied to that
VOICE. Further interaction parameters between
the VOICES are:
3 Voice Layer
Duet1,Duet2
Trio1, Trio2
Country Steel
Morphing
Morph. Coupling
Double
2Hands
Down1, Down2
3rd Down
Bluegrass Down
Country Down
Up 1, Up 2
6th Up
Bluegrass Up
Country Up
Full 1, Full 2
Jazz 1, Jazz 2
Folk 1, Folk 2
Aft. Morphing
Aft.Morph. Coupl
Ped.Morphing
Ped.Morph. Coupl
Sustain Switch
Duet1, 2 mode
When you select DUET, you can set one VOICE to
FIRST and the other to SECOND. If you play one
single note only the VOICE set to FIRST will sound,
while the SECOND will sound only if you play two or
more notes.
1, 2 changes the speed of playing notes.
Trio1, 2 mode
As above but with three notes.
Steel mode
Its a particular Pitch Bend control on the voices. The
Pitch Bend acts only on the lower played note.
Double and 2 Hands mode
•
They are the copy of the Double and Harmony-2
Hands buttons on the panel. By recalling
one VOICE, you can automatically activate
the functions stored in the VOICE. Down1-
2.....Folk1-2: these options are harmonizations
that can be assigned directly to program voice.
Key off
Key off time 1,2
Key off random 1,2
Figure 116
Figure 117
58 KETRON • AUDYA
Program
These parameters are of course linked to the
Harmony parameter, which specifies the voice
affected by harmonization.
• Aft.Morphing: it assigns the morphing to the
aftertouch control.
• Aft.Morph.Coupl.: it assigns the additive
morphing to the aftertouch control.
• Ped.Morphing: it assigns the morphing to the
pedal control.
• Ped.Morph.Coupl.: it assigns the additive
morphing to the volume pedal control.
• Sustain Switch: it switches sounds by using the
sustain pedal.
• Key off: you can assign sounds on key off.
• Key off time 1,2: key off sound accordingly to the
key pressure time.
• Key off random1,2: random key off sound.
•
F5SPLIT -12 (ON/OFF) (Figure 118): you can
enable/disable the SPLIT to -12 semitones
function. That is, when SPLIT mode is set, the
RIGHT hand will sound a -1 octave, instead, when
PIANIST mode is set, the keyboard will sound the
original octave.
•
F9HARMONY (Figure 119): you can set the
harmonization type choosing from the following
parameters:
Voice1 - set Harmony at voice 1
Voice2 - set Harmony at voice 2
Voice3 - set Harmony at voice 3
Off
•
F10AFTER/WHEELS: opens a further window
where you can set the Aftertouch and Modulation
Wheel parameters.
AFTER/WHEELS
•
From the AFTER/WHEELS window you can
modify the parameters using the F1... F10
buttons. Once you have selected the parameter,
the value can be modified by using the DATA/
VALUE wheel or the CURSOR Ó Á buttons.
•
F1/F6–VOICES: you can assign up to three
VOICES to the same PROGRAM, as already seen
in the first PROGRAM EDIT screen.
•
F2/F7–AFTERT. (Figure 120): you can assign an
Aftertouch control to each instrument. If stored
in the PROGRAM and then enabled in Aft&Port
Autoswitch (Menu > Keyboard Control >
Aftertouch) you can activate it from the button on
the front panel.
For example:
Pitch1, Pitch2: changes the pitch
Filter: changes the filter
Amplitude: changes the amplitude
Figure 118
Figure 119
Figure 120
KETRON • AUDYA 59
NOTE
You can activate wha-wha effect as User Assignable
control.
Program
Figure 121
Figure 122
Cutoff: changes the cutoff of the filter
Pit+Cutoff: changes pitch and cutoff
Pitch+Filt: changes pitch and filter
Pitch+Ampl: changes pitch and amplitude
Pit+Fil+Amp: changes pitch, filter and amplitude
Pi+Fi+Am+Cut: changes pitch, filter, amplitude
and cutoff
Slide 1, Slide 2, Slide 3, Slide 4: applies a slide
effect
Slide Bend: applies a note bending
Soft Pitch: applies a slight untuning
By pressing the CURSOR Ó Á buttons together
you can switch the parameter OFF.
•
F3/F8MOD/WHA (Figure 121): you can assign
a Modulation wheel control to each VOICE. For
example:
Pitch: changes the pitch
Filter: changes the filter
Amplitude: changes the amplitude
Cutoff: changes the cutoff of the filter
Pit+Cutoff: changes pitch and cutoff
Pitch+Filt: changes pitch and filter
Pitch+Amp: changes pitch and amplitube
Pit+Fil+Amp: changes pitch, filter and amplitude
Wha To Pedal: applies a wha-wha effect to the
pedal
Wha To Wheel: applies a wha-wha effect to the
wheel
•
F4/F9BEND (Figure 122): you can assign a
Bend control to each VOICE. For example:
Pitch: changes the pitch
Pit+Ampl.: changes the pitch and the amplitude
Pit+Cutoff: changes pitch and cutoff
Pit+Amp+Cutt: changes pitch, the amplitude and
the cutoff
Pit+TVF: changes pitch and the envelope of the
filter
Pit+LFO: changes pitch and LFO amount
Preset Edit allows to modify and save on Program (
see Preset Edit )
Pre
set Edit
You can edit presets and save again the Program
(without altering the original presets).
By using F1-F10 you can select the preset and
hold the button for about 1 sec. Then edit the
sound, name, choose the destination and SAVE
the Program.
60 KETRON • AUDYA
Registration feature mean saving of complete
panel setting. Audya allow two different
Registration feature : SINGLE and BLOCK . By
Registration button user can modify registration
content.
Creating a SINGLE REGISTRATION
1. After set on layout style tempo, volumes and
all parameters related of own performance
press SAVE and F1 REGISTRATION button (
Registration name is required ).
2. From this view will be allowed enable /disable of
sections available on Registration ( see Picture
124) By press USER 1 ( Section off) view pages
screen related will be allowed.
Section available on first page ( Section page#1 ) are:
F1 - AUTOPLAY: enables/disables the autoplay
function of the Player.
F2 - PLAYER: remembers the current folder of the
Player.
F3 - PLAYLIST: enables the active Play List when
you save the registration.
F4 - TEXT: stores the active text.
F5 - STYLE: stores the style.
F6 - TEMPO: stores the tempo.
F7 - ARRANGER VARIATION: stores the variation
of the Arranger A, B, C, D
F8 - ARRANGER MODES: stores the Arranger
settings.
F9 - RIGHT/LEFT: stores the right hand and left
hand settings.
F10 - SLIDERS: stores the slider settings.
By pressing USER 1 button (Section page #1) user
swap on the 2nd page edit ( Section page#2) with
new selectable feature :
F1–EFFECTS: Effects settings.
F2–MICRO: Mic settings.
F3–VOICETRON: Voicetron settings.
F4–DRUM MIXER: Drum Mixer settings.
F5–MIDI SETTING: MIDI settings.
F6–UTILITY: Utility page settings.
F7–ARABIC: Arabic scale settings.
F8–FOOTSWITCH: Footswitch settings.
F9–KEYBOARD PARAM: Keyboard parameters
settings.
F10–AUTO SWITCH OFF: Feature with automatic
Registration switch off button after loading
registration is completed.
Registration
Registration
Figure 123
Figure 124
Figure 125
Figure 126
KETRON • AUDYA 61
3. After set your own Registration User should
assign a related name of it by entering letters or
number using keybed ( Figure #126 show i.e. MY
REGISTRATION)
4. Press SAVE button (User 5) to complete.
Recalling a SINGLE REGISTRATION
1. To recall a REGISTRATION from the list on
the window, you can use the CURSOR
§ ¶
buttons or the DATA/VALUE wheel to select
a REGISTRATION and then press the ENTER
button (Figure 127).
2.
To recall a REGISTRATION you can also use the
numeric keypad by switching the USER 3 button
NUMERIC ON (Figure 128).
3.
For example, by using the option NUMERIC
ON, just press the number 1 button to recall the
REGISTRATION 0001, or the number 2 button to
recall the REGISTRATION 0002 and so on.
To recall REGISTRATION with two digits or
more you must digit the number sequence of
the REGISTRATION. For example, to recall the
REGISTRATION 0012, just digit 12 on the numeric
keypad.
Creating a REGISTRATION BLOCK
The REGISTRATION BLOCK is a bunch of
twenty SINGLE REGISTRATIONS or direct
functions that can be quickly recalled.
1. Press the REGISTRATION button to open the
corresponding screen. If not selected, press the
USER 4 button to select BLOCK. If there is no file,
an empty screen and “EMPTY” will appear (Figure
129).
2. Press the EDIT button.
3. Press the USER 1 button (CREATE).
4. The display will show all the SINGLE
REGISTRATIONS (Figure 130).
5. By using the F1-F10 buttons, select to which
button you want to assign the SINGLE
REGISTRATION.
6. Select the SINGLE REGISTRATION by using the
DATA/VALUE wheel or the CURSOR
§ ¶
.
7. Press the ENTER button in order to confirm the
SINGLE REGISTRATION assigned to any F1-F10
button.
8. Repeat the operation for each F1-F10 button.
Registration
NOTE
When you save a REGISTRATION in automatic mode,
a progressive number of 4 digits is added to the file
name: 0001_REGIS.SRG, 0002_REGIS.SRG, etc.
NOTE
You can store the SINGLE registration also when you
are in the MAIN environments, by pressing the SAVE
button and choosing REGISTRATION.
Figure 127
Figure 128
Figure 129
Figure 130
62 KETRON • AUDYA
9. To jump to the second page, press the BACK or
FORWARD buttons below the display.
10. If you want to replace or delete one SINGLE
REGISTRATION, select it by using the F1-F10
buttons and press the USER 2 button (REPLACE)
or USER 3 button (DELETE), respectively, and
then the ENTER button.
11. Press the SAVE button and give a name to the
REGISTRATION BLOCK. Digit a name in the text
box by inputting the characters directly from the
keyboard.
12. Once the REGISTRATION BLOCK is saved, you
can recall it from the list by using the CURSOR
§
or the DATA/VALUE wheel and by pressing the
ENTER button (Figure 131).
13. By using the F1-F10 buttons you recall the
corresponding SINGLE REGISTRATION. By using
USER 1 button you can enable the SINGLE PLAY
or MULTI PLAY functions to play the Registration
automatically.
Recalling a REGISTRATION BLOCK
1. Once a REGISTRATION BLOCK is stored, you
can recall it from the list on the window by
using the CURSOR
§
buttons or the DATA/
VALUE wheel. Once the file is selected, just
press the ENTER button (Figure 132) to recall the
REGISTRATION BLOCK.
2.
Once the REGISTRATION BLOCK is loaded
the REGISTRATION SINGLE is recalled,
corresponding to the F1-F10 buttons.
3.
By using the USER 1 button you can activate the
SINGLE PLAY or MULTI PLAY function in order to
play the Registration automatically.
4.
It can be useful to store several SINGLE
REGISTRATIONS with some WAVE songs
prepared into the Player. Storing the SINGLE
REGISTRATIONS by using the Player and
AUTOPLAY sections enabled, you can quickly
recall the REGISTRATION BLOCK containing
those SINGLE REGISTRATIONS by using the F1-
F10 buttons.
Cre
ating a fast REGISTRATION BLOCK
1. In addition to SINGLE REGISTRATION you can
save Styles, Voices and Player directly. Press
Registration button than USER 4 (BLOCK).
2. Press the EDIT button and the USER 1 button
(CREATE).
3. Press F1-F10 button to assign related position.
4. Select a Style, a voice or a song from the Player.
5. Press ENTER to assign this feature on related
button.
6. Do the same for any other F1-F10 button (Figure
133).
7. Press the SAVE button and give a name to the
REGISTRATION BLOCK.
8. Press the SAVE button and give a name to the
REGISTRATION BLOCK.
9.
By using the F1-F10 buttons you can recall the
corresponding item (Style, Voice or Player).
Figure 131
Figure 132
Figure 133
NOTE
When you enter the Registration Block EDIT mode, the
NUMERIC option is automatically disabled.
Registration
KETRON • AUDYA 63
Rec
alling a REGISTRATION from the MAIN
VIEW window
If the MAIN VIEW function and the NUMERIC ON
function are enabled, by pressing the F2 button
you can directly recall the REGISTRATION
number by using the numeric keypad.
1. From the MAIN VIEW window press the F2 button.
“Enter Number ->” will appear (Figure 134).
2. Digit a REGISTRATION number by using the
numeric keypad. “Wait Please...” will appear
(Figure 135). The corresponding REGISTRATION
will be searched and loaded.
3. If the NUMERIC ON function is disabled, you must
manually select the REGISTRATION by using
the CURSOR
§ ¶
buttons or the DATA/VALUE
wheel and by pressing the ENTER button (Figure
136).
Figure 134
Figure 135
Figure 136
Registration
NOTE
Use Registration UP/DOWN command on footswitch to
browse on REGISTRATION BLOCK.
64 KETRON • AUDYA
Play List
By pressing the PLAY LIST button you can
access the Play Lists stored on the hard disk. In
order to create a Play List, follow the procedure
below.
Cre
ating a PLAY LIST
1. Press the PLAY LIST button. A screen like Figure
137 will appear showing a PLAY LIST demo.
2. Select PLAY LIST DEMO by pressing CURSOR
and press the EDIT button.
3. Press the CREATE button (User 1).
4. Press one of the F1-F10 buttons. For example, F1.
5. Press the WAVE button (or MP3, SFX, MIDI) to
select a song or a MIDI file, and press ENTER.
The selected song/MIDI file will be assigned to the
F1 button.
6. Press the F2 button and select another song/MIDI
file and press ENTER. The song will be assigned
to the F2 button.
7. Do the same for any other F1-F10 button (Figure
138).
8. When finished, press the USER 5 button (SAVE).
9. Give a name to the PLAY LIST and press SAVE
again.
Play List
NOTE
By pressing the A.PLAY ON/OFF button (USER 5) you
can enable/disable the automatic playback of the songs
currently in the Play List.
Figure 137
Figure 138
KETRON • AUDYA 65
By pressing the KEY TUNES button in the
VOICE section, you can assign a song to each
key of the keyboard. You can freely assign
any song of the WAVE folder to any key of the
keyboard.
Cre
ating a KEY TUNE
1. Press the KEY TUNES button. A screen showing
“KEY_TUNE_DEMO” will appear (Figure 139), that
is a demonstration file to understand KEY TUNES
features.
2. Press the USER 3 button (CREATE) in order to
create a new KEY TUNE.
3. Select a song from the WAVE folder, by using the
DATA/VALUE wheel or the CURSOR
§ ¶
.
4. Press the ENTER button to select the song. The
song will be automatically assigned to the C3 key
of the keyboard.
5. Select another song and press the ENTER button.
The song will be automatically assigned to the
C#3 key of the keyboard.
6. Continue assigning all the songs that you want to
any key of the keyboard (Figure 140).
7. You can see the list of single selected files by
pressing the TUNE VIEW (USER 2 key) where you
can edit each track settings.
8. Press the USER 5 button (SAVE), to store the KEY
TUNE.
9. Digit a name on the dialogue box by using the
keys on the keyboard. The example shows
“MY_TUNE”.
10. Press SAVE again. At this point, the KEY TUNE
file named “MY_TUNE” will appear on the screen
(Figure 141).
11. To remove a song from a KEY TUNE, press the
USER 3 button (REMOVE) below the display.
KEY T
UNE parameters
When you create a KEY TUNE from scratch or
edit a previous one, you can set the following
parameters, by using the F1-F10 buttons.
•
F3 - START: the start note of the trigger
interval (e.g. C3). You can set this, by
pressing directly any keys on the keyboard.
•
F4 - END: the end note of the trigger interval
(e.g. F3). You can set this, by pressing
directly any keys on the keyboard.
•
F5 - INC/DEC: you can set the automatic
insertion of the trigger interval by increasing/
decreasing the note automatically. For
example, if you begin from C3 and INC is
set, the next song is assigned to C#3. If DEC
is set, it the next song will be assigned to B2.
•
F6 - VOL: sets the output volume of the song
in the range 0-127.
•
F7 - LOOP ON/OFF: sets the loop on/off.
•
F8 - HOLD ON/OFF: sets the hold on/off, that
means that the song continues playing after
releasing the key, otherwise the song stops.
•
F9 - DIN: sets dynamic response of the
keyboard, that is, the harder you play, the
louder the volume of the song.
•
F10 - SINGLE/GLOBAL EDIT: sets the
changes for a single KEY TUNE or all.
Key Tune to Chord function, see page 123.
Key Tunes
NOTE
By pressing USER 1 (CLEAR ALL) you will clear all the
songs from the current KEY TUNE.
Key Tunes
WARNING
The Key Tunes feature uses a WAVE track, so if a Key
Tune is playing back, the Wave Player will not work
and viceversa.
Figure 139
Figure 140
Figure 141
66 KETRON • AUDYA
By pressing the DOUBLE button in the VOICE
section, you can activate the function to double
the octave of the voice for the right hand.
By pressing the HARMONY button in the
VOICE section, you can enable the function to
harmonize the voice for the right hand. By hold (
for a couple of seconds ) Harmony button User
can scroll 20 different selection ( 2 pages menu
)(Figure 142). By using the F1-F10 buttons, you
can access the following harmonizations:
PAGE 1 PAGE 2
F1FULL1 F1DOWN1
F2–FULL2 F2–UP1
F3JAZZ1 F3DOWN2
F4JAZZ2 F4UP2
F52 HANDS F53RD DOWN
F6FOLK1 F66TH UP
F7–FOLK2 F7–BLUEGRASS DOWN
F8–TRILL* F8BUEGRASS UP
F9REPEAT* F9COUNTRY UP
F10ECHO* F10COUNTRY DOWN
The types of HARMONY marked by an asterisk
on the table above, are special effects of trill,
repetition and echo. You can access the speed
parameter (SPEED) for these special effects by
pressing repeatedly the USER 2 button below
the display. The available SPEED values are: 6,
8, 12 and 24.
In the example shown in Figure 143, if you
select the TRILL effect, you will hear the trill
effect produced by the note played at right or
left of the starting note. You can modify the
speed of the trill by using the SPEED parameter
corresponding to the USER 2 button.
Double, Harmony
Double, Harmony
Figure 142
Figure 143
KETRON • AUDYA 67
Style View
From the STYLE section on the front panel you
can select a style by using the numeric keypad.
If the style uses an Audio Style Modeling, please
note that a ^ symbol appears before the style
name otherwise the name appears without any
symbol (Figure 144).
In order to view and/or edit the parts of the style,
with or without an Audio Style Modeling, you
can press the STYLE VIEW button of the PLAY
CONTROL section.
In this screen the display shows the 10 parts
of the style currently selected. By pressing
the F1-F10 buttons you can select the
corresponding part of the style (Figure 145 and
Figure 146):
•
F1DRUM 1
•
F2–DRUM 2
•
F3BASS
•
F4LOW 1
•
F5LOW 2
•
F6CH 1
•
F7CH 2
•
F8CH 3
•
F9CH 4
•
F10CH 5
The four buttons, from USER 1 to USER 4 allow
to access to the corresponding edit windows:
VOICE, EFFECT, PAN, MUTE.
VOI
CE (USER 1)
By pressing VOICE (default selection), you can
set an instrument for each part of the style by
using the DATA/VALUE wheel.
By using the CURSOR
Ó Á
buttons
you can
raise or lower the volume of the part from 0 to 63.
