Manual Fender Princeton Recording-Amp (page 6 of 28) (English)

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Princeton® Recording-Amp

The legendary Fender Princeton® Reverb Amp of the 1960s

was originally intended as a practice amp – small, light, and

moderately powered, but capable of big tube tone. In the 70s

and beyond, countless guitarists found it to be the quintes-

sential studio recording amp as they crafted their signature

sounds with just a few stomp boxes and a simple miked-up

Princeton.

Today, original Princeton Reverbs are prized collectibles.

To many home recording enthusiasts, the Princeton is still

the best choice for tube tone in a small space. Therefore,

the Princeton Recording amp offers all of the great tone

and dynamics of the original, plus a few modern studio-

friendly features packed in like Power Attenuator, Overdrive,

Compressor, and XLR Line Output. The robust 15-Watt power

platform even provides enough output for small gigs and

rehearsals. Features include:

• All tube preamp, power amp, and Reverb circuitry based on

1965 Princeton Reverb

• 15 Watts from two 6V6 output tubes

• One 12AT7 tube and three 12AX7 preamp tubes

• One 10” Jensen C-10R speaker for spanky vintage tones

• Two footswitchable “stomp box” effects, which can be

engaged or completely disengaged from the signal path as

desired:

• 3-knob Overdrive, based on traditional stomp box tones,

pushes the warm Princeton tone “over the top”

• 2-knob Compressor, based on classic recording-friendly

“stomp boxes,” adds sustain to clean or overdriven tones

• Power attenuator utilizes all-new patented Trans-Impedance

Amplifier technology, allowing home-friendly power

attenuation with full interaction between the power amp

and the speaker. Crank up the amp for full output tube

overdrive; then set the volume of the speaker as low as you

want. The feel and “bounce back” dynamics of the speaker

are reflected back to the tube amp and the player’s hands,

NOT housemates or family members! The patented circuit

eliminates the stiff, lifeless playing feel of other power

attenuators, and may be completely bypassed when not

needed.

• Genuine Fender spring Reverb by Accutronics

• Speaker Emulated Line Output with XLR connector, Level

control, and Ground Lift

• Professional FX loop

• 4-button Footswitch included for remote selection of

Overdrive, Compressor, Reverb, and FX Loop

• 1965 Fender Blackface cosmetic treatment

• 5-year limited transferable warranty

The World's Most Popular Instrument Amplifiers...

Since 1946

A. INPUT 

Full sensitivity input for most guitars.

B. INPUT  A lower sensitivity (-dB) input allow-

ing cleaner response with high-output guitars.

NOTE: Both inputs become equal in sensitivity when used

simultaneously.

C. VOLUMEAdjusts the tube power amp level. Use in

combination with the POWER ATTENUATOR {O} to set the

overall loudness and timbre of the amplifier.

D. TREBLEAdjusts high–frequency tone character.

E. BASSAdjusts low–frequency tone character.

F. REVERBAdjusts Reverb. See FOOTSWITCH {Z}.

G. POWER JEWELIndicates when the unit is ON.

H. COMPRESSOR ONOFFPress IN to engage

the Compressor circuit as indicated by the LED. See

FOOTSWITCH {Z}.

COMPRESSOR Off COMPRESSOR On

I. SENSITIVITYAdjusts the amount of signal sustain/

moderation provided by the Compressor.

J. LEVELAdjusts the Compressor volume output. Set the

Compressor ON volume equal to the Compressor OFF

volume level or set contrasting levels as desired.

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Fender Princeton Recording-Amp Manual

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