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Husqvarna Viking 20 Manual

13
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D.
Raise
presser
foot
slightly
and
turn
garment
clockwise
around
the
needle.
The
diagram
below
represents
what
you
should
see
now:
I.
Lower
presser
foot
and
turn
handwheel
toward
you
until
needle
is
above
material.
E.
Turn
zig-zag
regulating
knob
(24)
to
marking
“4”
on
dial.
Make
3
to
4
stitches
to
sew
first
closing
bar
and
stop
machine
with
needle
out
of
material.
The
half
finished
buttonhole
will
have
an
appearance
as
illu
strated
on
this
diagram:
While
needle
is
out
of
fabric,
return
zig-zag
regulating
knob
(24)
to
dial
marking
“2”.
Now
sew
second
line
of
purl
stitches.
Stop
machine
with
needle
out
of
material.
Here
is
how
the
almost
finished
buttonhole
will
look:
G.
Move
zig-zag
regulating
knob
to
dial
marking
“4”
and
sew
3—4
stitches
to
complete
second
closing
bar.
The
diagram
below
pictures
what
the
finished
buttonhole
will
be
like:
H.
Turn
handwheel
toward
you
until
needle
is
out
of
ma
terial.
Move
zig-zag
regulating
knob
(24)
to
“0”
on
dial.
Turn
drop
feed
button
(25)
and
sew
2
or
3
straight
stitches
to
lock
threads.
I.
Insert
the
cutter
at
one
end
of
the
buttonhole
and
carefully
cut
material
between
the
two
rows
of
purl
stitches.
Note:
It
is
advisable
to
make
one
or
two
sample
buttonholes
on
a
scrap
of
material,
same
as
your
garment.
If
required,
make
necessary
adjustments
to
obtain
desired
results.
Corded
buttonholes
In
soft
woolens
and,
more
gene
rally,
in
all
garments
where
the
but
tonholes
are
subject
to
extensive
wear,
a
corded
buttonhole
with
gimp
inserted
is
preferable.
The
method
of
making
corded
but
tonholes
is
the
same
as
employed
in
making
plain
buttonholes,
except
that
there
is
no
need
for
a
particularly
tight
upper
(needle)
thread
tension.
It
is
recommended
that
corded
Luttonholes
be
started
from
the
in-
side
of
the
garment,
working
toward
the
edge.
The
inserted
gimp
will
then
round
that
end
of
the
buttonhole
where
the
stress
is
greatest
and
will
increase
its
durability.
Sewing
on
buttons
Raise
needle
to
highest
position
by
turning
handwheel
toward
you.
Re
move
regular
presser
foot
and
attach
button
sewing
foot
to
presser
bar
(fig.
39).
Drop
feed
dog
by
turning
drop
feed
button
(25).
Set
starting
position
knob
(18)
for
“left”
needle
position
(page
18).
Turn
zig-zag
regulating
knob
(24)
to
marking
“31/2”
on
dial.
Place
garment
with
button
under
button
sewing
foot.
Line
up
holes
in
button
with
oblong
stitch
hole
in
foot
and
lower
same.
Carefully
and
slowly
turn
handwheel
toward
you
and
check
whether
needle
passes
through
center
of
left
hole
in
button.
Continue
turning
handwheel
and
watch
needle
enter
the
right
hole
in
button.
If
needle
does
not
Jass
through
center
of
hole,
but
to
the
left,
turn
zig-zag
regulating
knob
(24)
to
the
right.
Conversely,
if
needle
should
stitch
to
the
right
of
the
hole,
turn
zig-zag
regulating
knob
(24)
to
the
left.
Having
made
certain
that
the
needle
clears
the
respective
holes
in
the
button,
sew
5.—41
stitches
at
an
easily
controllable
steed.
Stop
machine
with
needle
out
of
the
button
and
return
zig-zag
regu
lating
knob
to
dial
setting
“0”.
Make
an
additional
3
or
4
straight
stitches
in
left
hole
of
button
to
lock
threads.
When
attaching
four-hole
buttons,
first
sew
one
set
of
holes
as
described
above.
Lift
presser
foot
and
shift
gar
ment
to
get
second
set
of
holes
lined
U
for
sewing.
Lock
threads
with
3
plain
stitches,
same
as
done
with
two-
hole
buttons.
On
buttons
with
four
holes
decora
tive
designs,
such
as
pictured,
can
easily
be
sewn
by
suitable
placing
the
button
under
the
button
sewing
foot
and
by
proper
adjustment
of
the
zig-zag
stitch.
Overcasting
edge
The
edges
of
the
material
can
ea
sily
be
secured
against
fraying
by
overcasting
them
with
a
zig-zag
stitch
(fig.
40).
Use
hinged
zig-zag
presser
foot
and
set
zig-zag
regulating
knob
(24)
to
marking
“2”
on
dial.
Adjust
length
of
stitch
by
setting
stitch
regulator
index
(21)
on
marking
“2”.
Place
edge
to
be
overcast
under
presser
foot,
so
that
needle
on
its
right
stroke
just
clears
the
material.
,\Then
overcasting
loosely
woven
material,
set
both
zig-zag
and
stitch
regulators
on
respective
markings
“3
1/2”.
II
I
F
22,
Fig.
89.
N
Fig.
40.
23
… 13 …


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