By pressing the CURSOR
Ó Á
buttons
together
you set the volume of the part to 0.
By using the OCTAVE +/- buttons you can change
the octave of the LOW 1 and LOW 2 parts by +/-
48 semitones, 12 semitones steps (Figure 147).
EFFE
CT (USER 2)
By pressing EFFECT, you can select and edit the
type and the amount of the effect for each part
(Figure 148). The multieffect unit allows the use
of four effects simultaneously, that is a type of the
effect for all the voices.
Please note that the effects Chorus and Reverb
are available for the drum and percussion parts
(DRUM1 and DRUM2 and/or Audio Drum and
Groove Bank).
Figure 144
Figure 145
Figure 146
Style View
Figure 147
Figure 148
68 KETRON • AUDYA
For any other part you can set the routing of the
effects up to four effects (Figure 149).
By using the F1 button you can select the routing of
the effects for the parts. Please note that you select
the part on the previous VOICE page (USER 1). By
using the F2-F3-F4-F5 buttons you select the effect
type:
REVERB TYPE
CHORUS TYPE
ECHO TYPE
DIST. TYPE
By rotating the DATA/VALUE wheel or the CURSOR
Ó Á but
tons you can set the effect types for
each part. By pressing the CURSOR
Ó Á
buttons
together, you set the first default effect.
By using the buttons from F7, F8, F9 and F10 you set
the amount of the effect for the selected part.
By pressing the CURSOR
Ó Á
buttons
together you
set the amount to 0.
PAN (
USER 3)
By pressing PAN, you can edit the panoramic
position of each part of the style (Figure 150) by
using the CURSOR Ó Á buttons. Please note
that the PAN cannot be modified for the Audio
Drum part.
MUT
E (USER 4)
By pressing MUTE, you can mute the parts of the
style by using the F1-F10 buttons. The “muted”
parts have an asterisk after the name (Figure 151).
Once you have set the MUTE parts in a style, the
parts remain muted also changing the style.
Style View
NOTE
By pressing button USER 5 you can select the SINGLE
or GLOBAL mode in order to change the single Varia-
tion of the style or all the Variations.
Figure 149
Figure 150
Figure 151
KETRON • AUDYA 69
The Audio Style Modeling is the powerful system
of Audya sound engine. The place where you
can “model” the style is the Style View section.
•
By entering the Style View section you
can see all the sections of the style on the
display. Normally, if you select a section, you
can change the Program Change by using
the DATA/VALUE wheel or choosing directly
the sound. You can control the volume with
the CURSOR buttons.
•
On some sections, by pressing twice the
button, you can access directly to a specific
Library of that section. The tables of the
Library can work in place of the MIDI parts
usually programmed for the Style.
•
By pressing twice the F1, F2, F3, F6, F7, F8,
F9 and F10 buttons you can select from the
Audio Style Modeling Libraries or from the
ordinary MIDI parts. For example:
F1-Audio Drum (audio only)
F2-Groove Bank (audio + MIDI)
F3-Bass Bank (MIDI)
F6-Piano Bank
F7-Guitar Bank 1
F8-Guitar Bank2
F9-Arp & Lick (MIDI)
F10-Live Guitar (audio + MIDI)
•
For all the sections, you can scroll by using
the DATA/VALUE wheel or choosing directly
the Program Change number by using the
0-9 numeric keypad.
•
You can find the Program Change numbers
and all the Libraries reference at the the end
of this manual.
NOTE
If the style uses some audio parts (e.g. Audio Drum or
Live Guitar) a symbol ^ appears in front of the style
name. For this reason, when you store a style with
audio parts inside, it’s useful to keep the @ character in
front of the name (Figure 152). In this way the symbol
^ will appear in front of the style name and you will
be able to distinguish between the MIDI styles and the
styles containing audio parts.
Style View
Audio Style Modeling
Figure 152
70 KETRON • AUDYA
Figure 153
Figure 154
Figure 155
Figure 156
Style View
The 4 BANK for sections Drum, Piano, Guitar1 and
Guitar 2, together with the enhancement of previous
existing Libraries for Bank Bass and Arp&Lick makes
the Audio Style Modeling a very powerful and easy
system to compose new Styles.
Its enough to start from an existing Style and,
without programming a note, to scroll the Modeling
Libraries while listening in real time the final result
and to replace the various parts of the Style using
the huge templates available.
Let’s take a look to some practical examples for the
Audio style Modeling.
Sel
ect a Style to be edited and access the
Style View
The parts underlined are the ones interested to the
Bank functioning.
By pressing twice the tabs F1, F2, F3, etc. it is
possible to select the BANK Libraries. The scroll for
various templates is achieved by the l’Alpha dial.
The new Bank Libraries, once selected and assigned
to the Style parts, are replacing the original MIDI
parts written for such Style.
F1: the Drum controlling on tab F1 is very
sophisticated with the possibility to address 4
different ambients:
Audio Drum (Figure 153)
Drum Bank (Figure 154)
User Audio Drums (Figure 155)
Drum1 (Figure 156)
Audio Drum
Internal Audio Drum library, with more than 324
complete Audio files.
Drum Bank
Midi Drum database with 255 Styles.
User Audio Drums
Custom Wave Loops of the user. This new powerful
feature provided with the 3.0A allows to replace the
internal Audio Drums of Audya with Drum Wave
loops created from the user and located into a new
HD folder named User Audio Drums.
• The Loops must be Wave 44 KHz, 16 bit and must
have a name with symbol @ followed from the
exact BPM number, for example:
House2@127.wav.
KETRON • AUDYA 71
Style View
• The loops are automatically synchronized with the
MIDI of the Style.
• It is possible to associate a different Wave for each
Style section, such as ABCD, Fill In, Break, Intro
and Ending (See the enclosed documentation for
User Audio Drums for further details).
• Together with the 3.0A is supplied a Demo folder
with 4 complete User Audio Drums styles.
Drum1
Drum Set type selection.
IMPORTANT
• On internal Audio Drum and on User Audio Drums
the template scroll may be done only at Style
Stop condition.
• Internal Audio Drum and User Audio Drums are
auto-excluding, same as Drum Bank and original
MIDI Drum of the Style.
F2: with F2, similar to F1, are accessed 3 different
Drum ambients:
Groove Bank: Up to 240 Drum Percussion
Library with Acoustic and Electric Loops (Latin,
Dance, Pop, Folk, etc.).
Groove: compatibility set up section for Drum
Loops of old Style Libraries (SD1, SD 5, Midjay).
Drum2: Drum Set type selection for the second
Drum Set.
IMPORTANT
•
Groove section, Groove Bank and Drum 2
are auto-excluding but they can be added
individually to Audio Drums or User Audio Drums
or Drum Bank or Drum1.
F3: Bass Bank. Bass Library (333).
F6: Piano Bank. Piano and Electric Piano Library
(236).
F7: Guitar Bank 1. Acoustic and Electric Guitar
Library (253).
F8: Guitar Bank 2. Acoustic and Electric Guitar
Library (253).
F9: Arp & Lick. Arpeggios and various Orchestral
embellishments (254).
F10: Live Guitar. Audio Live Guitar Library, with up to
150 Live Guitars, synced to MIDI.
All the Orchestral Libraries such as Bass, Piano,
Guitar 1-2 and Arp&Lick are playing with their original
Program Change but it is possible to change the
voice on each section (when box is blue coloured) by
simply selecting the sound family on the right hand
and the single GM Voices.
All variations applied to the Style with the insert of
the Bank templates may be memorized and saved as
usual into the correspondent User Style.
The access to a single template of the Bank Libraries
may be reached also with the numerical key pad 0 -9
(Please see the STYLE BANK Lists).
72 KETRON • AUDYA
Style View
1 - Audio Drum
The Audio Drum is a stereo Wave file containing an
audio rhythmic sequence. It can replace the normal
Drum Set or be “added” to it. If you want only the Au-
dio Drum, you must set volume of the Drum Set (Drum
1) to 0.
The selection of the Audio Drum is made globally for
the entire Style. Replacing the Audio Drum of a preset
style with another Audio Drum could result in MIDI
and Audio parts not matching, while playing Intro/
Ending arrangements.
You can edit the volume of the Audio Drum separately
for A, B, C and D and the other parts of the Arranger.
Audio Drum is guaranteed to work well within the
range of +/- 30 % of the nominal speed shown for the
Audio style.
A 2-bands parameters equalizer setting can be stored
for each Audio Drum style (Menu Style Mode >
Drum).
The Library contains more than 300 Audio Drum (see
list at the end of this manual).
2 – Groove Bank
The Grooves are short rhythmic sequences (loops)
synchronized by using MIDI and controlled in the
same way of Drum Sets, with individual controls for
volume, reverb, pan, etc.
The Groove Library contains more than 200 loops,
with acoustic traditional percussions, Latin and dance
percussions.
The Grooves work in the Drum2 section and they
always replace the Drum Set (if present).
The Grooves can be stored on the 4 arrangements of
the style, with its own volume each.
3 – Bass Bank
The automatic Bass MIDI Library, offers more than
180 bass riffs. It works on the Bass section replacing
the normal bass part of the style.
4 - Arp&Lick
The Arpeggio & Lick Library offers a variety of em-
bellishment for various instruments: Piano, Guitar,
Strings, Synth, Banjo.
It works in place of the Chord 4 of the Style.
You can store 4 Arp & Lick for any A, B, C and D part.
5 - Live Guitar
The Live Guitar are audio guitar sequences controlled
and synchronized by using MIDI.
To scroll the parts please refer to the lists at the end
of this manual.
6 – Piano Bank
Huge Midi Piano pattern library available on Chord 1
section .Can be used instead of original programmed
style midi part.
7 – Guitar 1 Bank
Huge Midi Guitar pattern library available on Chord 2
section .Can be used instead of original programmed
style midi part.
8 – Guitar 2 Bank
Huge Midi Guitar pattern library available on Chord 3
section .Can be used instead of original programmed
style midi part.
NOTE
When a style with Audio Drum is running, the Wave
player is not available.
The Audio Style Modeling sections
KETRON • AUDYA 73
Set
ting an Audio Drum, Groove Bank or Live
Guitar.
The selection of the tables for these three parts is the
same. This is the procedure to set an Audio Drum.
The procedure is the same for the other two parts.
With the Arranger stopped, press the STYLE VIEW
button.
1. Press the F1 button.
2. “Wait please...” will appear briefly while reading the
Audio Style from disc. The part now is called Audio
Drum.
3. Turn the DATA/VALUE wheel to scroll all the avail-
able tables or digit the number of the table by using
the numeric keypad of the style section. For exam-
ple, digit 201 to select the Audio Drum called “16
BEAT6_72” (Figure 157).
4. Start the style by using the START button on the
panel.
5. To change the Audio Drum, stop the Arranger and
repeat from step 3.
Setting a Bass Bank, Guitar 1/2, Piano Bank
or an Arp&Lick
The selection from the tables or sounds for these two
parts is the same. This is the procedure to set and
edit a Bass Bank.
With the Arranger stopped, press the STYLE VIEW
button.
1. Press the F3 button.
2. “Wait please...” will appear briefly while reading the
Bass Bank from disc. The part now is called Bass
Bank.
3. Turn the DATA/VALUE wheel to scroll all the avail-
able tables or digit the number of the table by using
the numeric keypad of the style section. For exam-
ple, digit 55 to select the Bass Bank called “PAN-
DERO1” (Figure 158).
4. Start the style by using the START button on the
panel.
5. While the style is playing you can change the
instrument choosing from the table by using the
DATA/VALUE wheel. You can assign any GM voice.
6. To change the Bass Bank, stop the Arranger and
repeat from step 3.
Style View
Figure 157
Figure 158
74 KETRON • AUDYA
Style View
Storing the style
Once you made all the desired settings, press the
SAVE button on the front panel and give a name from
the keyboard to store the style in the current position
(Figure 159). In the example of Figure 160 the style
name is MY_BALLAD.
The changes can be stored both for styles containing
normal parts and Audio Style Modeling. The style will
be stored in the USER STYLE area in the category
previously selected.
In other words, if the style is in the BALLAD category,
the style will be stored as USER STYLE in the same
category.
Selecting the style
1. Press the USER STYLE button on the front panel.
2. Select the category by using the numeric keypad.
3. Select the style by choosing the previously given
name (Figure 161).
Figure 159
Figure 160
Figure 161
KETRON • AUDYA 75
NOTE
1) If the User Audio Drums are associated to the 4 Ar-
rangers only, then Fills and Breaks will continue to
play the Arrange Loop. Giving a name with the initial
symbol @ will make easier to recognize it as an audio
Style.
2) A special option has been provided into Style Mode
> Drum > 2nd page to control the On/Off condition
for the User Audio Drums. When the option is set to
Off, then the initial Audio Resources Loading will be
skipped. The On/Off condition may be saved as de-
fault with Save Custom Start up function.
3) The Audio Resources Loading time is directly pro-
portional to the amount for files present on the User
Audio Drums folder.
User Audio Drum
Figure 162
Figure 163
User Audio Drum
The user can include custom Wave loops instead of
the internal AUDIO DRUMS into the Audya Styles.
These Loops must be allocated into the folder USER
AUDIO DRUMS which is placed on root of Audya (C:).
The Loops must have the following characteristics:
44 KHz , 16 bit and the name must have the sign @
followed by the precise BPM indication of the Loop.
As an example: HOUSE2@127.wav.
When enabled ( see note#2) Display will show “
Loading Audio Resources ) when Audya is turned on.
The Demo folder contains 1 User Audio Drums fitted
with a complete set up for all parts (Intro, Ending,
ABCD, Fill and Break). The Style are: House1,
Lounge, NewBossa, NuJazz.
In order to access the User Loops it needs to go
into Style View and press repeatedly the tab F1 until
appears the name User Audio Drum (Figure 1). With
Alpha dial is possible to scroll all the User Audio
Drums available.
The Loops are automatically synchronized with MIDI
and may be associated to each part of the Style such
as A, B, C, D, Fill In, Break, Intro, Ending (Figure 162).
In order to memorize the User Drums on other parts
different than ABCD, such as Fill, Break, Intro and
Ending, it’s necessary to switch on the two tabs KEY
START and KEY STOP on the panel.
On Style in Stop condition, when pressing Fill tab the
name Fill will appear on the screen thus allowing to
set the proper Loop for the Fill.
Same thing for Breaks and Intro – Ending. But in
order to achieve the Ending programming the tab
Intro must be pressed twice.
The new Style that incorporates User Audio Drums
can be saved as usual with SAVE into the User Style
section (Figure 163).
76 KETRON • AUDYA
User Live Guitar
User Live Guitar are located on DISK menu on USER
LIVE GUITAR Folder (Figure 164).
Once you’ll select this folder display menu’ will inform
you on related operating menu.
On the left part of display you ‘ll assign 4 available Ins
bank of selection. On the right part you’ll operate with
followed features:
Clear All (F6): Allows to clear all memory User live
Guitar data.
Load GTR (F7): Load selected User Live Guitar.
Save Sel (F8): This function create a file with GBK
extension which like RBK file can load more than a
single User Live Guitar at the same time and could
be assigned as Autoload function hen Audya will be
turned ON.
A.Load On/Off (F9): Enable or Disable Autoload
function for GBK file when Audya turn On.
GTR Disable/Enable (F10): Enable or Disable User
Live Guitar (once user will enable this function should
be saved on Custom Startup in order to get this
function on Audya start up).
User Live Guitar will be loaded simply after select your
own file (Figure 165) and than press Load GTR (or
Enter).
Up to 4 User Live Guitar can be loaded at the same
time’ Once loading procedure will be completed
user should be enable User Live Guitar to play set
by press F10 button (GTR Enable) (Figure 166).
In order to Clear (empty) User Live Guitar memory
user could use Clear All (F6) button. If user would
clear one by one (or choose GTR) should be use a
related button (F1-F2-F3-F4).
Once User Live Guitar will be completed user can add
this feature over any selected style.
Exit from Disk menu and select User Style to select
your own style. So now press “View” button (Figure
167).
As well other section works user can choose several
banks on Ch 5. By press F 10 button user could be
choose guitar from User Live Guitar or Ins Live Guitar
bank until display will show “Live Ins” as showed on
Figure.
From this menu User can edit all other style part freely
and save it as usual.
So now with this feature when user will select your
own User Live Guitar Audya will load automatically
related sample if not present.
Figure 164
Figure 165
Figure 166
Figure 167
User Live Guitar
NOTE
The Disable option makes RAM available for other Ins
sounds, reserved for LiveGuitar when these cannot be
loaded into memory.
KETRON • AUDYA 77
Edit Pattern
The PATTERN Editor offers all the necessary features
to create your own Styles directly on the Ketron
AUDYA (Figure 168).
Usi
ng Pattern Editor to Create or Edit Styles
In order to access the Pattern Editor screen, from the
default screen, press the User Style button, select
a Style to modify (or any User style), then press the
EDIT button to access the screen shown here.
Here is a detailed explanation of the options
available:-
F1 - Shows the Style’s Arranger part to be Edited/
Created - Arranger A, B, C, D.
F2 - PARAMETER: access to all Parameter settings for
all arrangements.
F3 - In this filed, the display shows the chord tonality
being edited/created (whatever is recorded will
only be played when this chord type is played,
apart from Major which applies to all). The default
value is set to Major mode. The user can change
this value by pressing F3 to highlight, then change
with the Data/Value Dial.
F4 - METR: On/Off: This enables/disables the
Metronome Click (heard only in Record Mode).
F5 - VELOCITY: It edits the velocity value for notes.
F6 - Displays the current Quantize Value.
F7 - QUANTIZE: Quantizes the current recording data/
notes.
F8 - RECORD: Used to start recording.
F9 - COPY: Access to the COPY menu.
F10 - CLEAR: Access to the menu where to clear
programmed notes/events.
User Buttons:
• User 1/6 - ALL/SOLO: This function allows to put
“solo” the selected tracks.
• User 2/7 - VOLUME/OCTAVE: It toggles between
the Volume or Octave values.
• User 3/8 – NEW STYLE: It allows to create your
own style from scratch.
• User 4/9 – LOOP/NO-LOOP (OFF): Enables/
disables Arrangement loop during Recording.
• User 5/10- SAVE: It saves the current style.
Arranger
Arrangement by pressing F1 and the Dial or by
pressing directly the A/B/C/D buttons.
Parameter
Here you can set Parameter values for Tempo (BPM),
Time Signature and Arrangement Measure length.
These parameters (except Tempo) can be modified
only when the arrangement is empty (i.e. nothing has
been recorded yet). Furthermore in this section, the
user can set their own Metronome Volume value.
EXIT button (now displayed in it’s place) allows you to
exit from this menu when pressed.
Figure 168
Edit Pattern
78 KETRON • AUDYA
Velocity
The Velocity feature allows one to modify dynamic
values of events recorded within selected tracks.
This function is applicable to all tracks if the Global
parameter is set to ON, or on single notes when the
Global parameter is set to OFF. The user can select
the desired NOTE by highlighting the related display
box using the data arrow buttons and either by
pressing the corresponding notes on the keybed or
using the Dial selection (Figure 169).
Copy
The Copy feature can be used for a single part (e.g.
Chord 2), or an entire arrangement (Arranger B)
(Figure 170):

Selected the Arrangement to Copy from by
pressing the F2 button, then using the dedicated
Arranger buttons (A, B, C, D …Ending).

Selected the Arrangement to Replace (Copy to)
by pressing the F7 button and changing with the
Data Value wheel.

