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Page 2 INTONATO | 24 Operation Manual
Introduction
For the studio engineer, the Intonato 24 provides master mute, dim, and monitor volume control, as
well as individual speaker mute/solo control, and monitor SPL indication.
Integrated Auto-Calibration System
The Intonato 24 includes a sophisticated auto-calibration system that leverages JBLs decades of
experience integrating speaker systems into real-world production environments. Based on JBLs
proprietary software used to measure acoustics during product development, the Intonato 24
incorporates a powerful hardware-based DSP solution designed to produce a “tuned” monitoring
environment that delivers greater accuracy in a broad range of environments.
Using the supplied calibration microphone, the Intonato 24 analyzes the system performance in the
monitoring environment and automatically matches the level, “time-of-arrival” delay, and frequency
response of all speakers. Furthermore, an infinite number of mic position measurements can be taken
to provide an averaged room frequency response, for very complex yet fast and accurate room EQ
calibration.
Differing distances in speaker placement can prevent correlated signals from summing properly at the
mix position. The Intonato 24’s auto-calibration system ensures the output and “time of arrival” of all
speakers is carefully matched. The auto-calibration system measures the level and time of arrival of
each speaker, and applies the precise amount of attenuation and delay to all speakers to match that
of the most distant speaker.
In the low frequencies, the room is in control. Place a speaker in different places in the room and you
will hear differences in low-frequency response. Although a speaker may deliver neutral frequency
response on-axis in an anechoic environment, when measured at the mix position the response is
altered by the interaction of the loudspeaker and the production environment.
“Room modes” or “standing waves” (low-frequency resonance caused by the geometry and
construction of the room) can augment and attenuate low-frequency response, creating a false
impression of bass at the listening position. This issue can result in mixes that are bass-light or bass-
heavy when auditioned on systems outside the control room.
During the auto-calibration process, the Intonato 24 measures the low-frequency response delivered
by each speaker and applies settings to tackle effects of low-frequency resonance. Additionally the
system identifies and neutralizes response anomalies caused by the speaker’s proximity to the room’s
walls or work surface. The system is designed to identify low-frequency resonance and boundary
issues below 500Hz and adjust the “Room EQ” to provide flat low-frequency response from all
speakers. In our experience, the desired low-frequency curve varies according to room size and
material.
Once system calibration is complete, the Intonato 24’s “User EQ” allows the system’s frequency
response to be tailored according to preference—for example, to compensate for perforated-screen
transmission loss, or to create the X Curve or another custom frequency-response contour.
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