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Panasonic
DMC-GM1, DMC-GX7, L1, L10, LF1, LX1, LX2, LX3, LX5, FZ8, FZ18, FZ28, FZ30, FZ35, FZ38, FZ40, FZ45,
FZ50, FZ100, FZ150, G1, G2, G3, G10, GF1, GF2, GF5, GH1, GH2, GX1
Leica
DIGILUX 3, V-LUX 1, V-LUX 2, V-LUX 3, D-LUX 2, D-LUX 3, D-LUX 4, D-LUX 5, M8, M9, X1, Digital
MODUL-R8, Digital MODUL-R9, C
Minolta
DiMAGE A1, DiMAGE A2, DiMAGE 7, DiMAGE 7i, DiMAGE 7Hi, MAXXUM 5D, MAXXUM 7D, DYNAX 5D,
DYNAX 7D, DiMAGE A200, ALPHA-5 DIGITAL, ALPHA SWEET DIGITAL, Alpha-7 Digital
Kodak
DCS Pro 14n, DCS Pro 14nx, DCS Pro SLR/c, DCS Pro SLR/n
Ricoh
GX-100, GX-200, GR Digital II, GR Digital III, GXR, GXR P10
Fuji
X100
TIFF
Images
Up to 250 megapixels (40960 px on the long side for 64-bit; 20480 px on the long side for 32-bit), RGB
colorspace (CMYK, grayscale or TIFFs with alpha channel not supported)
Some adjustment tools are more limited or are not available (Highlight Recovery) with TIFF files.
JPEG
Images
Up to 250 megapixels (40960 px on the long side for 64-bit; 20480 px on the long side for 32-bit), RGB
colorspace (CMYK or grayscale not supported)
Some adjustment tools are more limited or not available (Highlight Recovery) with JPEG files
Writable file formats
Corel AfterShot Pro can save images to the file formats listed in the table below.
File
Type
Filename
Extension
Bit Depth
Comments
JPEG
JPG, JPEG
8 Bit
JPEG files are the most common image files, and are ideal for sharing on the web,
by email, or for sending to online printing facilities. JPEG files are limited to 8-bit
color, and are compressed by a user-selectable amount.
Corel AfterShot Pro uses a 0-100 scale to set the JPEG quality level. A setting of 100
produces a very large file that has no compression artifacts. A setting of 50 will
produce visible artifacts, but will also result in a much smaller file. The default
setting is 80 for proofs and 90 for full size JPEGs.
TIFF
TIF, TIFF
8 Bit or 16 Bit
TIFF files use only lossless compression, ensuring that 100% of the detail from the
original image is preserved. TIFF files can be either 8bit or 16bit, and produce very
large file sizes.
About image compression
Image Compression is the process of lowering the image file size so you can store more photos in a fixed amount of
space. There are two types of compression:Lossy or Lossless.
Lossy Compression results in the loss of data during the compression process. This means that the compressed image will
lack some detail and image information. Small amounts of lossy compression (for example, JPEG compression set at a
level of 90 or higher) produce images that are very similar in detail and image quality to the original image. More
aggressive compression settings (for example, compression numbers like 50 or 70) produce noticeable compression
artifacts and detail loss.
Lossless Compression reduces the file size with no loss of data, and therefore no loss of image quality.
About image size
In film photography, understanding the size of an image was simple it was simply the size of the print. With digital
photography, things are a little more complicated. There are at least three different aspects to the size of a digital
photograph:
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