Use the navigation arrows to select either the
whole Arrangement part (Global) or a single part
of the selected Arrangement you want to Copy
from the displayed column.

Press EXECUTE to actually copy the selected
part.
Clear
This feature allows to one to Clear events such s
Note(s), Dynamic, Controllers and other parameter of
the selected track.
Press and hold down CLEAR (F10) to browse this
menu and select the desired part to Clear. To delete
a single note, press and hold down CLEAR (F10) and
the related note on the keybed you wish to delete.
This note will be deleted from the entire track at all
past, current and future locations (so you don’t have
to repeat for each occurrence).
In order to Clear just a single note (as a single event),
you will needs to press the Record button then select
the CLEAR button once more (Figure 171).
NOTE
The CLEAR feature operates only on the current Root
of the selected part. It is not applicable to Audio Drum
parts or any other Banks used.
Figure 169
Figure 170
Figure 171
Edit Pattern
KETRON • AUDYA 79
How to EDIT/MODIFY an existing Style
In order to modify an existing style simply select it
(after you have pressed the USER STYLE button to
display the user styles), then press EDIT to access the
Pattern Editor as shown in Figure 172.
By using the navigation arrows, highlight the Voice of
the arrangement part to be modified (for our example
we’re using the Bass line). Use the Dial to change
the voice for this track. You can use any of the Voice
Group buttons (Piano, El.Piano, Chrom … etc.) to
select the group from which you want to access a
voice with the Data Value wheel (Figure 173).
To switch to a different Bank, highlight the part (e.g.
Bass) and turn the Data Value wheel to access a
different bank (e.g. Bass Bank) – then move back to
the voice column and use the wheel to select a voice
within the new bank.
Press RECORD (F8) to enter the recording mode.
For our convenience we’ve switched from SOLO to
ALL by using User (1/6) button just so we can hear
all the other style parts (chord1, chord 2… etc.) while
recording (Figure 174).
The voice assigned by default is whatever sound the
current style used for this part.
By pressing the START button, Audya will count
in with an extra measure (not recorded) before
recording starts, to give you time to have a feel for the
tempo before you start recording anything at the next
measure.
Please keep in mind Recording mode at this point
works by adding/inserting events (not replacing)
within the existing track data.
If during recording unwanted notes are played, the
user can delete it/them by pressing the Record button
while the arrangement runs (to temporally de-activate
recording) and then by pressing the Clear button
- so now, while the arrangement part runs, delete
unwanted single notes by pressing the corresponding
key from the keybed (Figure 1755).
Once this procedure is complete, press SAVE (U5/10)
to store your work.
Figure 172
Figure 173
Figure 174
Figure 175
Edit Pattern
80 KETRON • AUDYA
How to Create your own Style
Here is how to Create your own style from scratch.
First select any existing Style from the User Style
selection, then press the EDIT button and NEW
STYLE (U3/8) (Figure 176).
Name the new style using the keybed and press
SAVE (U5/10). Upon completion, the Parameter menu
will be displayed automatically.
In this menu, you can set the Tempo (BPM) Time
Signature, Arrangement Measures and metronome
level for your new style, using the data cursor buttons
to navigate and changing the value with the Data
Value wheel (Figure 177).
When set parameters will be completed press SAVE
than back to Main Style Creation page by press EXIT
button.
From this point, you can now proceed to recording
your Style as usual (Record the Drums, Bass, Chords
…).
When done with the recording, simply press SAVE
(U5/10) to save it.
IMPORTANT QUICK STYLE CREATOR TOOLS
Within the Pattern Editor menu, you can access and
use the huge Library Banks available to help you
instantly create professional styles at once:

Substitute internal Audio and/or Midi Drums with
User Audio Drums you’ve created/recorded/
sampled or loaded from an external source.

Substitute internal Midi Bass parts with the new
ones from the Bass Bank.

Substitute internal Chord 1 parts with the new
ones from the Piano bank.

Substitute internal Chord 2 & 3 parts respectively
with the new Guitar Banks 1 and 2 sounds.

Substitute internal Chord 4 parts with the new
Arp&Licks melodies.

Substitute internal Chord 5 parts with the Live
Audio Guitar (or User Live Guitar).
Move the cursor to highlight the desired part and use
Dial to select the required Bank (Figure 178).
Figure 176
Figure 177
Figure 178
Edit Pattern
NOTE
During playback, you cannot move the cursor vertically
from one instrument to another, but only horizontally.
KETRON • AUDYA 81
Audya features two style families: FACTORY
STYLES and USER STYLES .
The FACTORY STYLES are the built-in styles
of Audya and can be accessed by using the
keypad in the STYLE section and the ordinary
selection of the style by using the F1-F10
buttons, as already described in the “Styles”
chapter on page 17. The styles of this family
cannot be modified, meaning that you cannot
overwrite them. You can load these FACTORY
STYLES into memory and play them. However,
you can edit the style currently loaded in
memory by using the edit pages described in
STYLE VIEW (see on page 67). Then, you can
store the edited style as USER STYLE.
Sto
ring a FACTORY STYLE as a USER
STYLE
1. Select a FACTORY STYLE.
2. Once you have modified the style in the Style
Modeling environment (see STYLE VIEW on page
69), press the SAVE button.
3. You will be prompted to input a name for the
USER STYLE. Digit a name on the dialogue box
by inputting characters directly from the keyboard
and press SAVE again (Figure 179).
4.
After saving, the style will be available in the
USER STYLES area (Figure 1180).
5.
Load the modified style, from the USER
STYLES area, by pressing the USER STYLES
button.
To reload the style that you have modified and
stored, you must search it and load it from the
USER STYLES area.
User Styles
Figure 179
Figure 180
User Styles
82 KETRON • AUDYA
By pressing the MODE button of the STYLE
section, you can access the functions and the
settings of the Arranger.
The STYLE MODE main window is similar
to Figure 181. From here you can choose 5
sections by using the USER buttons from 1 to 5:
MODES (USER 1)
DRUM (USER 2)
BASS (USER 3)
CHORDS (USER 4)
LOWER (USER 5)
MODES (1)
By pressing the USER 1 button once, you can
access the first MODES window, where you can
see the following functions corresponding to the
F1-F10 buttons:
• F1–VOICE LIST TO STYLE
• F2–INTERACT. GUITAR
• F3–PIANIST/BASSIST
• F4–PIANIST SUSTAIN
• F5–PRESET MIX
• F6–AUTO FILL
• F7–AFTER FILL
• F8–FILL TO ARRANGE
• F9–CHORD MODE
• F10–ROOTLESS
VOICE LIST TO STYLE
When this function is ON, it enables the Voice List
to Style (Figure 182). You can store for each Style,
besides the various parameters, also the Voice List
currently selected on the panel. This function works
only if the Voice List button is lit while the Style is
running. Please note that this option can only be used
with the User Style as you must save the style before
use.
INTERACT. GUITAR
When the INTERACTIVE GUITAR function is ON, you
can set the dynamic value for the LIVE GUITAR part
(Figure 183). In other words, by playing harder on the
keyboard, the arrangement of the guitar becomes an
arpeggio. By playing softer, the guitar plays rhythmic
chords.
PIANIST/BASSIST
Once selected by using the F3 button, you can
choose between 4 operative modes by using the
CURSOR Ó Á buttons or the DATA/VALUE wheel
for the PIANIST and BASSIST modes (Figure 184).
STANDARD: this mode, lets you freeze the
recognized chord by using the Sustain Pedal, so you
can play the keyboard without altering the tonality of
the Arranger.
Style Mode
Style Mode
Figure 181
Figure 182
Figure 183
Figure 184
KETRON • AUDYA 83
AUTO: this mode lets you play 3 or more notes for
chord recognition and then play the melody with one
or two note max, without altering the tonality of the
Arranger.
EASY: in easy mode the chord is immediately
recognized while the notes are being pressed,
without waiting a complete chord with at least three
notes.
EXPERT: the chord recognition is achieved while the
notes are being played by the left hand (with Manual
Bass) and playing on the right split. In this way,
complex chords can be recognized and the Arranger
can be controlled with your right hand. Once a new
chord is found, you can freely play the bass line
without altering the chord recognition.
PIANIST SUSTAIN
When this parameter is ON or OFF (Figure 185)
enables/disables the Sustain Pedal control on Pianist
when this is activated.
PRESET MIX
When this parameter is ON (Figure 186) the Styles
play the original factory mix. While in OFF position,
you can freely adjust the volumes of the sections of
the Arranger by using the sliders.
AUTOFILL
When this parameter is ON (Figure 187) the drum
plays automatically a Fill In when passes from a
variation of the Arranger to another.
AFTER FILL
When this parameter is ON (Figure 188) the drum
plays the Fill In if you apply an Aftertouch on the left
split.
FILL TO ARRANGE
When this parameter is ON (Figure 189) each time
you activate the Fill In, causes the automatic change
to the next variation.
Figure 185
Figure 186
Figure 187
Figure 188
Figure 189
Style Mode
84 KETRON • AUDYA
CHORD MODE
Once CHORD MODE is selected, you can choose
among four operative modes for the automatic
chords, by using the CURSOR Ó Á buttons or the
DATA/VALUE wheel (Figure 190).
• Easy 1
Standard functionality with normal chord
recognition. Some chord can be recognized even
if they are played partially. For example, you
obtain a major chord playing only the root. By
using the root and the minor third you obtain the
minor chord. By using the root and the seventh
you obtain the seventh chord.
• Easy 2
Similar to Easy 1, but it keeps in memory all the
previously played notes, even if one note or more
are released.
• Fingered 1
The chord is recognized only by the notes really
played.
• Fingered 2
Similar to Fingered 1, but it keeps in memory all
the previously played notes, even if one note or
more are released.
ROOTLESS
When the parameter is ON (Figure 191) it allows a
particular recognition of the chords without the root.
MODES (2)
By pressing the USER 1 button twice, you can
access the second MODES window
(Figure 192).
This screen allows to enable/disable the VOICE
TO ARRANGE function. This function lets you
play an instrument on the right split accordingly
to Variation A, B, C, D of any style.
1. From the window with the empty slots (Figure
193), press any F1-F4 buttons.
2. Press a button on the VOICE section (Preset,
Program or GM Voice).
3.
By using the CURSOR Ó Á buttons or the
DATA/VALUE wheel select an instrument within
the category. For example, FM_PIANO of the
EL.Piano category.
4. Repeat the operation for each slot.
5.
Press the F5 button (Style Enabled) to enable the
function for the single Style.
6.
Press the F10 button (Global Enabled) to enable
the VOICE TO ARRANGE function globally for all
the Styles.
7.
Save your choices into the current style by
pressing the SAVE button on the front panel.
ORI
GINAL
FI
LL
The original fill will be always executed.
ORI
GINAL
BR
EAK
The original break will be always executed.
INT
RO
TO AR
R
A
After the intro is executed, the arranger moves
automatically to Arr A.
S
TYL
E
BA
LANCE
Shows the volume balance of the style with the main
volume of the keyboard.
Figure 190
Figure 191
Figure 192
Figure 193
Style Mode
KETRON • AUDYA 85
DRUM (1)
• By pressing the USER 2 (DRUM) once you can
access to the first edit window of the audio drum
(Figure 194):
F1–LIVE DRUM: sets the STRETCH or PITCH
mode for Audio Style Modeling of the live drum.
The STRETCH algorithm (default) guarantees a
good audio quality even changing the tempo.
The available range is -30% up to +38% of the
nominal speed of the wave.
The PITCH algorithm matches the tempo change
of the sample altering the audio content. The
available range is -30% up to +38%.
F3–BASS FREQ EQ: adjusts the EQ low frequency
of the audio drum from 50 Hz to 990 Hz.
F4–TREBLE FREQ EQ: adjusts the EQ high
frequency of the drum from 1030 Hz to 16130 Hz.
F8–BASS GAIN EQ: adjusts the EQ low frequency
gain by +/-12 dB.
F9–TREBLE GAIN EQ: adjusts the EQ high
frequency gain by +/-12 dB.
Storing the DRUM parameters
• The parameters of LIVE DRUM (Stretch and Pitch)
and the 2-bands parametric EQ for the audio
drum can be saved as USER STYLE with any
frequency (FREQ) and gain (GAIN) values.
Press the SAVE button on the front panel and give
a name by using the keyboard or use the same
style name, as shown in Figure 195, by pressing
the USER 5 button (SAVE).
DRUM (2)
• By pressing the USER 2 button twice you can
access the AUTOCRASH parameters, that is the
automatic hit on the cymbals (CRASH).
F1–AUTOCRASH INTRO: the Autocrash function
can be enabled/disabled after the Intro of the
style.
F2–AUTOCRASH FILL/B: the Autocrash function
can be enabled/disabled after the Fill In and the
Break of the style.
Figure 194
Figure 195
Figure 196
NOTE
The AUTOCRASH works only if present within the style.
If the Autocrash is not programmed into the style its
two options have no effect.
Style Mode
86 KETRON • AUDYA
BASS (1)
• The USER 3 button (BASS) opens the edit window
for the bass part of the Arranger. By using the F1-
F10 buttons you can set the following options:
F1–BASS TO ROOT: (Figure 197) brings all the
automatic bass notes to the root of the recognized
chord.
F2–RETRIGGER: the bass re-triggers by using the
root note each time the chord is recognized.
F3–PEDALBOARD: enables the functionality of
the bass MIDI pedalboard.
F4–MONO/POLY: (Figure 198) sets the
monophonic or polyphonic behaviour of the
manual bass and the pedalboard.
F5–OCTAVE: (Figure 199) octave selection for the
manual bass and for the pedalboard, within +/- 2
octaves range.
F6–SUSTAIN: Sustain length for the manual bass
and for the pedalboard, values from 0 to 64.
F7–PEDAL TO CHORD: the bass pedalboard
takes a part in the chord recognition. In this way
you can control the automatic bass by using
the pedalboard while the automatic chords are
always controlled by using the left hand.
F8–PEDAL DYNAMIC: (Figure 200) dynamic
control by using the pedalboard. Use the
CURSOR Ó Á buttons to set a fixed dynamic
value from 0 to 127. Press the buttons together to
return to normal mode.
F9–PIANIST BASIC BASS: special feature of the
automatic bass within PIANIST mode. You can
play the root note of the chord for the beat length.
When the beat ends, the bass will follow its
original line.
F10–BASS ALTERNATE: special mode for the
alternate bass that follows the chord change
accordingly to the correct harmony rules. For
example, when you don’t play again the root note
or the fifth that you have just played. The function
works only with the styles in which the alternate
root/fifth bass was programmed.
BASS (2)
• Pressing the USER 3 (BASS 1/2) button you enter
the second page, which contains the following
parameter:
• Voice Lock (ON / OFF)
It locks the bass voice so it will not change when
loading a registration.
• Manual Bass Level
Bass Volume setting User can define fixed value
( 0-127) or Style linked value related ( Style
Parameter ).
Style Mode
Figure 197
Figure 198
Figure 199
Figure 200
KETRON • AUDYA 87
CHORDS (1)
• The USER 4 button (CHORDS) allows to access
the chords settings (Figure 201). You can select
the CLOSE/PARALLEL mode (except Live Guitar)
and NORMAL/RETRIGGER mode for the 5 chords
of the Style.
In CLOSE mode the chords follow the intervals of
the notes closer to conventional harmony rules.
In PARALLEL mode the notes of the chords will
be transposed without changing the intervals. F1–
CHORD 1 (CLOSE/PARAL.): sets the Close or
Parallel mode.
F2–CHORD 2 (CLOSE/PARAL.): as above.
F3–CHORD 3 (CLOSE/PARAL.): as above.
F4–CHORD 4 (CLOSE/PARAL.): as above.
F5–CHORD 5 (CLOSE/PARAL.): as above.
F6–CHORD 1 (NORMAL/RETR.): sets how the
chord plays. In RETRIGGER mode, the chord re-
trigger each time it is played.
F7–CHORD 2 (NORMAL/RETR.): as above.
F8–CHORD 3 (NORMAL/RETR.): as above.
F9–CHORD 4 (NORMAL/RETR.): as above.
F 10–CHORD 5 (NORMAL/RETR.): as above.
CHORDS (2)
• By pressing the USER 4 button again you can
access the INVERSION function corresponding
to F1 button. This function allows the control of
the notes and the transposition threshold, so the
notes are automatically moved to the lower octave
instead of being played on the higher octaves. By
using the CURSOR Ó Á buttons or the DATA/
VALUE wheel you can set the Eb E F F# G notes,
as shown by the arrow on top of Figure 202.
Figure 201
Figure 202
Style Mode
88 KETRON • AUDYA
Style Mode
LOWER
• The USER 5 button (LOWER) opens the edit
window for the left hand (Figure 203):
F1–LOWER 1 HOLD: enables the hold control
(Hold) on the first Lower section. The setting is
valid for all the Styles.
F2–LOWER 2 HOLD: enables the hold control
(Hold) on the second Lower section. The setting
is valid for all the styles.
F3–OFF STOP: when is ON it exclude the the
Lowers during the Stop condition.
F4–MUTE: global mute of the two Lowers. The
setting is valid for all the Styles.
F5–MODE: sets various modes for the Lower
sections. By using the CURSOR Ó Á buttons or
the DATA/VALUE wheel you can set the following
values:
Normal: standard mode, with the Lower always
active.
Bas+Lower: only when the Arranger is stopped,
the manual bass and the chord play together.
Hold Stop: holds the Lower also when the
Arranger is stopped, instead of being disabled in
normal condition.
• BREAK HOLD: If set to off, clears the lower 1
when executing a break
• BREAK HOLD: If set to off, clears the lower 2
when executing a break
• RETRIGGER: makes retrigger of lower when
arranger changes
• VOICE LOCK: locks the voice on lower.
Figure 203
KETRON • AUDYA 89
When MIDI Player is playing back, you can open
the window to control the parts corresponding
to the MIDI tracks of the file (
Figure 204)
, by
pressing the GM PART button on the PLAY
CONTROL section.
By using the USER 1-5 buttons you can see the
pages where to set all the parameters of the
MIDI tracks of the file.
The USER buttons allow to edit the following
items:
GM PARTS
FILT. TX/RX
FILT. TO ALL
16 PARTS
UTILITY
GM PA
RTS (USER 1)
By pressing GM PARTS (default selection),
the F1-F10 buttons allow to set the following
parameters:
F1–VOLUME
F2–REVERB
F3CHORUS/DISTORTION/ECHO
F4PAN
F5MUTE
F6SHIFT (+/- 36 semitones transposition)
F7CHAN TX ON/OFF
F8CHAN RX ON/OFF
F9MODE (VOICE, VOCAL, DRUM)
F10SOLO
You can change the GM part, that is the track of
the current MIDI file, by using the CURSOR
Ó Á
buttons.
The parts stand in the middle of the screen as PART
01, PART 02... up to PART 16.
Please note that the F5 and F10 buttons set the
MUTE and SOLO functions of the part, respectively.
For each part you can change also the instrument
(Program Change) rotating the DATA/VALUE when no
F1-F10 buttons is selected. You can set a GM VOICE
and a SUPERSOLO previously loaded into RAM.
To deselect a F1-F10 button just press the same
button twice.
Transposition of the MIDI part
1. Select the part by pressing the CURSOR
Ó Á
buttons. For example, select part 04.
2. Press the F6 button (SHIFT).
3. Turn the DATA/VALUE to set the value. In Figure
205 the part is transposed by +12 semitones.
