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CyberLink AudioDirector
Tape: simulates vintage tape echo effects, including saturation and wow/
flutter characteristics.
Tape/Tube: another tape delay emulation, featuring additional tube
saturation simulating the warmth of old tube-based analog circuitry.
Analog: a lo-fi analog delay effect with smearing and analog degradation,
similar to analog guitar stomp boxes.
Use the available control sliders to customize the delay as follows:
Dry Out: sets the output gain of the dry signal without delay added to the
signal.
Wet Out: sets the output gain of the wet/delayed signal.
Feedback: sets the gain of the delay feedback. Higher values will result in
longer audible feedback times, i.e. more repeats.
Trash: sets the amount of degradation for the delay. For example, higher
Trash values for tape delays results in more saturation. Higher Trash values
for lo-fi digital delays results in more bit truncation and aliasing.
Spread: for stereo tracks only. Sets the stereo spread of the signal, from
mono (0%) to extra wide (200%).
Delay: sets the delay time in milliseconds by default. If required, select the
Sync To Host to lock the delay time of the effect to the tempo set in the
host program, perfect for creating echoes that are in sync with your
project’s rhythm. Use the Tempo to set the delay time when selected.
Tap: another method for setting the speed of echoes. Click the Tap button
in rhythm to sync the delay manually to a tempo.
7. The meter at the bottom of the Delay window shows a series of bars
that represent the level of the echoes created by the effect. You can
also use this display to control delay parameters as follows:
drag the first bar up and down to control Dry Out level.
drag the second bar up and down to control Wet Out level.
drag the third bar up and down to control Feedback (number of repeats).
drag the second bar right and left to shorten or lengthen the Delay time.
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