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25LEITFADEN: GEBRAUCH DER MIDI-SCHNITTSTELLE
Gebrauch der
MIDI-Schnittstelle
Instrument Nr. 2 spricht ausschließlich auf die von Instrument Nr. 1 empfangenen
Daten des Klavier-Parts an. Da sein MULTI TIMBRE-Modus aktiviert ist, empfängt
Instrument Nr. 3 die auf allen drei Kanälen übertragenen und über Instrument Nr.
2 weitergeleiteten Part-Daten.
Diese kurze MIDI-Übersicht sollte Ihnen einen Eindruck von den MIDI-
Leistungsmöglichkeiten des CN-Piano verschaffen.
Aus Platzgründen muß in dieser Bedienungsanleitung auf eine ausführlichere
Darstellung verzichtet werden, doch führen die meisten Musikaliengeschäfte und
viele Buchläden eine Reihe von Büchern zum Thema MIDI, in denen Sie detaillierte
Informationen über die zahlreichen Anwendungen dieser vielseitigen Schnittstelle
finden werden.
Entdecken Sie einige der MIDI Anwendungen, wenn ein externes MIDI Gerät an
das CN Piano angeschlossen ist.
EINSATZ DES CN390 ALS STEUERGERÄT
Zunächst zeigen wir, wie Sie Klänge eines externen MIDI Gerätes mit der Tastatur
des CN Pianos anspielen.
MIDI-ANSCHLUSS
Verbinden Sie zuerst die MIDI OUT Buchse des CN Pianos mit der MIDI
IN Buchse des externen MIDI Gerätes.
EFFECTS REVERB REC
RECORDER
PLAY/STOP TEMPO
METRONOME
BEAT
VOLUME
Dual Balance
left right
DEMO
DEMO
CONCERT
MAGIC
max min
MASTER VOLUME
TOUCH TRANS-
POSE
PIANO
1
SONG 1 PART 1 2 2 3 4 5
PIANO
2
E.PIANO CHURCH
ORGAN
HARPSI-
CHORD
VIBRA-
PHONE
STRINGS CHOIR
VALUE
OUT
IN
IN
THRU
MIDI-Keyboard Nr. 1
Übertragung von:
Ch 1 Klavier
Ch 2 Streicher
Ch 3 Baß
MIDI-Keyboard Nr. 2
Empfangskanal: 1
MULTI TIMBRE-Modus: AUS
Tongenerator-Modul Nr. 3
MULTI TIMBRE-Modus: EIN
Empfang nur von:
Ch 1 Klavier
EFFECTS REVERB REC
RECORDER
PLAY/STOP TEMPO
METRONOME
BEAT
VOLUME
Dual Balance
left right
DEMO
DEMO
CONCERT
MAGIC
max min
MASTER VOLUME
TOUCH TRANS-
POSE
PIANO
1
SONG 1 PART 1 2 2 3 4 5
PIANO
2
E.PIANO CHURCH
ORGAN
HARPSI-
CHORD
VIBRA-
PHONE
STRINGS CHOIR
VALUE
MIDI OUT LINE IN
LINE OUT
MIDI IN
25


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