Manual Fender Princeton 650 (page 6 of 20) (English)

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®®

Your new Princeton

650 amplifier delivers world–class

Fender

tone and world–standard Fender

DSP technology:

• 65W of output power @ 8 ohms

• Seven Timbre filters for total tone control

• Digital Signal Processing

• 16 FX SELECTIONS

• Selectable Normal and Drive channels with independent

volume and tone controls

• PRE-AMP OUT and POWER-AMP IN jacks

• FOOTSWITCH jack for connecting a 2-button Fender

footswitch (optional) for remote activation of:

(1) Channel Select, (2) Effects

•

• Built in Tuner

Thank you for choosing Fender

The W

orld’

s most popular instr

ument amplifiers—since 1946

A. INPUT - Plug-in connection for your guitar.

B. VOLUME - Adjusts the loudness of the Normal channel.

C. TREBLE / BASS - Adjusts the high– and low–frequency

tone of the Normal channel.

D. CHANNEL SELECT -

OUT Normal channel {B–C}

IN Drive channel {E–G}

E. DRIVE - Adjusts the distortion level of the Drive channel.

F. VOLUME - Adjusts the overall loudness of the

Drive channel.

G. TREBLE / MID / BASS - Adjusts the high–, middle– and

low–frequency tone of the Drive channel.

H. TIMBRE - Press repeatedly to select an amp character as

indicated by the LEDs. Your selection is stored and

automatically activated for each channel (Normal,

Drive 1).

TIMBRE FILTERS: These pre-set Equalizer curves allow

the Dyna–Touch amps to create seven very different

voices on each channel. FLAT—Preamp and Power Amp

signal without further equalization. BRIGHT—Treble

boost, especially effective for brightening the tone of

double–coil pickups. DARK—Treble cut, especially

effective for traditional Jazz tones with the Normal

channel. DEEP—Bass boost, especially effective for

beefing up the tone of single–coil pickups. SCOOP—A

severe low–mid scoop with bass boost designed for

modern distortion tones. SQUAWK—A strong mid peak

reminiscent of a partially depressed Wah–Wah pedal;

great for distorted solos that need to cut through the mix.

ACOUSTIC—Simulates the sound of an

acoustic–electric guitar with extreme high treble boost

and bass boost; best with the Normal channel. Note:

This much Timbre flexibility requires that you use a little

common sense! It is possible to get “too much of a good

thing,” such as undesirable treble harshness or bass

boominess depending on your particular guitar, playing

style and knob settings.

I. TUNER - Activates the tuner and mutes audio output.

Strike a string and the top row of LEDs indicate the

nearest note. Sharp/flat notes are indicated by two

LEDs; for example, A and B light up to indicate A sharp

(B flat). The bottom row of LEDs indicate fine tuning.

J. EFFECTS LEVEL - Adjusts the level of the active effect.

K. EFFECTS SELECT - Selects the active effect (see next

page).

L. TIME/RATE - Adjusts the interval length / modulation

speed of the active effect (see next page).

Rear Panel

POWER SWITCH - Switches the amplifier

on / off.

N. POWER CORD SOCKET - Connect the

included power cord in accordance with the

voltage and frequency ratings listed on the rear

panel of your amplifier.

O. PRE AMP OUT / POWER AMP IN -

Effects Loop - Connect PRE AMP OUT to an effects

device input, then connect the effects device output to

PWR AMP IN.

Multiple Amps - Connect the primary unit’s PRE AMP

OUT to the auxiliary unit’s PWR AMP IN. The primary

unit is used to control all auxiliary units.

Recor

ding or Reinforcement - Connect PRE AMP OUT

to the input jack of sound equipment.

Use TS (Tip-Sleeve) standard type plugs with

these jacks. PRE AMP OUT signal includes onboard

tone shaping and DSP effects processing.

P. FOOTSWITCH - Connect the

2-button Fender footswitch (optional)

at this jack to enable remote switching

of CHANNEL SELECT and EFFECTS. When plugged in,

the footswitch buttons override the corresponding front

panel controls.

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Fender Princeton 650 Manual

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