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9
Getting the Most Out of Your Camera
Snapshots
Shooting with Optimum Setups
USING BEST SHOT. . . . . . . . . . . . . . . . . . . . . . . . . . . .93
Portrait, Scenery, Night Scene, Night Scene Portrait, Children, etc
Adding Special Effects
USING BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . .93
Monochrome, retro, etc.
Compensating for Hand or Subject Movement
Reducing the Effects of Hand and Subject Movement . . 98
Increasing Sensitivity when Lighting is Dim
Taking Bright Images without Flash . . . . . . . . . . . . . .100
Making Images of Business Cards, Documents, and
Meeting Information (White Board) Easier to Read
Shooting Images of Business Cards and Documents
(Business Shot) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101
Shooting ID Photos
Shooting ID Photographs . . . . . . . . . . . . . . . . . . . . . .103
Selecting the Best Focus Mode for Shooting Conditions
Changing the Focus Mode . . . . . . . . . . . . . . . . . . . . .109
Eliminating Light Source Color Cast
Controlling White Balance . . . . . . . . . . . . . . . . . . . . . .120
Sharpening or Softening Subject Outlines
Controlling Image Sharpness . . . . . . . . . . . . . . . . . . . 126
Enhancing or Reducting Color Satuation
Controlling Color Saturation . . . . . . . . . . . . . . . . . . . . 127
Increasing or Decreasing Contrast
Adjusting Image Contrast . . . . . . . . . . . . . . . . . . . . . . 127
Movies
Shooting a Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Snapshots
CONTENTS
9


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