Manual Bose T8S TONEMATCH (page 39 of 48) (English)

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T4S/T8S ToneMatch®

Mixer

Owner’s Guide

2 - English

Important Safety Instructions

Please read and keep all safety and use instructions.

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any ventilation openings. Install in accordance with the

manufacturer’s instructions.

8. Protect the power cord from being walked on or pinched, particularly at plugs,

convenience receptacles, and the point where they exit from the apparatus.

9. Only use attachments/accessories speciﬁed by the manufacturer.

10. Use only with the cart, stand, tripod, bracket, or table speciﬁed by the

manufacturer or sold with the apparatus. When a cart is used, use

caution when moving the cart/apparatus combination to avoid injury

from tip-over.

11. Unplug this apparatus during lightning storms or when unused for long periods

of time.

12. Refer all servicing to qualiﬁed personnel. Servicing is required when the

apparatus has been damaged in any way such as power-supply cord or plug is

damaged, liquid has been spilled or objects have fallen into the apparatus, the

apparatus has been exposed to rain or moisture, does not operate normally, or

has been dropped.

WARNINGS/CAUTIONS:

This product contains magnetic material. Consult your physician on whether

this might aect you implantable medical device.

• This product is not intended for installation or use in indoor water facility areas

(including, without limitation, indoor pools, indoor water parks, hot tub rooms,

saunas, steam rooms and indoor skating rinks).

• To reduce the risk of ﬁre or electrical shock, do NOT expose this product to rain,

liquids or moisture. Not applicable for products rated IPX4-9.

• Keep the product away from ﬁre and heat sources. Do NOT place naked ﬂame

sources, such as lighted candles, on or near the product.

• Do NOT make unauthorized alterations to this product.

• Do NOT use a power inverter with this product.

• Do NOT use in vehicles or boats.

• Use this product only with the power supply provided.

• Do NOT place or install the bracket or product near any heat sources, such as

ﬁreplaces, radiators, heat registers or other apparatus (including ampliﬁers) that

produce heat.

• Do not use the ToneMatch® T4S/T8S mixer with a tripod/stand that is unstable.

The mixer is only designed for use on a ¼" screw (6 mm), and the tripod/stand

must be capable of supporting a device with a minimum weight of 1.9 kg (4.1 lbs)

and an overall size of 214 x 311 x 83 mm (8.4 x 12.25 x 3.25 inches). Using a tripod/

stand that is not designed to support the size and mass of the T4S/T8S mixer

may lead to an unstable and hazardous condition that could result in injury.

• Contains small parts which may be a choking hazard. Not suitable for

children under age 3.

NOTES:

• The speaker wire and interconnect cables included with this system are not

approved for in-wall installation. Please check your local building codes for the

correct type of wire and cable required for in-wall installation.

• Where the mains plug or an appliance coupler is used as the disconnect device,

the disconnect device shall remain readily operable.

• Due to ventilation requirements, Bose does not recommend placing the product

in a conﬁned space such as in a wall cavity or in an enclosed cabinet.

Regulatory Information

This device complies with part 15 of the FCC Rules and with Industry Canada license-

exempt RSS standard(s). Operation is subject to the following two conditions: (1)

This device may not cause harmful interference, and (2) this device must accept any

interference received, including interference that may cause undesired operation.

This product conforms to all applicable EU directive requirements. The

complete Declaration of Conformity can be found at

www.Bose.com/compliance.

Information About Products That Generate Electrical Noise (FCC Compliance

Notice for US)

Note: This equipment has been tested and found to comply with the limits for a Class

A digital device, pursuant to part 15 of the FCC Rules. These limits are designed to

provide reasonable protection against harmful interference when the equipment is

operated in a commercial environment. This equipment generates, uses, and can

radiate radio frequency energy and, if not installed and used in accordance with

the instruction manual, may cause harmful interference to radio communications.

Operation of this equipment in a residential area is likely to cause harmful

interference in which case the user will be required to correct the interference at

one’s own expense.

Changes or modiﬁcations not expressly approved by Bose Corporation could void

the user’s authority to operate this equipment.

Shielded cables are required to maintain regulatory compliance.

This product complies with the Canadian ICES-003 Class A speciﬁcations.

CAN ICES-3(A)/NMB-3(A)

This product meets all EN55103-2 immunity requirements for E2 electromagnetic

environment.

Part Name

Toxic or Hazardous Substances and Elements

Names and Contents of Toxic or Hazardous Substances and Elements

PCBs

Metal parts

Plastic parts

Speakers

Cables

This table is prepared in accordance with the provisions of SJ/T 11364.

0: Indicates that said hazardous substance contained in all of the homogenous materials for this part

is below the limit requirement of GB/T 26572.