Setting the VOCAL mode
The melody part is, usually, on MIDI channel 4, so
you can set the VOCALIZER effect by turning the
DATA/VALUE wheel. When you select the VOCAL
mode for the MIDI file part, “MIDI MODE” appears in
the middle of the screen (Figure 206). At this point,
press the VOCALIZER button on the VOICETRON
section, and the MIDI file track will drive the channel
of the voice, making double voices and choir effects.
1. Select the part by pressing the CURSOR
Ó Á
buttons. For example, select part 04.
2. Press the F9 button (MODE).
3. Turn the DATA/VALUE to set the value by
selecting VOCAL (
Figure 206).
4. Turn the button VOCALIZER on.
5. To edit the MIDI MODE, please see VOICETRON
section later in this manual.
GM Part
Figure 204
Figure 205
Figure 206
GM Part
90 KETRON • AUDYA
FIL
T. TX/RX (USER 2)
By pressing FILTER TX/RX you can access the
window where to edit the MIDI transmission filters
(Figure 207).
By pressing the button again you can access the
window where to edit the MIDI reception filters.
To change the MIDI transmission/reception
parameters, please see the MENU>MIDI section.
FIL
T. TO ALL (USER 3)
By pressing FILT. TO ALL, you can set the filter to
all (ALL) or to a single MIDI channel (SINGLE).
16 PA
RTS (USER 4)
By pressing 16 PARTS, you can access the
window where the status of the 16 parts appear,
divided into two windows of 8 parts each. From
each of the two windows you can change all the
tracks parameters by using the F1-F10 buttons
and the DATA/VALUE wheel.
1.
Press the F1 or F6 buttons repeatedly to choose
the Program Change of the part/track. In this way
you see the 16 parts/tracks of the MIDI file. By
using the CURSOR
Ó Á
buttons
or the DATA/
VALUE or the VOICE buttons you can select the
GM instrument for each part/track (Figure 208).
2.
Press the F2 or F7 buttons repeatedly to hilight
one of the 16 parts/tracks of the MIDI file. By
using the CURSOR
Ó Á
buttons
or the DATA/
VALUE you can set the volume from 0 to 63. By
pressing the CURSOR
Ó Á
buttons
you set the
value to 0 (Figure 209).
3.
Press the F3 or F8 buttons repeatedly to highlight
one of the 16 parts/tracks of the MIDI file. By
using the CURSOR
Ó Á
buttons
or the DATA/
VALUE you can set the Reverb from 0 to 63. By
pressing the CURSOR
Ó Á
buttons
you set the
value to 0 (Figure 210).
4.
Press the F4 or F9 buttons repeatedly to highlight
one of the 16 parts/tracks of the MIDI file. By
using the CURSOR
Ó Á
buttons
or the DATA/
VALUE you can set the Chorus from 0 to 63. By
pressing the CURSOR
Ó Á
buttons
you set the
value to 0.
5.
Press the F5 and F10 buttons to set the MUTE
and SOLO function of the selected part,
respectively. When the part is in MUTE or in
SOLO condition, an asterisk will appear. In Figure
211 the part 1 is in SOLO condition. While more
parts can be muted, only one part can be soloed.
NOTE
To find one or more parts in MUTE condition, press the
F1-F6, F2-F7, F3-F8 or F4-F9 buttons repeatedly. Press
F5 or F10 to disable the MUTE condition. Press the F10
button (SOLO) twice if you want to disable quickly the
MUTE condition on any part.
GM Part
Figure 207
Figure 208
Figure 209
Figure 210
Figure 211
KETRON • AUDYA 91
GM Part
UTI
LITY (USER 5)
By pressing UTILITY, you can access the MIDI
utility window (Figure 212). Here you can set the
following parameters by pressing directly the
F1-F10 buttons:
•
F1SOFT-THRU: enables the MIDI Thru.
•
F2–MIDI CLOCK IN: enables the MIDI clock
reception.
•
F3MIDI CLOCK OUT: enables the MIDI
clock transmission.
•
F4LOCAL: enables the Local On/Off
function of the keyboard.
•
F5MIDI PORT IN GM: enables the MIDI IN 1
or 2 port for the General MIDI data reception.
•
F6USB MIDI OUT: enables the MIDI
transmission on the USB port.
•
F7GM2 MODE: enables the General MIDI 2
mode.
•
F8GLOBAL GM TX: enables the General
MIDI global transmission.
•
F9MIDI IN SEND TO: enables the data
transmission from the MIDI IN port to the
MIDI out 1 or 2 port.
•
F10-CLOCK IN TO STYLE.
Storing the changes into the MIDI file
1. From the window GM PARTS, when the MIDI file
is playing back or paused, press the SAVE button
on the front panel. A dialogue window where to
type the file name will appear (Figure 213). Give
a name to the file by typing letters and numbers
directly on the keyboard and then press the USER
5 button (SAVE).
The MIDI file will be saved with the new name or
overwritten, if you leave the same name.
The parameters settings to store into the MIDI file
can be selected by using the F1-F10 buttons. The
options will be highlighted by an asterisk (Figure
214):
F1–Arab. Scale: Arabian scale settings
F2–Drm. Mixer: Drum Mixer settings
F3–Part Param: GM part parameters
F4–Song Param: Song parameters
F5–Song Tempo: Song tempo setting
F6–Lead Chan: Lead channel
F7–Right Param: Right hand parameters
F8–Song Trans: Song transposition
F9–Glob. Trans: Globale transposition
F10–Keyb. Trans: Keyboard transposition
2.
Only for an example, in each MIDI file you can
store:
•
Tempo settings modified by the TEMPO SLOW
FAST buttons.
•
Keyboard transposition (semitones and/or
octaves).
•
Song transposition.
•
MIDI file parts transposition.
•
Volume, Reverb and Chorus of each part.
•
Right hand instrument.
•
Single drum instruments settings of the drum, e.g.
muting some of them into the MIDI file.
Before storing the MIDI file you can choose the
GLOBAL or INITIAL option by using the USER 1
button and the REMOVE option by using the USER 3
button.
Figure 212
Figure 213
Figure 214
92 KETRON • AUDYA
Drum Mixer
By pressing the DRUM MIXER button on the
PLAY CONTROL section you can access the 10
percussive parts of the drum set (
Figure 215)
.
By pressing the F1-F10 buttons you select the
percussive parts of the drum:
•
F1KICK
•
F2–SNARE
•
F3HI-HAT
•
F4CYMBAL
•
F5TOM
•
F6RIMSHOT
•
F7LATIN1: Latin percussion 1.
•
F8LATIN2: Latin percussion 2.
•
F9LATIN3: Latin percussion 3.
•
F10CLAP/FX: hands clap and effects.
When no USER 1-4 button is selected (to
deselect a button just press the button again)
you can MUTE the single percussive parts of the
drum by using the F1-F10 buttons (
Figure 215)
.
To UNMUTE a percussive part, press the same
F1-F10 button again.
The USER buttons from 1 a 4 let you modify the
following items:
VOLUME
REVERB
PAN POT
DRUM REMAP
SINGLE/GLOBAL
VOLUME (USER 1)
By pressing VOLUME, you can set the volumes of
the percussive parts of the drum by using the F1-F10
buttons and the DATA/VALUE wheel or by using the
CURSOR
Ó Á
buttons. The available values are
from 0 to 15
(
Figure 217). By pressing the
CURSOR
Ó Á
buttons
together you set the value to 0.
REV
ERB (USER 2)
By pressing REVERB, you can set the reverb
sends of the single percussive parts of the drum,
by using the F1-F10 buttons and the DATA/VALUE
wheel or by using the CURSOR
Ó Á
buttons.
The available values are from 0 to 15
(
Figure 218).
By pressing the CURSOR
Ó Á
buttons
together
you set the value to 0.
PAN P
OT (USER 3)
By pressing PAN POT, you can set the stero
position of the single percussive parts of the drum
by using the F1-F10 buttons and the DATA/VALUE
wheel or by using the CURSOR
Ó Á
buttons.
Drum Mixer
Figure 215
Figure 216
Figure 217
Figure 218
KETRON • AUDYA 93
The available values are from 64L to >|< and
to 63R, that is totally to the left, in the centre and
totally to the right
(
Figure 219). By pressing the
CURSOR
Ó Á
buttons together you set the PAN
value in the centre (>|<).
DRUM REMAP (USER 4)
By pressing DRUM REMAP, you can access
the window where to set a custom map for the
percussive parts of the drum. By using the F1-F10
buttons you can select the percussion and then
assign the instrument directly to one note of the
keyboard. By using the DATA/VALUE wheel or
the CURSOR
Ó Á
buttons
you can select the
available drum sound
(
Figure 220). Please note
that when the assigned instrument changes, an
asterisk appears after the name of the instrument.
The USER 5 button enables/disables the MANUAL
DRUM function, that is the manual playing of the
drum directly from the keyboard.
SINGLE/GLOBAL (USER 5)
Allow to save modification on single arrangement
or whole style.
Drum Remap example
The Drum Remap function has effect only on the MIDI
drum. So, for the following example, select a MIDI
style.
1. Select the “Soul_Pop” style from Rock user style
category (Figure 221).
2. Press DRUM MIXER and press the USER 4 button
(Drum Remap) as shown by the arrow on Figure
222. Start the style to listen immediately to the
changes you make.
3. Select the Variation A of the Arranger.
4. If you to “remap” the kick of the drum, press F1 to
select the first Drum Remap slot.
5. Press the note corresponding to the kick of the
style. In our example is C1.
6. The display will show the sound on that key
(Figure 223).
7. Using the wheel DATA/VALUE select “kick15.
Next to the name slot will appear with an asterisk
(*). In our example you will hear the bass drum
sound with an electronic sound (Figure 224).
8. Press F1 again to move on the part of the Drum
category so you can navigate between the
different categories.
Figure 219
Figure 220
Figure 221
Figure 222
Figure 223
Drum Mixer
NOTE
Please note that the Drum Remap applies to the style
and to each Variation (A B C D). So, if you select the
B Variation, the Drum Remap screen will be empty.
In this way, you have the possibility to remap all the
Variations of the style independently.
94 KETRON • AUDYA
9. Press F1 once more to deselect.
10. Repeat the same procedure for the snare (see
below).
11. Press F2 and the Eb1 key on the keyboard (Figure
182).
12. Select “snare015” by using the DATA/VALUE
wheel (Figure 183).
13. Press F2 twice to deselect.
14. Press F3 to select a new Drum Remap bank.
15. Press the D1 note and select “snare014” by using
the DATA/VALUE wheel.
16. Press F3 twice to deselect.
17. Same procedure for the Hi-Hat. Press F4 and the
F#1 key on the keyboard.
18. Select “stick09” by using the DATA/VALUE wheel.
19. At this point, the style is modified. You can go
on by using the same procedure to remap all the
drum sounds as you like.
20. Once you are satisfied, press the SAVE button on
the front panel, give a new name to the User style
and press the USER 5 button (SAVE) to store the
changes (Figure 184).
Figure 224
Figure 225
Figure 226
Figure 227
Drum Mixer
KETRON • AUDYA 95
By pressing the DRUM SET button in the PLAY
CONTROL section you can access the screen
where to select one of the available 53 DRUM
SETS plus 20 user sets (
Figure 228)
.
By pressing the F1-F10 buttons you select the
DRUM SET, while the
CURSOR
Ó Á
or the
BACK and FORWARD buttons below the display
allow to access the various pages of the DRUM
SET.
The USER 1-5 buttons will show the
corresponding edit pages: INTERNAL, USER,
INS, FUNCTION, FULL RANGE
INT
ERNAL (USER 1)
By selecting INTERNAL (default selection), you
can set the DRUM SET among the 54 internal
drum sets.
USE
R (USER 2)
By selecting USER, you can access the screen
where to select/edit the 20 DRUM SET created by
the user (Figure 229).
INS (
USER 3)
By selecting INS you can DRUM SET loaded into
RAM.
FUN
CTION (USER 4)
By selecting FUNCTION, you can access the
screen where to set the button SHIFT function
which shift the DRUM SET in the range of +/- 24
semitones (in 12 semitones steps) (Figure 230).
FUL
L RANGE (USER 5)
By selecting FULL RANGE, you can put the
DRUM SET on the entire keyboard or on the left
split (SPLITTED).
Creating or editing a user DRUM SET
1. Press the USER 2 button (USER) to enter the user
DRUM SET editing window (Figure 231).
2. Select one of the 10 USER_DRUM of the first
window by using the F1-F10 buttons, or one of
10 of the second window, accessible by using
the CURSOR
Ó Á
buttons
or the DATA/VALUE
wheel.
3. Press the EDIT button on the front panel. A
window like Figure 232 will appear
4. Press F1 (KEY) to select the percussive instrument
to assign to the note played on the keyboard. On
our example is C1 of the KICK percussive group.
If you assign another percussive instrument,
press any other key on the keyboard.
Drum Set
Figure 228
Figure 229
Figure 230
Figure 231
Drum Set
Figure 232
96 KETRON • AUDYA
Drum Set
5. Press F2 (GROUP) if you want change the
percussion group (Figure 233) by using the
CURSOR
Ó Á
buttons
or the DATA/VALUE
wheel:
KICK
SNARE
HI-HAT
CYMBAL
TOM
RIMSHOT
LATIN1
LATIN2
LATIN3
CLAP/FX
6. Press F3 (INSTR.) to select an instrument within
the percussion group, by using the CURSOR
Ó Á
buttons
or the DATA/VALUE wheel. In our
example is “kick18” (Figure 234). By pressing the
CURSOR
Ó Á
buttons together you set “empty”
that is no instrument.
7. Press F6 (TUNE) to set the fine tune of the
percussive instrument, by using the CURSOR
Ó
Á
buttons
or the DATA/VALUE wheel. The values
are from 0 to 128 (0-100 cents).
8. Press F7 (SHIFT) to set the pitch by +/- 32
semitones in one semitone step of the percussive
instrument, by using the CURSOR
Ó Á
buttons
or the DATA/VALUE wheel. In Figure 235 the pitch
is +16 semitones.
9. Press the USER 5 button (SAVE) to store the
user DRUM SET, give a name directly from the
keyboard and choose the position where to store.
In Figure 236 the name given to the user DRUM
SET is “MY_DRUM”.
Setting a USER DRUM SET in a style
1. After you have selected a style, press the STYLE
VIEW button on the front panel.
2. Press the F1 button to select the drum part of the
style.
3. If “Audio Drum” is displayed, press F1 again to
select “Drum1”.
4. By using the CURSOR
Ó Á
buttons
or the
DATA/VALUE wheel select one of the DRUM SET
created by the user. In Figure 237 the selected
USER DRUM SET is “MY_DRUM”.
Figure 233
Figure 234
Figure 235
Figure 236
Figure 237
NOTE
Please see all the DRUM SET lists and the percussive
instruments included into the drum sets in the “Sounds”
section of this manual.
KETRON • AUDYA 97
Drawbars
By pressing the DRAWBARS button on the
VOICE section, you switch the DRAWBARS
mode on. For the selection of the different
organ types please see “Selecting the organ
DRAWBARS” on page 20.
Creating a new organ DRAWBARS
To create a new type of organ Drawbars, select
one of the 20 organs available from the two
DRAWBARS pages (Figure 238).
1.
Press the EDIT button on the front panel to
access the edit window. The F1-F10 buttons
allow to access the following parameters
(Figure 239):
F1PERCUSS. ON/OFF: enables/disables the
organ percussion.
F2–HARMON. 2nd/3rd: adds even/odd
harmonics to the percussion.
F3DECAY: decay of the percussion (0–7).
F4–VOLUME: volume of the percussion
(063).
F5CLICK: “click” volume (063).
F6SUSTAIN: Sustain amount (016).
F7BS BOOST: bass boost (063).
F8REVERB: Reverb amount (063)
F9CHORUS: Chorus amount (063)
F10OVERDR.: Distortion amount (0 to 63).
2.
Set the DRAWBARS values by moving the 9
sliders of the MIXER section independently
(Figure 240).
3.
Press the USER 5 button (SAVE) to store
the organ DRAWBARS setting. The store
position is the same of the current organ.
Drawbars
Figure 238
Figure 239
Figure 240
NOTE
In DRAWBARS mode, if you press the USER 1 button
(PedToRotor) you can activate the rotor by using the
pedal connected to SUSTAIN PEDAL on the rear panel.
The PedToRotor ON/OFF parameter is not stored into
the user DRAWBARS so it must be activated manually.
98 KETRON • AUDYA
By pressing the RAM INS / SUPERSOLO button
in the VOICE section you can access the
screen where to select the SUPERSOLO voices,
described on page 19.
Creating and editing an INS block
By pressing the EDIT button you can access
the edit screen of the RAM INS / SUPERSOLO
voices (
Figure 241)
. By using the F1-F10 buttons
you can execute the following functions:
•
F1 - CLEAR&LOAD: clears the current
memory and loads the selected INS voice(s).
•
F2 - CLEAR SELECT.: clears the memory
only for the currently selected INS voice(s).
•
F6 - CLEAR ALL: clears the memory of all
the INS voices.
•
F7 - SAVE SELECT.: stores the currently
selected voices in one file (
Figure 242)
. Give
a name by using the keyboard and press
the USER 5 button (SAVE) to store the INS
block.
In the example, the file is “MY_SUPERSOLO.
•
F8 - AUTO LOAD OFF: enables/disables the
automatic loading into memory of an INS
block. To choose the autoload function of an
RBK file, just move to the RBK file and switch
the Auto Load parameter from OFF to ON.
Loading an INS block
After storing the
INS block, it will be on the internal
disc.
1. Press the RAM INS / SUPERSOLO button from
the front panel.
2. Scroll the files by using the CURSOR
§ ¶
buttons
or the DATA/VALUE wheel and localize
the file “MY_SUPERSOLO .RBK” previously
stored on disc (Figure 243).
3.
Press ENTER on the front panel to load the INS
block and all its instruments at one time (Figure
244).
RAM Ins / Supersolo
Figure 241
Figure 242
Figure 243
Figure 244
NOTE
When you can access to RAM INS section, you can find
the folder called SUPERSOLO, containing high quality,
exclusive for AUDYA, orchestral voices .
RAM Ins / Supersolo
NOTE
While loading the INS voices, if there is not enough
room in memory, a warning message will appear
inviting to free one or more memory locations of INS
voices, by using the F2 button (CLEAR SELECT) or the F6
button (CLEAR ALL).
KETRON • AUDYA 99
MSP function
Audya offers a complete Multi Sample Player
editor. To access the MSP function, press the
WAVE button, choose a file from the list in the
WAVE folder and press the EDIT button.
Creating an MSP
1. Select a WAV format file from the WAVE folder
and press ENTER to load the file into memory
(Figure 245). By using the F1-F10 buttons you
can access the following functions:
F1 - START: sets the start of the note range on
the keyboard. Press a button on the keyboard for
the automatic assignment (Figure 246) or use the
DATA/VALUE wheel or the CURSOR
Ó Á
.
F2 - END: sets the end of the note range (Figure
247) as described above.
F3 - KEY: sets the basic pitch. Press a button on
the keyboard for the automatic assignment .
F4 - PITCH: it can be TRACKING, that is tuned
for each button of the keyboard, or FIXED, that is
with fixed pitch for any keys of the keyboard.
F5 - FINE: fine tuning of the sound up to +99
cents of a semitone.
F6 - VOL: sets the output volume.
F7 - CUTOFF: sets the cutoff frequency (low-cut
filter).
F8 - EP (END POINT): sets where the sound ends.
F9 - LP (LOOP POINT): sets where the sound
loops.
