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TIPO: PR 635
NUMERO PARTI: ___________ (120V, 60Hz) US ___________ (110V, 60Hz) TW
___________ (240V, 50Hz) AUS ___________ (230V, 50Hz) UK
___________ (220V, 50Hz) ARG ___________ (230V, 50Hz) EUR
___________ (100V, 50Hz) JPN ___________ (220V, 60Hz) ROK
CONSUMO ENERGETICO: ________ W
POTENZA IN USCITA: 15W RMS su 8 ohms
IMPEDENZA
IN INGRESSO:
>1M ohms
FUSIBILI
:
F500mA
250V per le versioni a 100V / 120V
F250mA 250V per le versioni a 230V / 240V
DIMENSIONI ALTEZZA: ________ cm (________ in)
LARGHEZZA: ________ cm
(________ in)
PROFONDITÀ: ________ cm
(________ in)
PESO: ________ kg (________ lb)
Le specifiche possono essere soggette a variazioni senza alcun preavviso.
FX DESCRIZIONE
B
YPASS
1 N
essun Effetto
DELAY 1 ~130ms (Rockabilly)
2 ~300ms
3 ~500ms
REVERB 1 Large Room
2 Concert Hall
3
C
lassico riverbero
Fender
®
“Spring”
4 Reverb + Delay
CHORUS 1 Modulazione veloce
2 Modulazione profonda
3 Chorus + Delay
4 Chorus + Reverb
FLANGE 1 Modulazione leggera
2 Modulazione profonda
TREMOLO 1 Bassa intensità
2 Elevata intensità
AMP TYPE DESCRIZIONE
ACOUSTIC 1 Suono Super-Clean simile al celebre amplificatore Acoustasonic™,
ottimo per il finger-picking.
2 Suono Super-Clean simile al celebre amplificatore Acoustasonic™,
ottimo per lo strumming acustico.
JAZZ 1 Suono Clean ottimizzato per il genere jazz, caratterizzato da una sonorità
simile all’amplificatore Fender® Twin Amp™.
2 Suono più scuro e dal gain più elevato, ottimizzato per il genere jazz.
TWEED 1 Suono vintage basato sui primi amplificatori Fender® Tweed Champ®.
2 Suono vintage ‘fat’ basato sui primi amplificatori Fender® Tweed
B
assman®.
BLACKFACE 1 Suono vintage brillante e con un leggero overdrive, basato sui primi
amplificatori Fender® Blackface.
2 Suono vintage brillante e con un maggiore overdrive, basato sui primi
amplificatori Fender® Blackface.
BRITISH 1 Tono brillante che ricorda i primi amplificatori combo British.
2 Suono vintage con overdrive basati sulle sonorità Hi-Gain dei primi
amplificatori stack British.
3 Suono distorto e con gain elevato, basato sui moderni amplificatori stack
British.
4 Suono super-distorto e con gain elevato, basato sui moderni amplificatori
combo British.
HOT ROD 1 Suono overdire e con gain elevato, basato sulla serie di amplificatori
Fender® Hod Rod®.
2 Suono distorto e con gain elevato, basato su specifici amplificatori.
METAL 1 Suono metal, con gain elevato e molto sustain, basato sui moderni heavy
metal amp, come il Fender® Metalhead™.
2 Suono metal più scuro, con gain elevato e molto sustain, basato
sull’amplificatore Fender® Dyna-Touch™.
12.5 in (31.7 cm)
13.25 in
(33.6 cm)
7.25 in (18.4 cm)
14 lb (6.3 kg)
100V: T600mA, 250V
120V
:
T500mA, 250V
220V–240V
:
T250mA, 250V
PR 635
231-8000-000 (120V, 60Hz) 1-pack, warranty only 231-8000-003 (120V, 60Hz) 3-pack
231-8000-903 (120V
, 60Hz) 3-pack, drop ship
231-8001-903 (1
10V
, 60Hz)
TW, 3-pack
231-8003-903 (240V, 50Hz) AUS, 3-pack 231-8004-903 (230V, 50Hz) UK, 3-pack
231-8005-903 (220V, 50Hz) ARG, 3-pack 231-8006-903 (230V, 50Hz) EUR, 3-pack
231-8007-903 (100V, 50Hz) JPN, 3-pack 231-8009-903 (220V, 60Hz) ROK, 3-pack
38W
13


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