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12 Control 2802 Operating Manual
Monitoring Audio (Quick-start)
Monitoring Audio (Quick-start)
Each channel has 3 inputs: MIC, LINE and DAW.
The default input is mic. To change input, select either
LINE (4) or DAW (8).
DAW overrides MIC/LINE as the DAW return is inserted at
a later point in the channel signal ow.
To get signal from the MIC input to the MAIN SPKR L/R
outputs (on the rear connector panel):
1. With the mic input selected, adjust the mic gain (3)
and 48V phantom power (2) - you should see input
level on the channel meter (1).
If not, check that CH METER SELECT in the centre of the
console is set to INPUT (in the UP position):
2. Select MIX bus assign (17) to route the channel to the
main mix bus, and open the channel fader (22).
The fader can ip between controlling the analogue
channel level or a DAW fader. So make sure that the DAW
switch, located on the Control Surface Panel, is NOT
illuminated so that you are controlling the analogue layer:
3. Then open the master fader - you should see level on
the LEFT & RIGHT MIX meters:
If not, check that the channel is not CUT (20) or that a
different channel is not in SOLO (21).
Also check that MIX is selected as the MONITOR
SOURCE in the Monitor Section (9).
4. Open the monitor VOLUME control (10) and you
should be hearing audio!
If not, check that:
The MONITOR SOURCE is not switched to SRC (9).
The monitor CUT and DIM (16 & 17) are not active.
The individual L R monitor cuts are not active (14 & 15).
The ALT SPKR switch (19) is not selected.
5. To listen on headphones, engage the headphones
ON switch (22), make sure that CUE/FB TO PHONES
(19) is off, and turn up the PHONES volume (20) -
the control room monitor output is now sent to the
headphone jack connector on the rear connector
panel.
12


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