2. By using the USER 1 button (PAGE >>) you can
jump to a further screen to edit the parameters
of the sample (Figure 248). By using the F1-F10
buttons you can access the following functions:
F1 - ATTACK: sets the attack time of the envelope.
F2 - DECAY: sets the decay time of the envelope.
F3 - SUSTAIN: sets the sustain level of the
envelope.
F4 - RELEASE: sets the release time of the
envelope.
F6 - SLOPE: sets the slope of the envelope.
F7 - OFFSET: sets the amount of the envelope
accordingly to the dynamics.
F8 - FILT. SLOPE: sets the filter slope.
F9 - FILT. OFFSET: sets the amount of offset on
the filter accordingly to the dynamics.
3. Load another WAV file, assign it to another button
and repeat editing.
4. When you select all the desired WAV files you
can see the list of the files loaded into MSP by
pressing the MSP VIEW button (USER 2 button).
In this screen you can check the files out, remove
files (USER 3 button) and play a file by using the
SOLO button (USER 4 button). This environment
lets you ri-edit the previously created MSP files.
By pressing the MSP VIEW button again you exit
to the main window.
MSP
Figure 245
Figure 246
Figure 247
Figure 248
100 KETRON • AUDYA
MSP function
Saving and loading an MSP
1. When you finish editing, save the MSP by using
the USER 5 button (SAVE). Digit a name on the
dialogue box by inputting characters directly from
the keyboard and press SAVE again (Figure 249).
2. Select an MSP from disc to load it into memory.
By pressing the ENTER button, a progress bar
will appear. When the file is loaded, you can
select it by pressing the INS-EFFECT SFX. It will
be treated as an INS voice (Program or MIDI
insertion, etc.).
Figure 249
NOTE
The MSP files created by Audya will be stores in a
single file containing all the information data to work,
unlike the previous versions of KETRON files which
need to have the WAV files in the same folder. Ot
means that, if you want to use a previous version of
MSP file, you should put all the linked WAV files in the
same folder of the MSP file.
KETRON • AUDYA 101
By pressing the VOICE LIST button in the VOICE
section, the screen of the custom voices will
appear. For each of the 16 VOICES (the first two
rows) you can access the VOICE LIST button
with 20 memory locations each. In this way, you
can customize your favourite voice lists to be
used for each voice family.
Sto
ring a VOICE LIST
1. Select a group ( family sound) by press a VOICE
button ( i.e.EL. PIANO).
2. A screen like Figure 250 will appear, showing the
first ten memory locations.
3. Press the CURSOR
Á
to jump to the second
page and see the next ten EMPTY VOICE
locations.
4. By using the F1-F10 buttons, select an empty
memory location (Figure 251).
5. If you want, you can replace the voice in that
location later.
6. Press the EDIT button. The VOICE LIST button
flashes.
7. Select any keys in the VOICE section. For
example, “EL. PIANO”, if you want to stay in the
same family, but you can choose any other family,
of course.
8. By using the F1-F10 buttons and the CURSOR
Ó Á
for page selection, select any voice. For
example, “FM_PIANO 2” on the second page of
“EL. PIANO” (Figure 252).
9. Press the ENTER button to confirm the selection.
10. If you want, choose further voices following the
same procedure from step 5 to step 7, changing
each time the memory location by using the F1-
F10 buttons and the CURSOR
Ó Á
, until you
finish your favourite VOICE LIST (Figure 253).
11. Press SAVE, corresponding to the USER 5 button,
or press the SAVE button on the panel to store
the custom VOICE LIST.
12. Press the EDIT button to exit edit mode. The
VOICE LIST button will stop flashing.
13. At this point, if you press the VOICE LIST button,
you will display your custom list for each family of
the VOICE section.
Voice List
Figure 250
Figure 251
Figure 252
Figure 253
Voice List
102 KETRON • AUDYA
What is a User Voice List
The new User Voice List is controlled from the Voice
group Effect/SFX, can be edited independently from
the others User Voices and can be associated to
Style, Midi, Mp3 and Wave for an automatic recall.
User Voice List files (with extension *.UVL) are located
per default on folder C: USER VOICE LIST, into 4
subfolders: Midi, Mp3, Style, Wave. In alternative
they can be set automatically on Menu: KEYBOARD
CONTROL > UTILITY > PAGE 2/4 >Player Autoload
and Text+UVL or UVL (Figure 254).
How to save your User Voice List:
Edit menu is the same used for standard Voice List.
Make your modifications on the 20 Voices of the List
provided on EFFECT/SFX group. You can Save it in 2
ways:
1. Save together with the entire Voice List on folder
C:\SYSTEM\INIT\VOICELIST.TOU by pressing
USER 5/10 SAVE.
2. Save just the individual User Voice List by
pressing USER 4/9 SAVE UVL. This file will be
saved into the UserVoice List folder of Audya
(Figure 255).
How t
o assign a User Voice List to Style,
Midifile, Wave, Mp3
STYLE
Select the Style. Press Voice List tab and then select
the Voice group EFFECT/SFX.
Press Save. Related to the F3 button the display will
show SAVE UVL to STYLE.
Pressing again F3 will save the User Voice List on
folder USER_VOICE_LIST\STYLE.
If no other name has been written for the User
Voice List, this will be saved with the same name of
Style. Any time this Style is recalled Audya will load
automatically also it’s correspondent User Voice List
(Figure 256).
Figure 254
Figure 255
Figure 256
User Voice List
KETRON • AUDYA 103
MID,WAV and MP3
The same concept of the Style is applied to Mid, Wav
and Mp3. Once file is selected press SAVE.
On F3 button the display will show:
SAVE UVL to MIDI or SAVE UVL to WAVE or
SAVE UVL to MP3.
By pressing F3 the current User Voice List will be
saved on the correspondent User Voice List folders.
USER_VOICE_LIST\MIDI or
USER_VOICE_LIST\WAVE or
USER_VOICE_LIST\MP3
When the User Voice List is saved with same name of
the files, then it will automatically loaded (Figure 257).
NOTE
When <SAVE> button is pressed of F3 must be dis-
played the file reference information. If not, pls. verify
if DISK, REGISTRATION, PLAYLIST or SFX leds are off: at
least a Style, Midi, Wave or Mp3 must be selected.
Figure 257
User Voice List
Menu
KETRON • AUDYA 105
CHANNEL TX
By pressing the F1 button a window like Figure 261
will appear. Here you can set all the MIDI transmission
channels for each part of the keyboard by using the
F1-F10 buttons.
Press the F1 button-10 corresponding to the part and
assign the MIDI transmission channel choosing from
1 to 16 by using the CURSOR Ó Á buttons
or the
DATA/VALUE wheel.
F1–Right
F2–Left
F3–Bass
F4–Drum1
F5–Drum2
F6–Global (global channel of the keyboard)
F7–Registration
F8–Voicetron
F9–ARRANGER CHORDS (opens another window)
F10–VOICE/DRAWBAR (opens another window)
Besides the F1-10 buttons, you can also select the
parts by using the CURSOR
§ ¶
buttons.
ARRANGER CHORDS
By pressing the F9 button an assign window for the
MIDI channels will appear as shown in Figure 262.
By pressing the F1-F10 buttons or the CURSOR
§
buttons
you can select the parts of the Arranger to
which assign the transmission MIDI channel from 1 to
16 by using the CURSOR Ó Á buttons
or the DATA/
VALUE wheel.
F1–Chord1
F2–Chord2
F3–Chord3
F4–Chord4
F5–Chord5
F6–Lower1
F7–Lower2
F8–Live Chord L (Mono)
F9–Live Chord R
VOICE/DRAWBAR
By pressing the F10 button a window will appear
where to assign the MIDI channels for each VOICE,
DRAWBAR, Click and Percussion, as shown in Figure
263. By pressing the F1-F10 buttons or the CURSOR
§ ¶
buttons
you can select the parts to which assign
the MIDI transmission channel from 1 to 16 by using
the CURSOR Ó Á buttons
or the DATA/VALUE
wheel:
F1–Voice1
F2–Voice2
F3–Voice3
F4–2ndVoice1
F5–2ndVoice2
F6–GM/RAM Voices
F7–Drawbar
F8–Click
F9–Percussion
Figure 261
Figure 262
Figure 263
NOTE
To return to the previous MENU page, press the EXIT
button on the front panel. To exit the MENU window
without saving changes, press the MENU button.
Menu
108 KETRON • AUDYA
FILTER PROG.CHANGE RX
From the first screen of the MIDI menu, by pressing
the F7 button a window will appear where to set the
Program Change reception filter (Figure 272). By
using the buttons F1-10 you can select the parts to
filter:
F1–Right
F2–Left
F3–Bass
F4–Drums
F5–ALL PARTS
F6–Global (global channel of the keyboard)
F7–Registration
F8–Voicetron
F9–ARRANGER CHORDS (opens another window)
F10–VOICE/DRAWBAR (opens another window)
Select the MIDI reception filter options by using
the CURSOR
§ ¶
buttons or the DATA/VALUE
wheel. Press the CURSOR Ó Á buttons
to set the
“FILTERED” value to activate the filter, or the “—”
value to deactivate the filter. The filter options are the
following (Figure 272, 273, 274):
TRANPOSE RX
From the first screen of the MIDI menu, by pressing
the F3 button a window will appear where to set the
MIDI reception of the parts transposition. By using the
F1-F10 buttons or the CURSOR
§ ¶
buttons you
can select the parts to transpose via MIDI reception,
as shown in Figure 275. By using the CURSOR Ó Á
buttons
or the DATA/VALUE wheel you can assign
+/- 36 semitones transposition value in 1 semitone
steps. By pressing the CURSOR
Ó Á
together you
set the default value “—”, that is no transposition.
F1–Right
F2–Left
F3–Bass
F4–Lower1
F5–Lower2
F6–Chord1
F7–Chord2
F8–Chord3
F9–Chord4
F10–Chord5
Figure 272
Figure 273
Figure 274
Figure 275
Exclusive Msg
Tabs Exc. Msg
Program Change
AFTERTOUCH
PITCH BEND
All Controls
All RPN
All NRPN
MODULATION
VOLUME
REVERB
Chorus/Effect
Pan Pot
EXPRESSION
Sust./Soft/Sost.
PORTAMENTO
WHA
Mono/Poly
ADSR
CUTOFF
RESONANCE
GM/GS Reset
Reset All Controls
Arabic Scale
Menu
KETRON • AUDYA 109
UTI
LITY
From the first screen of the MIDI menu, by
pressing the F4 button, the UTILITY page will
open, as shown in Figure 276. Here you can set
the following parameters, by pressing directly the
F1-F10 buttons:
•
F1SOFT-THRU: enables the MIDI Thru. The
MIDI data to MIDI IN port will be transmitted
thru the MIDI Out port.
•
F2–MIDI CLOCK IN: enables the MIDI clock
reception.
•
F3MIDI CLOCK OUT: enables the MIDI
clock transmission
•
F4LOCAL: enables the Local On/Off
function of the keyboard. In Local Off you will
not hear any sound.
•
F5MIDI PORT IN KEYB: enables the MIDI
IN 1 or 2 port for the General MIDI data
reception.
•
F6USB MIDI OUT: enables the MIDI
transmission from USB port.
•
F7GM2 MODE: enables the General MIDI 2
mode.
•
F8GLOBAL GM TX: enables the General
MIDI transmission.
•
F9MIDI IN SEND TO: enables the data
transmission from MIDI IN port to MIDI out 1
or 2 port.
USB MIDI OUT
When you can activate the USB MIDI OUT
mode from the UTILITY page, if the keyboard
is connected to the USB port of a computer, it
will be recognized as USB SPEAKERS driver
for the MIDI data transmission from and to the
computer.
When the keyboard is connected via USB to
a computer, the green LED of the USB (EXIT)
button will light.
•
The keyboard can be used as external
control unit and as sound module for MIDI
applications, such as Cubase, Sonar, Reaper
and so on, for example.
•
Once the MIDI application is open you can
select the MIDI In port and the MIDI Out port,
recognized as USB SPEAKERS.
•
In Figure 277 the arrow indicates the MIDI IN
and MIDI OUT ports in a Cubase track.
•
Once the MIDI communication via USB is
open, you will be able to record MIDI tracks.
•
The material that you record via MIDI into a
track of the sequencer can be output directly
by using the Audya sound module.
For the correct playback of the parts and the
instruments, please use the same MIDI channels
for the transmission and the reception.
For example:
Right: MIDI channel 1, both TX and RX
Left: MIDI channel 2, both TX and RX
Bass: MIDI channel 3, both TX and RX
Chord1: MIDI channel 5, both TX and RX
Drum1: MIDI channel 10, both TX and RX
... and so on.
Figure 276
Figure 277
NOTE
Please disable the soft MIDI THRU function from the
sequencer application in order to avoid dangerous MIDI
loops.
Menu
110 KETRON • AUDYA
DSP
• From the first screen of the menu, press the F3
button to open the DSP (Digital Signal Processor)
settings page, as shown in Figure 278.
By using the F1-F10 buttons you can edit the
following pages:
F1–REVERB: Reverb settings.
F2–CHORUS: Chorus settings.
F3–ECHO-DELAY: Echo settings.
F4–DISTORTION: Distortion settings.
F5–ROTOR: Rotor (Leslie) settings.
F6–DRAWBAR OVERDRIVE: Organ distortion
settings.
F7–EQUALIZER: Equalizer settings.
F8–WAVE EQUALIZER: Wave file EQ settings.
REVERB
By pressing the F1 button on the DSP page, you can
access the REVERB window, as shown in Figure 279.
Here you can select the following parameters:
F1– RIGHT REVERB: selection of the reverb for the
right hand (opens another window).
F2– LEFT/GM REVERB: selection of the reverb for
the left hand and the GM parts (opens another
window).
F6– Right Level: reverb amount settings for the right
hand (values 0-63).
F7– Left/GM Level: reverb amount settings for the left
hand and the GM parts (values 0-63).
F8– Micro Level: reverb amount settings for the
microphone (values 0-63).
RIGHT REVERB
From the REVERB page, by pressing the F1 button
(Right Reverb) you can access the page for the
selection of the reverb for the right hand (Figure 280).
10 reverb Presets are available in the first page and
10 in the second, by pressing any CURSOR button or
the DATA/VALUE wheel. Press any F1-F10 button to
select the corresponding reverb type:
Studio1 and Studio2
Club1 and Club2
Hall1 and Hall2
Theatre1 and Theatre2
Stage1 and Stage2
Church1 and Church2
Hangar
Galaxy
Space
User1, User2, User3, User4 and User5 (see details
later)
After you select the effect for the right hand, you can
hear the result by playing directly on the right split of
the keyboard.
To lock the reverb also when changing Program or
Registration or at start-up, press the Lock: ON button,
corresponding to the USER 1 button (Figure 281).
After the effect type selection, exit by pressing the
EXIT button or directly by pressing the MENU button.
To store the reverb type at start-up press the
SAVE button on the front panel and F6 (CUSTOM
STARTUP).
Figure 278
Figure 279
Figure 280
Figure 281
NOTE
By pressing the CURSOR
Ó Á
buttons together you
set the value to 0.
Menu
KETRON • AUDYA 111
LEFT/GM REVERB
From the REVERB page, by pressing the F2 button
(LEFT/GM REVERB) you can access the page for the
selection of the reverb for the left hand and the GM
parts (Figure 282). The available reverb Preset are the
same of those for the right hand seen before.
To lock the reverb also when changing Program or
Registration or at start-up, press the Lock: ON button,
corresponding to the USER 1 button, as shown by the
arrow on Figure 283.
After the effect type selection, exit by pressing the
EXIT button or directly by pressing the MENU button.
USER REVERB
When you select the reverb for the right hand or the
left hand and the GM parts, you can choose one of
the 5 USER REVERBS (Figure 284) corresponding to
the F6-F10 buttons of the second REVERB page.
By pressing the EDIT button on the front panel you
can customize the user reverbs and store them as
User Rev1, User Rev2, User Rev3, User Rev4 and
User Rev5.
The Figure 285 shows the parameters of User Rev1
that you can modify by using the F1-F10 buttons
and the CURSOR
Ó Á
buttons or the DATA/VALUE
wheel:
F1– User Rev (choose from 1 to 5)
F2– LEVEL: reverb level (values 0–63)
F3– TIME: reverb time (values 0–63)
F4– THESHOLD GATE: threshold of gate (values 0–63)
F5– HIGH DAMP: high frequencies damp (values
0–63)
F7– ALGORITHM: algorithm type (Long1, Long2,
Medium, Short1, Short2)
After you set the parameters you can to store the
custom reverb by pressing the USER 5 button (SAVE)
or the SAVE button on the front panel. A brief SAVE
DATA TO DISK message will appear.
CHORUS
By pressing the F2 button on the DSP page, you can
access the CHORUS screen, as shown in Figure 233.
Here you can select the following parameters:
F1– CHORUS RIGHT: selection of the Chorus for the
right hand (opens another window).
F2– CHORUS LEFT/GM: selection of the Chorus for
the left hand and the GM parts (opens another
window).
F6– Right Level: settings of the Chorus level for the
right hand (values 0-63).
F7– Left/GM Level: settings of the Chorus level for the
left hand and the GM parts (values 0-63).
NOTE
By pressing the CURSOR
Ó Á
buttons together you
set the value to 0.
Figure 282
Figure 283
Figure 284
Figure 285
Menu
112 KETRON • AUDYA
CHORUS RIGHT
From the CHORUS page, by pressing the F1 button
(CHORUS RIGHT) you can access the page for the
selection of the Chorus for the right hand (Figure 286).
10 Chorus Presets are available in the first page and
10 in the second, by pressing any CURSOR button or
the DATA/VALUE wheel. Press any F1-F10 button to
select the corresponding Chorus type:
Chorus1, Chorus2 ... Chorus6
Tremolo1, Tremolo2 and Tremolo3
Phaser1, Phaser2 and Phaser3
Flanger1, Flanger2 and Flanger3
User1, User2, User3, User4 and User5 (see details
later)
After you select the effect for the right hand, you can
hear the result by playing directly on the right split of
the keyboard.
To lock the Chorus also when changing Program or
Registration or at start-up, press the Lock: ON button,
corresponding to the USER 1 button (Figure 286).
After the effect type selection, exit by pressing the
EXIT button or directly by pressing the MENU button.
To store the Chorus type at start-up press the
SAVE button on the front panel and F6 (CUSTOM
STARTUP).
CHORUS LEFT/GM
From the CHORUS page, by pressing the F2 button
(LEFT/GM REVERB) you can access the page for the
selection of the Chorus for the left hand and the GM
parts. The available Chorus Preset are the same of
those for the right hand seen before.
To lock the Chorus also when changing Program or
Registration or at start-up, press the Lock: ON button,
corresponding to the USER 1 button, as shown by the
arrow on Figure 286.
After the effect type selection, exit by pressing the
EXIT button or directly by pressing the MENU button.
USER CHORUS
When you select the Chorus for the right hand or the
left hand and the GM parts, you can choose one of
the 5 USER CHORUSES (Figure 287) corresponding
to the F6-F10 buttons of the second CHORUS page.
By pressing the EDIT button on the front panel you
can customize the User Chorus and store them as
User Cho1, User Cho2, User Cho3, User Cho4 and
User Cho5.
The Figure 288 shows the parameters of User Cho1
that you can modify by using the F1-F10 buttons and
the CURSOR
Ó Á
buttons or the DATA/VALUE:
F1– User Cho (choose from 1 to 5)
F2– LEVEL: Chorus level (values 0–63)
F3– TIME: Chorus time (values 0–63)
F4– MODE: Chorus mode (Chorus, Flanger, Tremolo
and Phaser)
F7– FEEDBACK: feedback amount (values 0–63)
F8– DEPTH: Chorus depth (values 0–63)
F9–RATE: Chorus rate (values 0–63)
After you set the parameters you can to store the
custom Chorus by pressing the USER 5 button (SAVE)
or the SAVE button on the front panel. A brief SAVE
DATA TO DISK message will appear.
NOTE
By pressing the CURSOR
Ó Á
buttons together you
set the value to 0.
Figure 286
Figure 287
Figure 288
Menu
KETRON • AUDYA 113
ECHO-DELAY
By pressing the F3 button on the DSP page, you can
access the ECHO-DELAY screen, as shown in Figure
289. Here you can make the selection of the ECHO-
DELAY type to set into the DSP in order to make it
available for PROGRAMS from which you can choose
an ECHO algorithm (Figure 290).
10 Echo Presets are available in the first page and 10
in the second, by pressing any CURSOR button or
the DATA/VALUE wheel. Press any F1-F10 button to
select the corresponding Echo type:
Mono Echo1 ... Mono Echo5
Stereo Echo1 ... Stereo Echo5
Triple Echo1 ... Triple Echo5
Mono User1
Stereo User1 and Stereo User2
Triple User1 and Triple User2
When you activate an Echo Preset you can set the
option Lock:On/Off as for the previous Reverb and
Chorus effects and the option Tap Enable/Disable
(Figure 291).
The Tap Enable/Disable option allows to activate
the Tap function of the Echo effect set into one
PROGRAM. In other words , when Tap is active, the
delay of the effect will be synchronized accordingly
to the current tempo. The effect delay will be
synchronized also if the tempo changes. That is,
this parameter allows the effect to be automatically
synchronized by the tempo change.
USER ECHO-DELAY
When you select one of the five custom Echo effects,
you can access the parameters of the corresponding
effect by pressing the EDIT button on the front panel.
The Figure 292 shows the parameters for Mono
User1, but the parameters are identical for Stereo
User 1, Stereo User 2, Triple User 1 and Triple User
2. The only difference is the basic algorithm. The
parameters are the following:
F1– User Echo (choose from 1 to 5)
F2– LEVEL: effect level (values 0–63)
F3– TIME: effect time (values 0–63)
F4– FEEDBACK: feedback amount (values 0–63)
F5– FILTER: filter amount (values 0–63)
F7–MASTER VOL.: master volume (values 0–63)
F8–LEFT VOL.: left channel volume (values 0–63)
F9–RIGHT VOL.: right channel volume (values 0–63)
F10– TAP MODE ON/OFF: enables/disables the Tap
mode. If the parameter is disabled, the effect
will not be affected by the Tap Enable/Disable
function.
After you set the parameters you can to store the
custom Echo by pressing the USER 5 button (SAVE)
or the SAVE button on the front panel. A brief SAVE
DATA TO DISK message will appear.
Figure 289
Figure 290
Figure 291
Figure 292
NOTE
By pressing the CURSOR
Ó Á
buttons together you
set the value to 0.
Menu
114 KETRON • AUDYA
DISTORTION
By pressing the F4 button on the DSP page, you
can access the DISTORSION screen, as shown in
Figure 293. Here you can select the DISTORTION
type to set into the DSP in order to make it available
for PROGRAMS from which you can choose a
DISTORTION algorithm (Figure 294).
10 Distortion Presets are available in the first page
and 10 in the second, by pressing any CURSOR
button or the DATA/VALUE wheel. Press any F1-F10
button to select the corresponding Distortion type:
Overdrive1 ... Overdrive3
Tube1 and Tube2
Distorsion1 ... Distorsion3
Hyper Dist.
Grunge
Fuzz
Hot British
Org. Over1 ... Org. Over3
Over. User1 and Over. User2
Dist. User1, Dist. User2 and Dist. User3
When you activate a Distortion Preset you can set the
option Lock:On/Off as for the previous effects.
USER DISTORTION
When you select one of the five custom Distortion
effects, you can access the parameters of the
corresponding effect by pressing the EDIT button on
the front panel.
The Figure 295 shows the parameters for Over.
User1, but the parameters are identical for Over. User
2, Dist. User 2, Dist. User 1 and Dist. User 3. The only
difference is the basic algorithm. The parameters are
the following.
F1– User Distortion (choose from 1 to 5)
F2–GAIN: effect level (values 0–63)
F3– INPUT LEVEL: input level (values 0–63)
F4– FILTER FREQ: frequency filter cutoff (values 0–63)
F5– FILTER RESO: filter resonance (values 0–63)
F7–OTUPUT LEVEL: output volume (values 0–63)
F8–SUSTAIN: sustain amount (values 0–63)
F9–TYPE: algorithm type (Tube, Grunge, Sharp,
Heavy, Punk).
After you set the parameters you can to store the
custom Distortion by pressing the USER 5 button
(SAVE) or the SAVE button on the front panel. A brief
message SAVE DATA TO DISK will appear.
NOTE
By pressing the CURSOR
Ó Á
buttons together you
set the value to 0.
Figure 293
Figure 294
Figure 295
Menu
KETRON • AUDYA 115
ROTOR
By pressing the F5 button on the DSP page, you can
access the window ROTOR, as shown in Figure 296.
Here you can select the speed of the rotor:
F1–SLOW
F2- FAST
The same function is available by using the two
SLOW and FAST buttons of the ROTOR section on
the front panel.
DRAWBAR OVERDRIVE
By pressing the F6 button on the DSP page, you can
access the DRAWBAR OVERDRIVE screen, as shown
in Figure 297. Here you can select the DRAWBAR
OVERDRIVE type to set into the DSP to make it
available for DRAWBAR.
5 Drawbar Overdrive Presets are available. Just press
one of the F1-F5 buttons to select the corresponding
Overdrive type:
Overdr1 ... Overdr5
When you activate an Overdrive Preset you can set
the option Lock:On/Off as for the previous effects.
By pressing the EDIT button on the front panel, you
can access the parameters of the selected Overdrive
Preset, as shown in Figure 298. The parameters are
identical for all the five Overdrive effects:
F1– Overdrive (choose from 1 to 5)
F2–GAIN: effect level (values 0–127)
F3– FILTER LEVEL: filter level (values 0–63)
F4– FILTER FREQ: frequency filter cutoff (values 0–63)
F5– FILTER RESO: filter resonance (values 0–63)
F7–INPUT GAIN: input level (values 0–63)
F8– OUTPUT LEVEL: output level (values 0–63)
After you set the parameters you can to store the
custom Overdrive by pressing the USER 5 button
(SAVE) or the SAVE button on the front panel. A brief
message SAVE DATA TO DISK will appear.
NOTE
By pressing the CURSOR
Ó Á
buttons together you
set the value to 0.
Figure 296
Figure 297
Figure 298
Menu
KETRON • AUDYA 117
WAVE EQUALIZER
By pressing the F8 button on the DSP page, you
can access the WAVE EQUALIZER screen, as
shown in Figure 301. Here you can select the WAVE
EQUALIZER type to set as equalization of the WAVE
Player.
5 Wave Equalizer Presets are available. Just press
one of the F1-F5 buttons to select the corresponding
Wave Equalizer type:
Factory......Flat
When you activate an Wave Equalizer Preset you can
set the option Lock:On/Off as for the previous effects.
By pressing the EDIT button on the front panel, you
can access the parameters of the selected Wave
Equalizer Preset, as shown in Figure 302. The
parameters are identical for all the five Wave Equalizer
effects:
F1– Wave Equalizer (choose from 1 to 5)
F2– BASS FREQ: bass frequency (values 50–990 Hz)
F3– TREBLE FREQ: high frequency (values 1030–
16130 Hz)
F4– BASS GAIN: bass gain (values +/-12 dB)
F5– TREBLE GAIN: high gain (values +/-12 dB)
F7– VOICE ADJUST: frequency adjustment for the
vocal part reduction function (values 1-300). See
below.
Press the USER 1 button (ACTIVE) to enable the
Wave
Equalizer
.
The USER 2 button (DEFAULT) resets the
parameters to the default values.
By pressing the USER 3 button (VOICE ON/OFF)
as shown by the arrow on Figure 302, you can
reduce the vocal part of the current WAVE file. You
can adjust the VOICE ADJIUST and the bass/high
gain parameters, in order to reach the best result
in the vocal reduction.
Press the F1 button (LEAD MUTE) when the WAVE
Player is running (Figure 303) to activate the vocal
reduction function.
After you set the parameters you can to store the
custom Wave Equalizer by pressing the USER 5
button (SAVE) or the SAVE button on the front panel.
A brief message SAVE DATA TO DISK will appear.
Figure 301
Figure 302
Figure 303
Menu
118 KETRON • AUDYA
KEYBOARD CONTROL
• From the first MENU screen, by pressing the F4
button you can access the KEYBOARD CONTROL
page where to make the keyboard settings (Figure
304). By using the F1-F10 buttons you can access
the following pages:
F1–PITCH/VOL/TRANS: Pitch Bend, Master
Tune, Master Volume, Keyb Transpose, Player
Transpose Lock and Right Boost Level settings.
F2–MODULATION: Modulation Wheel sensitivity
settings.
F3–AFTERTOUCH: Aftertouch settings.
F4–EXPR. PEDAL: expression pedal settings.
F5–ACCORDION: Accordion MIDI parameters
settings.
F6–VEL CURVE: keyboard dynamic curve setting.
F7–VEL FILTER: dynamic filter response setting.
F8–ARABIC: Arabian scale settings.
F9–FOOTSWITCH: footswitch settings.
F10–UTILITY: utility page for the following
parameters:
•SPDIFIn/Out(justonlyAudya76keys)
•EditValueRecycle
•FastSong
•ShowFileIcon
•IntelligentTranspose
•2ndRightTab
•RemixLiveGuitar
•HeadphonetoOut3&4
•VideoLyric
PITCH/VOL/TRANS
By pressing the F1 button on the KEYBOARD
CONTROL page you can access the settings of the
following parameters (Figure 305):
F1– Master Tune: master tuning of the keyboard (440
Hz reference, +/-100%)
F2– Sound Card Level: master volume of the keyboard
(values 16–63). Not for the AUDIO parts.
F3– Bend Sens.: Pitch Bend sensitivity (values 0–24
semitones, to 0, that is no Pitch Bend effect)
F4– Keyb. Only Transpose: keyboard transposition
only (values ON/OFF). If set to ON, the
transposition affects the keyboard and not the
song of the Player.
F5– Player Transpose Lock: transposition lock on the
Player (values ON/OFF).
F6– Right Boost Level: maximum level for the Right
Boost function (value 10–50), when it’s applied
by the USER buttons. This function boosts the
volume of the right hand accordingly to the level
set by the Right Boost Level parameter.
F7-Glide Time: Sets the Glide effect time.
MODULATION
By pressing the F2 button on the KEYBOARD
CONTROL page you can access the MODULATION
settings (Figure 306). Here you can control the
SENSITIVITY parameter for the Modulation Wheel
(values 0–48).
AFTERTOUCH
By pressing the F3 button on the KEYBOARD
CONTROL page you can access the settings of the
AFTERTOUCH parameters (Figure 307):
F1– Sensitivity: adjustment of the Aftertouch sensitivity
(values 0–63)
F2– Threshold: threshold of the Aftertouch (values
0–63)
F3– Attack Time: attack time of the Aftertouch (values
0–100)
F4– Slide Threshold: threshold of the Slide effect
(values 10–127). The Slide effect must be
programmed within a VOICE.
F5– Slide Time: time of the Slide effect (values 0–100).
Figure 304
Figure 305
Figure 306
Menu
KETRON • AUDYA 119
F6– Bend Value: Bend value of the Slide effect (values
+/- 12 semitones).
F7– Aft&Port Autoswitch: enables/disables the
automatic activation of the Portamento and the
Aftertouch when they are set within a PROGRAM.
EXPR. PEDAL
By pressing the F4 button on the KEYBOARD
CONTROL page you can access the settings for the
EXPRESSION PEDAL (Figure 308), that is the pedal to
control the expression connected on the rear panel:
F1– Pedal Curve: adjustment of the pedal curve
behaviour (values NORMAL, OPEN and
CLOSE1/2)
F2– Expr. To Song: expression control of the song
currently playing in the Player (values ON/OFF)
F3– Swell To Right: expression control on the right
hand (values ON/OFF)
F4– Swell To Player: expression control on Player
(values OFF, ALL, WAV-1, WAV-2, MP3-1, MP3-2).
ACCORDION
By pressing the F5 button on the KEYBOARD
CONTROL page you can access the settings for
ACCORDION (Figure 309), connected via MIDI:
F1– Mode: values Intern., Belgiq., that is International
and Belgian.
F2– Left Velocity: adjustment of the left hand Velocity
response. You can set the values by pressing
repeatedly the F2 button and by using the
CURSOR
Ó Á
buttons
or the DATA/VALUE
wheel (values 0–63, Soft1, Soft2, Normal, Hard1
Hard2).
F3– Right Velocity: adjustment of the right hand
Velocity response. You can set the values by
pressing repeatedly the F2 button and by using
the CURSOR
Ó Á
buttons
or the DATA/VALUE
wheel (values 0–63, Soft1, Soft2, Normal, Hard1
Hard2).
F4– Left Drum: drum on the left hand (values ON/
OFF).
F5– Autochord: automatic chords (values ON/OFF).
F6– Bass Sustain: sustain for the bass (values 0–63).
F7– Bass To Chord: bass to chord (values ON/OFF).
F8– Bass Octave: bass octave (values +/- 2 octaves).
F9– Lower1 Octave: Lower1 part octave (values +/- 2
octaves).
F10– Lower2 Octave: Lower1 part octave (values +/- 2
octaves).
Press the USER 1 button (ACTIVE/INACTIVE) to
activate the ACCORDION parameters.
Once you set the parameters you can to store the
ACCORDION parameters by pressing the USER 5
button (SAVE) or the SAVE button on the front panel.
A brief SAVE DATA TO DISK message will appear.
LEFT DRUM
By pressing the USER 3 button on the ACCORDION
page, as shown by the arrow on Figure 309, you can
access the LEFT DRUM page where to set percussive
instruments for the left hand (see next page).
BS ON STOP
By pressing USER 4 button on ACCORDION page
User enable/disable Bass note played on Style Stop
feature.
Figure 307
Figure 308
Figure 309
Menu
120 KETRON • AUDYA
By using the F1-F10 buttons from the LEFT DRUM
page (Figure 310) you can set the percussive
instruments for the left hand.
F1– Bass Drum Instr.1: percussive instrument 1 for the
bass (see note).
F2– Bass Drum Instr.2: percussive instrument 2 for the
bass (see note).
F3– Chords Drum Instr.1: percussive instrument 1 for
the chords (see note).
F4– Chords Drum Instr.2: percussive instrument 2 for
the chords (see note).
F6– Bass Drum Velo.1: Velocity setting for the
percussive instrument 1 of the bass
(values 0–127).
F7– Bass Drum Velo.2: Velocity setting for the
percussive instrument 2 of the bass
(values 0–127).
F8– Chords Drum Velo.1: Velocity setting for the
percussive instrument 1 of the chords
(values 0–127).
F9– Chords Drum Velo.2: Velocity setting for the
percussive instrument 2 of the chords
(values 0–127).
VEL CURVE
By pressing the F6 button from the KEYBOARD
CONTROL page, you can set the Velocity Curve
(Figure 311), that is the dynamic curve of the
keyboard. You can set the values by pressing
repeatedly the F6 button. The available values are:
Soft1, Soft2, Normal, Hard1 and Hard2
You can select also a fixed Velocity Curve value
(VEL CURVE FIXED). In this case, set the fixed value
by using the CURSOR
Ó Á
buttons
or the DATA/
VALUE wheel (values 1-63).
VEL FILTER
By pressing the F7 button from the KEYBOARD
CONTROL page, you can set the Velocity Filter (Figure
312), that is the dynamic curve of the filter. You can
set the values by pressing repeatedly the F7 button.
The available values are: Open1, Open2, Close1 and
Close2.
ARABIC
By pressing the F8 button from the KEYBOARD
CONTROL page, you can access a window like Figure
313, where you can set the Arabian scale parameters:
F1– Left Scale: sets the Arabian scale for the left hand.
Values: NO, ARR. and LOW., that is no scale,
Arabian scale to the Arranger or to the Lower part.
F2– Footswitch: pedal modes. Values: NO, NOTE,
AR.SET., that is no parameter, pedal controlling
the note or the Arabic set (from 1 to 16).
F7– Arabic Set: selection of one Arabic set, from 1 to
16.
F8– Koma Tab (Harmony): activation of the Koma
function, which replaces the HARMONY button
in order to alter dynamically the pitch of the scale
while you are playing.
Mod
ifying one set
Using the 6th (5th eighth on Audya 4 and 5) select
the note you want to alter, change the amount
of tune by using the dial. When done, press the
SAVE button.
Figure 310
Figure 311
Figure 312
Figure 313
NOTE
You can choose the percussive instrument among those
listed in the list at the end of this manual. For example,
“kick01”, “ cymbal07”, “snare018” and so on.
Menu
KETRON • AUDYA 121
NOTE
By activating Arabic Scale (see page 120) the
footswitches will become Arabic 1, 2, 3...
FOOTSWITCH
• By pressing the F9 button from the KEYBOARD
CONTROL page, you can activate the
FOOTSWITCH screen (Figure 314), where you
can assign the functions to the pedalboard
connected on the rear. The optional FS13
pedalboard has 13 functions, to which you can
assign any parameter of the keyboard. By using
the CURSOR
§ ¶
buttons select one of the
13 functions of the pedal and assign one of the
parameters of the table below, by using the
CURSOR
§ ¶
buttons or the DATA/VALUE:
Figure 314
Once you set the FOOTSWITCH parameters you can save them by pressing the USER 5 button (SAVE) or the
SAVE button on the front panel. A brief SAVE DATA TO DISK message will appear.
Sustain,
Soft,
Sostenuto
Arr. A,
Arr. B
Arr. C
Arr. D
Fill 1 ~ 4
Fill In
Break 1 ~ 4
ReIntro
Int.End 1
Int.End 2
Int.End 3
Start Stop
FillToArr.
Key Start
Key Stop
Hold
Tempo +
Tempo -
Transp +
Transp -
Voice To Arr.
Auto Fill
After Fill
Inter. Gtr.
Manual Bass
Bas. Mono/Poly
Swing Bass
BassToRoot
Bassist
Bass Sust.
Lower Mute
Low. Off Stop
Lower1 Hold
Lower2 Hold
Pianist
Accordion
Swell
Left Drum
Fade Out
Manual Drum
Crash
Play Kick2
Only Kick
Drum&Bass
Kick Off
Snare Off
HiHat Off
Cymbal Off
Tom/FX Off
Rimshot Off
Latin1 Off
Latin2 Off
Latin3 Off
ClapFx Off
minor
7th
m7th
5+
dim
6+
7th+
MIDI Reset
Lead Mute
Lyric On/Off
Zoom
A.Play On/Off
Loop On/Off
Text Page +
Text Page -
Cross Fade
Wha-Wha
Reverb
Chorus
Echo/Delay
Dist. Overdr.
Voicetron
Micro On/Off
Micro Talk
Audio Reset
Micro Rev.
Autocrash Fill/Break
DryOnStop
Voc. On/Off
Voice Down
Voice Up
Regis Down
Regis Up
2nd Voice
Harmony
Double
Rotor On/Off
Rotor Slow/Fast
F1 Tab *
F2 Tab *
F3 Tab *
F4 Tab *
F5 Tab *
F6 Tab *
F7 Tab *
F8 Tab *
F9 Tab *
F10 Tab *
Arabic_11
Arabic_12
Arabic_13
Arabic_14
Arabic_15
Arabic_16
Right Boost
Exit
Style Stop
Pause/Count In/Res.
Program/Preset
Aftertouch
Portamento
EndOnStop
FillToEnd
Left Voice
Unplugged
Glide
Jukebox
Wave Filter.
Break
BassToLowest
PianistSust.
Play Kick1
Back Tab
Forward Tab
Enter
File Up/Down
Sub Reg. Up/Down
Menu
122 KETRON • AUDYA
UTILITY
By pressing the F10 button from the KEYBOARD
CONTROL page you can activate the UTILITY screen
(Figure 315), where you can enable/disable the
following functions:
F1– SPDIF In: enables/disables the digital SPDIF In
port (values ON/OFF).
F2– SPDIF Out: enables/disables the digital SPDIF
Out port (values SPDIF/MAIN). The SPDIF volume
is controlled by using the S/PDIF-LINE IN (SFX)
slider of the PLAYER section.
F3– Edit Value Recycle: enables/disables the recycle
of the volume, effect send, etc. parameters type
Values ON/OFF.
F4– Fast Song: eliminates measures at the beginning
of the Midi file, usually Count In or Setup Measure.
Values ON/OFF.
F5– Show File Icon: enables/disables the icons display
for the file types. Values ON/OFF.
F6– Intelligent Transpose: affects the transposition of
the MIDI file. Each instrument is transposed within
its natural octave. Values ON/OFF.
F7– LINE IN: enables/disables the LINE IN input.
The input volume is controlled by the
MP3 slider of the PLAYER section. Values ON/
OFF.
F8– Remix Live Guitar: enables/disables the Live
Guitar of the style when making a MIDI Remix.
Values ON/OFF.
F9– Headphone to Out3&4: values ON/OFF.
F10– Video Lyric: enables/disables the Lyric display on
remote screen monitor. In other words, the Lyric
OFF affects also the remote monitor. Values ON/
OFF.
Page 2
By pressing the USER 5 button you can access the
next settings page (press USER 4 to return to the
previous page), as shown on Figure 264. Here you
can find the following functions:
F1– Cross Fade Mode: selects the Cross Fade mode
(Fade 1, Fade 2, Fade 3).
F2– Cross Fade Velocity: sets the Cross Fade speed
(Normal, Fast 1, Fast 2, Slow 1, Slow 2).
F3– Fade Time: sets the Fade time of the Master
(values 1–20).
F4– Player Autoload: enables/disables the automatic
loading of the TXT file together with WAV, MIDI,
MP3 (see Text scrolling function on page 117) and
of the file WAV associated to the MIDI FILE (MIDI
SYNC RECORDING page 99)(TEXT, ALL, NO).
F5– Enabled Number Files: enables/disables the the
file numbering (values ON/OFF).
F6– Main View: enables/disables the MAIN VIEW mode
(values ON/OFF).
F7– Autoswitch Time (sec.): sets the automatic time
to switch to the MAIN VIEW from other screens
(values OFF, 0–60).
F8– Lyric/Txt Small Font: sets the small font display of
the lyrics (values ON/OFF).
F9– Registration Sort: sets the sort mode of the
Registration list (values Numeric, Alphab).
F10– Registration Restore: enables/disables the
RESTORE function which restores the panel
to the conditions before the Registration recall
(values ON/OFF).
Page 3
By pressing the USER 5 button again you can access
a further settings page (press USER 4 to return to the
previous page), as shown on Figure 265. Here you
can find the following functions:
F1– MP3/LINE IN TRANSP.: enables/disables (ON/
OFF) the transposition of the MP3 file and of the
Line In input signal. This function, if set to OFF,
allows to play the MP3 file together with the style
without affecting the pitch of the MP3 by changing
the tempo of the style.
F2– WAV DJ MIX: enables/disables (ON/OFF) the DJ
MIX function between the WAVE and DJ LOOP
Players (see procedure below).
F3– Player & STYLE MIX: (values ON/OFF) activates
the Player when a Style is running.
Figure 315
Figure 316
Figure 317
Menu
KETRON • AUDYA 123
F4– KEY TUNE TO CHORD: (values ON/OFF) see
procedure below.
F5– REG. LOAD MODE: loading behaviour of the right
voice into the Registration when a style is playing.
Values Mode1 and Mode2.
Mode1: the right voice is changed immediately by
loading the registration.
Mode2: the right voice is changed by the effective
change of the Registration, that is at the beginning
of the next measure.
F6- Dry On Stop: When the style is stopped, enable
this option to disable effects on MICRO.
F7- Voice Select Mode: Set this option to mode1 in
order to allow the selection of various sounds
without changing the sound on the Right: This will
be changed only by selecting another sound. Set
to mode2 for ordinary selection.
F8- Half Screen Mode: This feature will show the
player in the Main View with the file list on the left
and the lyrics on the right.
F9- Juke Box: When the file is played back, this feature
allows to select a file to start automatically when
the first file ends. Press Go To Next to switch
immediately to the next file.
F10- Midi SysExc. Mode: The function saves MIDI
parameters as MIDI events and not as SYS EXC
data. By pressing the ENTER button you can
preload the MIDI file, while by using the START
button you can start the file without loosing any
changes stored in the buffer. In GM Part, after
you finished the changes, simply press the USER
5/10 button to update the changes.
Page 4
F1-Filter Regis. VOICETR: setting are filtered on
Registration whne recalled.
F2-Block Reg. Autostart: Is enabled, Song will be
played when loaded by Footswitch Block Registration
(Regis. Up/Down ).
WAV DJ MIX function
When the WAV DJ MIX function is ON, you can use
the two Players together:
1. Select a file WAVE.
2. Press ENTER or START.
3. Select another WAVE file and press ENTER.
4. The second WAVE file will be pre-loaded.
5. Press the DJ Loop button to cue the second
Player (the LEDs are blinking).
6. Press the USER 4 button (CONTINUE) to start the
second Wave file.
7. Adjust the two sources output by using the WAVE
and DJ LOOP faders, as you like.
KEY TUNE TO CHORD function
When the Key Tune To Chord is active, you can start
a Key Tune, by using the associated key, but also by
using the recognition of the associated chord. Here’s
an example:
1. Press the KEY TUNE button on the panel and
select a Key Tune (Figure 266).
2. Press the EDIT button on the panel.
3. Press the USER 2 button (Tune View) to view the
associated keys to the Key Tune. In Figure 267
there are 3 associated keys.
4. For example, if you want to start the song
“Barocco.wav”, you can play the C3 note
assigned to the Key Tune, but also when you will
play a C chord in all the variations. In this way, the
Hold parameter will be set to ON. To stop the Key
Tune song just press a C chord or C note again.
This function is useful for the accordion player playing
MIDI files. When the Key Tune To Chord function is
active, the melody part of the accordion will not start
the Key Tune but only the Chord part will.
In this way you can assign 12 songs maximum (for
example, a song assigned to the G5 key and another
to the G6 key, by using the chord recognition, G will
start the song assigned to G5 key).
Combining this function to Registrations, the
accordion player can launch the MIDI files and the
other settings in the Registration directly from the
accordion, without touching the keyboard.
Figure 318
Figure 319
NOTE
By means of the chord recognition, if Bass To Chord is
set to On, also the bass section will start the Key Tune.
Menu
124 KETRON • AUDYA
OUTPUT ASSIGN
• By pressing the F5 button from the main page
of the MENU, you can access to the OUTPUT
ASSIGN screen where you can make the routing
settings of the internal sources to the outputs on
the rear (Main Stereo and separate outputs), as
shown in Figure 320.
The options are the following:
F1–Out3&4: 3 and 4 outputs.
F2– Out1&2 Drum: 1 and 2 outputs for the drum
and the percussive instruments.
F3– Out1&2: 1 and 2 outputs for the right hand, all
the drums and MIDI1.
Out3&4
By using the CURSOR
§ ¶
buttons or the DATA/
VALUE wheel you can select the source to send to
the 3 and 4 outputs.
The internal sources interne are the following:
Wave 1/2, A.Drum
MP3-2 (SFX)
MP3-1
Voicetron
Drawbars
Bass
Lower
Chords
By using the CURSOR
Ó
Á buttons you can select
the source one by one, and set the output destination,
choosing from Main Stereo or Main + 3&4.
By using the button USER 5 (SAVE) you can store up
to 5 outputs Presets. Select a Preset with the F6-F10
buttons and press the USER 5 button (SAVE).
Out1&2 Drum
By using the CURSOR
§ ¶
buttons or the DATA/
VALUE wheel, you can select the percussive
instrument of the drum to output (Figure 321). The
percussive instruments are the following:
KICK
SNARE
HI-HAT
CYMBAL
TOM
RIMSHOT
LATIN
CLAP
Once selected the percussive instrument, you can set
the output with the CURSOR
Ó
Á buttons, choosing
between Main Stereo or 1&2 Stereo.
Out1&2
By using the CURSOR
§ ¶
buttons or the DATA/
VALUE wheel, you can select the internal source to
send to the output 1 and 2 (Figure 322). The internal
sources are the following:
Right
All Drums
MIDI 1
2nd VOICE
Once selected the source, you can set the output
destination with the CURSOR
Ó
Á buttons,
choosing between Main Stereo or 1&2 Stereo.
Figure 321
Figure 322
NOTE
By pressing the USER 1 button you can toggle the 1&2
Stereo and the 1&2 Mono output, as shown by the
arrow on Figure 323.
Figure 320
Menu
KETRON • AUDYA 125
METRONOME CLICK
• By pressing the F6 button from the main page of
the MENU, you can access to the METRONOME
CLICK screen, where to make settings of the
metronome (Figure 323). By using the F1-F10
buttons you can set the following parameters:
F1–LINK MODE: sets the metronome in the
following environments:
All, Style, MIDI, Wave, MP3.
F2–RUN MODE: sets the start mode of the
metronome (Free, Start).
F3–VOLUME: output volume from 0 to 63.
F4–OUTPUT: output assign (Figure 324) to Out 1
and 2, Out 3 and 4, Out 3 and 4 and headphones
(34&Hph). In this last mode, you will hear only
the metronome on the headphones. Useful for
drummers.
F5–TYPE: click type CLICK, METR.1 and METR. 2.
F6–TEMPO: tempo setting. This applies only if the
songs don’t have tempo information (usually the
WAV and MP3 files).
F7–TIME SIG */.: sets the numerator of the
division. Values from 1 to 12.
F8–TIME SIG ./*: sets the denominator of the
division. Values 4 or 8 .
Press the USER 1 button (ACTIVE/INACTIVE) to
enable/disable the METRONOME CLICK function, as
shown from the arrow in Figure 323.
VIDEO MODE
• From the main page of the MENU, press the F7
button (VIDEO MODE) to open the page for the
video settings (Figure 325). By using the F1-
F10 buttons you can open the following settings
pages:
F1 - MODE: sets the VGA video output for lyric
display (karaoke) or as MIRROR (all that
you see in the display is mirrored on a VGA
monitor).
F2 - HOR. START: sets the horizontal start
position.
F3 - HOR. POSITION: horizontal position.
F4 - VERT. START: sets the vertical start
position.
F5 - VERT. POSITION: vertical position.
F6 - BACKGROUND: sets the background
colour.
F7 - NORMAL TEXT: sets the normal text colour.
F8 - HIGHLIGHT FORE: sets the highlighted
text fore colour.
F9 - HIGHLIGHT BACK: sets the highlighted text
background colour.
F10 - LYRIC UPPERCASE: sets upper/lower case
for lyric text (karaoke).
Figure 323
Figure 324
Figure 325
Menu
126 KETRON • AUDYA
AUDIO RECORDING
• From the main page of the MENU, press the F8
button to open the AUDIO RECORDING page
dedicated to audio recording (Figure 326).
By using the F1-F10 buttons you can set the
following parameters:
F1- MP3 RECORDING: MP3 file recording.
F2- MIDI SYNC RECORDING: audio file recording
synchronized with a MIDI file.
F5- SELECT SOURCE: selection of the
recording source, that is SPDIF, MP3-1, WAVE,
MICROPHONE/VOICETRON
F6- WAVE RECORDING: WAV file recording.
F-10 UPDATE TIME LEFT: calculates the available
recording room on the disc.
Recording a WAV file
1. Press the MENU button and the F8 button (AUDIO
RECORDING) to enter the audio recording
environment.
2. Press the F6 button (WAVE REC) to choose WAV
file recording mode.
3. Press the RECORD button.
4. You will be prompted to give a name to the file.
Digit the name for the audio file directly from the
keyboard (Figure 327). In the example, the file is
“AUDIO_01”.
5. Press the USER 5 button (ENTER).
6. Press the F3 button (NORMAL) to set the normal
recording or the F4 button (MIXDOWN) to make
overdubbing (see details later).
7. Play the keyboard and/or sing on your
microphone connected to the MICRO 1 connector
(enable the MICRO button in the VOICETRON
section). Be sure that the input level is not too
high by checking the stereo VU-Meter (Figure
328).
8. Press the USER 5 button (START REC) or the
ENTER or RECORD button to start recording. It’s
also possible to press the MENU button to exit,
but keeping ready to record. The RECORD button
remains lit. You can then start the recording at
any time by simply pressing the REC button,
which will start blinking.
9. Press the USER 4 button (STOP REC) to stop
recording or press RECORD that is blinking.
10. A file in the WAVE folder of the disk will be
created.
11. Press the START button or the USER 5 button
(START) to start playback of the recorded file. To
browse and select any recorded audio WAV file,
press the WAVE button in the Player section.
Recording an MP3 file
1. Press the MENU button and the F8 button (AUDIO
RECORDING) to enter the audio recording
environment.
2. Press the F1 button (MP3 RECORDING) to
choose MP3 recording.
3. Follow the same procedure for WAV file recording.
4. The recorded MP3 file will be created in the MP3
folder of the disk. To browse and listen to the
recorded MP3 file, press the MP3 button in the
Player section.
NOTE
The recording volume is set by the WAVE slider on the
PLAYER section.
Figure 326
Figure 327
Figure 328
Menu
KETRON • AUDYA 127
MIDI SYNC RECORDING (file audio recording
synchronized with a MIDI file)
1. Press the MENU button and the F8 button (AUDIO
RECORDING) to open the audio recording
environment.
2. Press the F2 button (MIDI SYNC RECORDING)
to show the list of MIDI files within the MIDIFILE
folder on the disk (Figure 329).
3. Select a MIDI file from the list. In the example, the
file is “Cabaret.MID”.
4. Press the ENTER button to start simultaneously
the audio recording of the MIDI file (Figure 330).
5. Play the keyboard and/or sing on your
microphone connected to the MICRO 1 connector
(enable the MICRO button in the VOICETRON
section).
6. Press the USER 4 button (STOP REC) to stop
recording. If you stop recording before the MIDI
file ends, press the START/STOP button on the
panel.
7. A wave format file with the same name of the MIDI
file plus a progressive numbering and the WAV
extension will be created. In the example, the file
is “Cabaret_1.wav”. You will find it in the MIDIFILE
folder (Figure 331).
8. Also, you can overdub using the same MIDI file
and the newly created audio file. Repeat the
procedure from step 3 to step 6.
9. After overdubbing, you will find your audio
files with progressive numbering, that means
“Cabaret_2.wav”, “Cabaret_3.wav” and so on
(Figure 332).
10. Once the MIDI sync is created and played back
(remember that only two tracks will play in
numeric order, e.g. _1 and _2 or _2 and _3, if _1 is
not present), by pressing the SAVE button a pop-
up with two options appears:
F1 - Save Sync Param: it allows to save the
information of the sync into the MIDI file so the
next time you play the file it’s not necessary to
reload them. You cannot change the audio file
after you saved the sync information because you
will loose the synchronization.
F2 - Merge Audio Track: it combines the current
two tracks playing in one audio track. This option
appears only if you have 2 WAV tracks playing.
NOTE
Once the files are “merged”, a single audio file will be
created, by using the lower number of the two files,
and two .bak files (backup files of the two original wav
files).
Figure 329
Figure 330
Figure 331
Figure 332
Menu
128 KETRON • AUDYA
Avoiding the MIDI file recording mixed to the
source
When you make a MIDI SYNC RECORDING by
selecting a Main or Keyboard source, also the MIDI
file playing will be recorded into the audio file.
To avoid this, you can follow two procedures:
Manual procedure
1. Select MENU > Out Assign > Out1&2 and set
MIDI1 to 1&2 stereo.
2. While recording, the keyboard will be output to
MAIN OUT and will be recorded. The MIDI will
be present on 1 and 2 outputs without being
recorded.
Automatic procedure
3. Select MENU > Keyboard Control > Utility and
set the Headph to out3&4 item to ON.
4. Now, making the recording, the MIDI will be
output automatically to the headphones and will
not be recorded on the audio track.
5. Remember that when the Headph to out3&4 item
is set to ON, also WAV, MP3 will be present on
the headphones... that is all the sources set to out
3&4. You can control the output volume by the
PFL slider.
Overdubbing a WAV file
1. Press the MENU button and the F8 button (AUDIO
RECORDING) to enter the audio recording
environment.
2. Select F5 (SELECT SOURCE) and choose the
desired source Microphone or Keyboard and
press EXIT. (Note that when you select Keyboard
the Wave output is routed to 3 and 4).
3. Press F6 (WAVE RECORDING). Press ENTER and
type you own audio file name by using letters and
/or number ( i.e. MIX ).
4. Press F4 (MIXDOWN) to set the record dubbing
(Figure 333).
5. Pressing the USER 5/10 (ENTER) you are
automatically into the WAVE PLAYER.
6. Select the wave you want to overwrite, not playing
it back.
7. Press the PAUSE button and then the START
button.
8. Now, pressing the USER 5/10 (Start Rec) the
overdubbing of the previously selected Wave will
begin.
9. To stop recording and make the mix of the two
tracks, just press the STOP button.
MIDI RECORDING
• Press MENU and the F9 button (MIDI
RECORDING) in the MENU screen. The recording
MIDI page will open.
By using the F1-F10 buttons you can set the
following MIDI recording modes:
F1- keyboard: sets the recording mode from the
keyboard.
F2 - MIDI PORT IN GM: sets the MIDI data
recording mode from the MIDI IN port.
Recording a MIDI file using the keyboard
10. Press the MENU button and the F9 button
(MIDI RECORDING) to enter the MIDI recording
environment.
11. You will be prompted to give a name to the file.
Digit the name for the MIDI file, directly from the
keyboard (Figure 334). In the example, the file is
“MIDI_01”.
12. Press the USER 5 button (ENTER).
13. Press the F1 button (KEYBOARD) to set the
recording mode from keyboard.
14. Press the USER 5 button (START REC) or the
ENTER button to start the MIDI recording.
15. Play the keyboard and/or start the Arranger.
16. Press the USER 4 button (STOP REC) to stop
recording.
17. A file in the MIDIFILE folder of the disk will be
created (Figure 335).
18. Press the START button or the USER 5 button
(START) to start playback of the recorded MIDI
file. To browse and listen the recorded MIDI file,
press the MIDI button in the Player section.
Figure 333
Figure 334
Figure 335
Menu
KETRON • AUDYA 129
Recording a MIDI file from the MIDI IN port
1. Press the MENU button and the F9 button
(MIDI RECORDING) to enter the MIDI recording
environment.
2. You will be prompted to give a name to the file.
Digit the name for the MIDI file, directly from the
keyboard.
3. Press the F2 button (MIDI PORT IN GM) to set the
data recording mode from the external port (Figure
336).
4. Press the USER 5 button (START REC) to start
the MIDI recording.
5. Start the external MIDI sequencer or play any MIDI
keyboard connected to the MIDI IN connector.
6. Press the USER 4 button (STOP REC) to stop
MIDI recording.
7. A file in the MIDIFILE folder of the disk will be
created.
8. To browse and listen the recorded MIDI file, press
the MIDI button in the Player section.
MACRO RECORDING
The MACRO RECORDING records all the events
performed on the keyboard (Figure 337).
The files have the extension .MRS and are saved
into the MIDI folder from where it is also possible to
reproduce them.
Once the Macro Recording feature is selected, the
display will show a sub-menu with the possibility to
assign a name and other options (Figure 338).
• Macro Restore: if set to On, at the end of the
Macro Recording sequence will be automatically
restored all the previous panel conditions of the
machine before the Macro performance.
• Macro Rec Keyb.: Enable/Disable for the
keyboard recording.
• Macro Play Keyb.: Enable/Disable for keyboard
playing during the Macro reproduction.
• Macro Play Tab: Enable/Disable for the panel tab
functioning during the Macro playback.
• Sync Start Rec: this function permits to start
automatically the Macro recording as soon the
Style is activated. In order to use this feature it’s
enough to exit by pressing the tab Menu and then
return to the Main View: doing Start to the Style
the MACRO will begin it’s recording.
• Sync Stop Rec: the feature allow to stop the
Macro recording with the Stop fo the Style.
Macro Recording & Playback
Once a name is given and the various options are
selected, it is possible to start the Macro Recording
by pressing the tab START REC (user 5/10).
All the following events produced on Audya such
as voice selection, style changes, player and any
other feature, except for Microphone signal, will be
recorded.
During the Macro Recording all Menus are
deactivated.
The end of the performance is achieved by pressing
STOP REC or RECORD.
In order to start the playback just go into MIDI folder,
select the file .MRS and press Enter.
Macro and Registration
While recording a Macro you cannot access a
Registration. If you want to record a Macro using one
Registration setting, you can launch the Registration
first and then the Macro Recording. When the Macro
will be executed, it will automatically set the initial
values, also the previously selected Registration.
WARNING
If you make a MIDI recording using an Audio Drum part
for the drum, the drum sounds (AUDIO) will not be
recorded into the MIDI recording. If you want to record
an Audio Drum please use the audio recording method.
Figure 336
Figure 337
Figure 338
130 KETRON • AUDYA
Once you connect two microphones to the
MICRO 1 and MICRO 2 connectors you can
access to a bunch of options for the voice
treatment.
MIC
RO
The MICRO button enables the MICRO 1
input and MICRO 2 input. Connect one or two
microphones to the jacks on the rear and adjust
the level by using the GAIN 1 and GAIN 2 wheels.
VOC
ALIZER
The VOCALIZER button enables the effect
processor for the harmonization and the
automatic pitch only on MICRO 1.
Setting a vocal effect
1. Press the MICRO button.
2. The MICRO PRESETS window will appear (Figure
339).
3. Press the F1-F10 buttons to select one of the
MICRO PRESETS, that is one effect for the
microphone connected to MICRO 1 and/or
MICRO 2.
4. Press the CURSOR
Ó Á
buttons
to scroll the
MICRO PRESETS pages.
By using the F1-F10 buttons you can select
20 MICRO PRESETS from two pages:
PAGE 1 PAGE 2
F1DRY F1–GIRL
F2–REVERB SMALL F2–BABY
F3REVERB MEDIUM F3–VIBRATO
F4REVERB LARGE F4PHONE
F5REVERB GATED F5ANGEL
F6BOOST F6MICRO_01
F7–ECHO REVERB F7–MICRO_02
F8ECHO REVERB TAP F8MICRO_03
F9CORRECTION F9MICRO_04
F10BEAR F10MICRO_05
Editing a vocal effect
1. Select one MICRO PRESETS from the list on the
display.
2. Press the EDIT button on the front panel.
3. A window like Figure 340 will appear.
4. By using the F1-F10 buttons you can select the
following options:
F1–MICRO1
F2–MICRO2
F3–REVERB
F4–ECHO
F5–TRANSFORM
F6–COMPRESSOR
F7–LIMITER
F8–EQUALIZER
F9–VIBRATO
F10–PITCH
Please note that for MICRO1 (that is the microphone
connected to MICRO 1 on the rear) all the options are
available, while for MICRO2, only REVERB and ECHO
are available.
MICRO1
By selecting the F1 button (MICRO1), you can choose
one of the following options:
F3–REVERB
F4–ECHO
F5–TRANSFORM
F6–COMPRESSOR
F7–LIMITER
F8–EQUALIZER
F9–VIBRATO
F10–PITCH
MICRO2
By selecting the F2 button (MICRO2), you can choose
one of the following options:
F3–REVERB
F4–ECHO
Voicetron
Voicetron
Figure 339
Figure 340
KETRON • AUDYA 131
Voicetron
REVERB
By selecting the F3 button a REVERB screen like
Figure 341 will appear where you can choose one
of the available reverbs by using the CURSOR
§ ¶
buttons or the DATA/VALUE wheel:
Off (nessun effect)
Short Room
Room
Small Hall
Large Hall
Short Plate
Vocal Plate
Church
Cathedral
Gated Reverb
Gated Plate
User1
User2
User3
ECHO
By selecting the F4 button a ECHO screen like Figure
342 will appear where you can choose one of the
available Echo effects by using the CURSOR
§ ¶
buttons or the DATA/VALUE wheel:
Off (nessun effect)
Mono
Stereo
Mono 3/4
Stereo 3/4
Mono 4/4
Stereo 4/4
Mono Triplet
Stereo Triplet
Mono Tap
Stereo Tap
Mono 3/4 Tap
Stereo 3/4 Tap
Mono 4/4 Tap
Stereo 4/4 Tap
Mono Triplet Tap
Stereo Triplet Tap
User1
User2
User3
TRANSFORM
By selecting the F5 button a TRANSFORM screen
(only for MICRO1) like Figure 343 will appear where
you can choose one of the available Transform effects
by using the CURSOR
§ ¶
buttons or the DATA/
VALUE wheel:
Default
Teen Pop
Dark
Delicate
Opera
Vibrato
Phone
Angel
Alien
Baby
Cartoon
Nasal
Strange
Bariton
Deep
Girl
Drunk
User1
User2
User3
COMPRESSOR
By selecting the F6 button a COMPRESSOR screen
(only for MICRO1) like Figure 344 will appear where
you can choose one of the available compressors by
using the CURSOR
§ ¶
buttons or the DATA/VALUE
wheel:
Off
-18 dB 2:1
-15 dB 3:1
-18 dB 5:1
-21 dB 7:1
-24 dB 12:1
User
Figure 341
Figure 342
Figure 343
Figure 344
132 KETRON • AUDYA
LIMITER
By selecting the F7 button a LIMITER screen (only
for MICRO1) like Figure 345 will appear where you
can choose one of the available Limiters by using the
CURSOR
§ ¶
buttons or the DATA/VALUE wheel:
Off
-6dB
-12dB
-18dB
User
EQUALIZER
By selecting the F8 button an EQUALIZER screen
(only for MICRO1) like Figure 346 will appear where
you can choose one of the equalization Presets by
using the USER buttons from 1 to 5, or set the your
equalization curve. To change the equalization curve,
choose the band by using the CURSORE
Ó Á
and
change the value (+/- 14 dB) by using the DATA/
VALUE wheel or the CURSOR
§ ¶
buttons. The
Preset curves are the following:
Flat (USER 1)
LowCut (USER 2)
HighCut (USER 3)
Loudness (USER 4)
User (USER 5)
VIBRATO
By selecting the F9 button a VIBRATO screen (only
for MICRO1) like Figure 347 will appear where you
can choose one of the available Vibrato effects by
using the CURSOR
§ ¶
buttons or the DATA/VALUE
wheel:
Off
Light
Lyric
Heavy
Slow
User
PITCH
By selecting the F10 button a PITCH screen (only for
MICRO1) like Figure 348 will appear where you can
set the parameters to change the pitch. Select the
PITCH SHIFT parameter by using the CURSOR
§ ¶
buttons and change the value by using the CURSOR
Ó Á or the DATA/VALUE wheel (values +/- 24
semitones).
Select the PITCH CORRECTION parameter by using
the CURSOR
§ ¶
buttons and change the value by
using the CURSOR
Ó Á
or the DATA/VALUE wheel
(Off, Slight, Slow, Medium, Fast).
Voicetron
Figure 345
Figure 346
Figure 347
Figure 348
KETRON • AUDYA 133
Voicetron
Saving a microphone effect
After you have modified one of the MICRO PRESETS,
you can save it by overwriting the same Preset or
giving a new name. Here is the procedure to follow.
1. Select a MICRO PRESET.
2. Press the EDIT button on the front panel and edit
the parameters as explained above.
3. Once finished, press the SAVE button on the front
panel.
4. Type a name by using the keyboard (for example
MY_MICRO) and press the USER 5 button (SAVE),
as shown in Figure 349.
5. By using the F1-F10 buttons is now possible to
select the User Preset from the list, as shown in
Figure 350.
Setting a VOCALIZER effect
1. Press and hold for few seconds VOCALIZER
button.
2. The VOICETRON PRESETS window will appear
(Figure 351) that is the effects for the microphone
connected to MICRO 1 on the rear.
3. Press the F1-F10 buttons to select one of the
VOICETRON PRESETS.
4. Press the CURSOR
Ó Á
buttons
to scroll the
VOICETRON PRESETS pages.
By using the F1-F10 buttons you can select 20
VOICETRON PRESETS, from two pages.
PAGE 1 PAGE 2
F1–VOCALIZER F1USER 1
F2–AUTOTUNE VOCAL F2–USER 2
F3BLUEGRASS DUET F3USER 3
F4COUNTRY DUET F4USER 4
F5CHAINED DUET F5USER 5
F6STANDARD TRIO F6USER 6
F7–STANDARD TRIO 2 F7–USER 7
F8CHAINED TRIO F8USER 8
F9STAND. QUARTET F9USER 9
F10JAZZ QUARTET F10MIDI MODE
5. In Figure 352 you can see the VOICETRON
PRESETS of the second page.
6. Please note that the last Preset corresponding
to the F10 button on the second page is “MIDI
MODE” (shown by the arrow on Figure 352),
that is the harmonization mode controlled by
the MIDI file. In this mode, the harmonization
is automatically controlled by the melody track
of the MIDI file. Please see “Setting the VOCAL
mode” on the GM Parts section in this manual.
Figure 349
Figure 350
Figure 351
Figure 352
134 KETRON • AUDYA
Voicetron
Editing a VOCALIZER effect
1. Select a VOCALIZER effect.
2. By pressing the EDIT button, a window like Figure
353 will appear.
3. Press the F1-F10 buttons to access the
parameters of the Preset
:
F1–DUET: duet effects.
F2–TRIO: trio effects.
F3–QUARTET: quartet effects.
F4–QUINTET: quintet effects.
F5–FIXED INTERV.: fixed interval effects.
F6–VOCODER: vocoder parameters.
F7–VOICES EDIT: voices parameters (up to
5 voices) Volume, Pan, Formant, Detune,
Cutoff, Resonance.
F8–EQUALIZER: 10 bands graphic equalizer.
F9–EFFECTS: effects parameters.
F10–VOCAL TO ARR.: automatic setting of
the vocalizer and the Arranger.
DUET
By pressing the F1 button the list of DUET effects
similar to Figure 354 will appear from which you can
choose one of the available duet effects by using the
CURSOR
§ ¶
buttons or the DATA/VALUE wheel:
Down 1
Up 1
Down 2
Up 2
3rd Down
6th Up
Bluegrass
Down
Bluegrass Up
Country Down
Country Up
Folk 1 Down
Folk 1 Up
Folk 2 Down
Folk 3 Up
Chained Up
Chained
Down
TRIO
By pressing the F2 button the list of TRIO effects
similar to Figure 355 will appear from where you can
choose one of the effects di trio available by using the
CURSOR
§ ¶
buttons or the DATA/VALUE wheel:
Standard
Standard 2
Down
Up
Octave Down
Octave Up
Octave Up 2
Down-key down
Up-key down
Chained Up
Chained Down
Chained Open Down
QUARTET
By pressing the F3 button will appear the list of effects
QUARTET similar to Figure 356 from which you can
choose one of the available quartet effects by using
the CURSOR
§ ¶
buttons or the DATA/VALUE
wheel:
Standard
Open
Octave Down
Jazz
Jazz Down
Jazz Up
Block Chord Down
Block Chord Up
Figure 353
Figure 354
Figure 355
Figure 356
KETRON • AUDYA 135
Voicetron
QUINTET
By pressing the F4 button the list of QUINTET effects
similar to Figure 357 will appear from which you can
choose one of the available quintet effects by using
the CURSOR
§ ¶
buttons or the DATA/VALUE
wheel:
Standard
Open
Octave Down
Sextet Open
FIXED INTERV.
By pressing the F5 button the list of FIXED INTERV.
effects similar to Figure 358 will appear from which
you can choose one of the available fixed interval
effects by using the CURSOR
§ ¶
buttons or the
DATA/VALUE wheel:
Duet Unison
Duet Female Up
Duet femal Down
Trio Female/Male
Sextet Female/Male
5th Down
5th Up
Lead 5th Down
Lead 5th Up
3rd Major Up
VOCODER
By pressing the F6 button the list of VOCODER effects
similar to Figure 359 will appear from which you can
edit the parameters of the vocoder effect. Select
a parameter with the CURSOR
§ ¶
buttons and
change the value by using the DATA/VALUE wheel:
ASSIGN (values Right, Left)
OCTAVE (values -2, -1, 0, +1, + 2, auto)
MIDI MODE (values ON/OFF): in this mode the
VOCODER is active for the MIDI melody track.
VOICES EDIT
By pressing the F7 button the list of VOICES EDIT
parameters similar to Figure 360 will appear. Here you
can edit the harmonization parameters up to 5 voices.
Select a vertiacal parameter by using the CURSOR
§ ¶
bu
t
tons
and the horizontal parameter by using
the CURSOR
Ó Á
buttons. Modify the value of each
selected parameter of the 5 voices (VOICES from 1 to
5) by using the DATA/VALUE wheel:
VOLUME (values 0–63)
PAN (values 64R >|< 63L)
FORMANT (values 0–63)
DETUNE (values 0–63)
CUTOFF (values 0–38)
RESONANCE (values 0–7)
Figure 357
Figure 358
Figure 359
Figure 360
136 KETRON • AUDYA
EQUALIZER
By pressing the F8 button the list of EQUALIZER
effects similar to Figure 361 will appear from which
you can choose one of the 10-bands graphical
equalizer preset by using the USER buttons from
1 to 5, or edit the parameters to set the custom
equalization. Select one of the 10 EQ bands by using
the CURSOR
Ó Á
buttons. Modify the value of the
selected band by using the CURSOR
§ ¶
buttons or
the DATA/VALUE wheel (values from -14 dB to14 dB).
The USER buttons from 1 to 5 allow to choose one of
the following Preset:
•Flat(noequalization)
•LowCut(equalizationwithbassfrequenciescut)
•HighCut(equalizationwithhighfrequenciescut)
•Loudness(bassandhighfrequenciesboost)
•User(equalizationsetbytheuser)
LowCut
By pressing the USER 2 button you can set a low cut
equalization, that is a high-pass filter on sound. Useful
when you must cancel booming frequencies or to
eliminate “pop” noises from the voice (Figure 362).
HighCut
By pressing the USER 3 button you set a high cut
equalization, that is a low-pass filter on sound. Useful
when you must cancel hissing frequencies or to
eliminate feedback effects on the microphone (Figure
363).
Loudness
By pressing the button USER 4 you set an
equalization with bass and high frequencies boost.
Useful when in must enhance the frequencies in too
absorbing rooms at too low volume (Figure 364).
In other words, the natural loss at quite volumes
of low and high frequencies by the human ear is
compensated.
User
By pressing the USER 5 button you set an
equalization made by the user. Useful when you must
recall a particular equalization for different gigs (Figure
365). The User Preset is stored together the Voicetron
Preset, as explained on the next page.
Voicetron
Figure 361
Figure 362
Figure 363
Figure 364
Figure 365
KETRON • AUDYA 137
Voicetron
EFFECTS
By selecting the F9 button the list of EFFECTS similar
to Figure 366 will appear from which you can edit the
parameters of the REVERB and ECHO effects. Select
the parameter by using the CURSOR
§ ¶
buttons
and edit the value of the 3 parameters by using the
DATA/VALUE wheel. The three parameters are:
EFFECTS SEND (values 0–63)
REVERB PRESET (see the list at left)
ECHO PRESET (see the list at right)
REVERB PRESET
Short Room
Room
Small Hall
Large Hall
Short Plate
Vocal Plate
Church
Cathedral
Gated Reverb
Gated Plate
User1
User2
User3
ECHO PRESET
Mono
Stereo
Mono 3/4
Stereo 3/4
Mono 4/4
Stereo 4/4
Mono Triplet
Stereo Triplet
VOCAL TO ARR.
By selecting the F10 button the VOCAL TO ARR.
screen like Figure 367 will appear where you can edit
the parameters of this function. The function allows
to set automatically a VOCALIZER effect associated
to the part played by the Arranger. For example, you
can set a DUET effect for the START, a TRIO effect
for the variation A of the Arranger, a VOCODER effect
for the variation B of the Arranger and so on. You can
make the choice of the part by using the CURSOR
§
bu
t
tons
while the effect to assign can be selected
by using the DATA/VALUE wheel or by using the F1-
F5 buttons (DUET, TRIO, QUARTET, QUINTET and
FIXED INTERV.) or the DATA/VALUE wheel. If display
show --, vocalizer setting remain unchanged.
Saving a VOCALIZER effect
1.
Once finished, press the SAVE button on the front
panel.
2.
A dialogue will appear to give a name (Figure
368). Digit the name by using the keyboard and
press the USER 5 button (SAVE)
3.
Once saved, you can recall the custom effect
from the second page of the VOCALIZER window
(Figure 369).
Figure 366
Figure 367
Figure 368
Figure 369
KETRON • AUDYA 139
Search
Audya features a useful SEARCH function in
order to search files stored in the internal disk or
in external USB devices.
Searching a file
1. Press the SEARCH button.
2. The last accessed directory of the internal disk
will open (Figure 375).
3. Use the CURSOR
§ ¶
or the DATA/VALUE
wheel and the ENTER button to locate a folder
and to search inside.
4. Digit the full name file, or a part of it, by inputting
letter and numbers directly from the keyboard.
In the example (Figure 376) the input name to
search is “LIKE”.
5. Press the USER 5 button (GLOB. SEARCH) to
start searching.
6. After a while, a screen by using the search results
will appear. In the example (Figure 377) all the
files containing the text “LIKE” have been found.
7. The files are immediately available to start
playback directly from the search screen.
Search
Figure 375
Figure 376
Figure 377
9


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  • Need help to setup feature AFTER TOUCH on AUDYA8. Tried many times and couldn't do it. Very frustrating.
    Please help step by step if you were able to set it up. I just join the forum and have no info if this question was asked before.
    Thank you Submitted on 13-2-2024 at 02:21

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