X: Indicates that said hazardous substance contained in at least one of the homogenous materials

used for this part is above the limit requirement of GB/T 26572.

Lead

(Pb)

Mercury

(Hg)

Cadmium

(Cd)

Hexavalent

(CR(VI))

Polybrominated

Biphenyl (PBB)

Polybrominated

diphenylether

(PBDE)

This symbol means the product must not be discarded as household

waste, and should be delivered to an appropriate collection facility for

recycling. Proper disposal and recycling helps protect natural resources,

human health, and the environment. For more information on disposal and

recycling of this product, contact your local municipality, disposal service,

or the shop where you bought this product.

Provided by DCE Safety

仅适用于海拔 2000m 以下地区安全使用

Only suitable for use at areas with altitude less than 2000 m.

For China:

Contents

English - 3

Introduction

Product Overview ................................................................................5

Product Features .............................................................................5

Unpacking .......................................................................................5

Control and Connection Panels

T4S ToneMatch® Mixer ............................................................................6

Control Panel .................................................................................6

Connection Panel .............................................................................7

T8S ToneMatch® Mixer ............................................................................8

Control Panel .................................................................................8

Connection Panel .............................................................................9

System Setup

Removing/Attaching the Cover ...................................................................10

Mounting Options ................................................................................11

Mounting the T4S/T8S on a Camera Tripod Stand ................................................11

Connecting the T4S via Digital Connection ........................................................12

Connecting the T4S/T8S via Analog Connection ...................................................13

Connecting the ToneMatch® Power Supply .........................................................14

Connecting the T4S/T8S to Your Computer ........................................................15

Connecting a Flash Drive to the T4S/T8S ..........................................................15

Operation

Reading the T4S/T8S Display ....................................................................16

Optimizing Input Gain and Output Volume .........................................................17

Using the Master Volume Control .................................................................18

Muting a Channel ............................................................................18

Muting Channel Eects .......................................................................18

Using the Rotary Selector ........................................................................19

Editing the Sound of a Channel ...................................................................20

Using the Pan/Aux Functions ..................................................................20

Using the Tuner ..............................................................................20

Selecting a ToneMatch® Preset. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Adjusting zEQ ...............................................................................22

Adjusting Para EQ ............................................................................23

Using Compressor/Gate Functions .............................................................23

Using Modulation Eects .....................................................................25

Adding Delays ...............................................................................26

Adding Reverb ...............................................................................26

Contents

4 - English

Using Global Functions ..........................................................................27

Selecting a Reverb Type ......................................................................27

Using the Prefs Utilities .......................................................................28

Loading and Saving Scenes ...................................................................30

Sharing a Scene ..............................................................................33

Bose Scenes ....................................................................................35

Factory Settings .............................................................................35

Singer/Songwriter ............................................................................36

DJ/Playback .................................................................................38

Full Band ................................................................................... 40

Factory Settings

Factory Settings ................................................................................42

Care & Maintenance

Troubleshooting .................................................................................43

Cleaning .......................................................................................46

Technical Information ............................................................................46

Additional Resources

Contact Information .............................................................................47

Importer Information .........................................................................47

Additional Information ...........................................................................47

Limited Warranty ............................................................................47

English - 5

Introduction

Product Overview

Take control of your music with T4S and T8S ToneMatch® mixers, compact 4 and 8 channel interfaces designed for performers.

Engineered with powerful DSP engines and intuitive user controls, they oer studio-quality EQ, dynamics and eects

processing. Sound great with integrated Bose® ToneMatch® processing and zEQ, especially when connected to a Bose L1 or F1

system for full end-to-end tonal control. Play conﬁdently on stage with these rugged ToneMatch mixers using tactile controls,

easy-to-read LED displays and scene recall. ToneMatch mixers, the ultimate on-stage companions for performing artists.

Product Features

Powerful Audio Processing

• Updated, studio-quality eects with advanced digital

audio processing

• Eects include compressor, limiter, de-esser, noise gate,

chorus, ﬂanger, phaser, tremolo, delay, and reverb

• Bose® ToneMatch® processing for natural-sounding vocals

and instruments

• zEQ focuses the sound of ToneMatch presets for eective

adjustments on the ﬂy

• Independent ToneMatch, EQ, dynamics and eects per

channel

• Dedicated reverb for Aux sends, and a global shared

reverb for use across all channels

• Master output EQ helps compensate for venue acoustics

• Full end-to-end tonal optimization when used with Bose L1

and F1 systems

Seamless Live Control

• Tactile controls and indicators designed for live on-stage

use by musicians and DJs

• Fast-learning user interface

• Built-in tap tempo delay, chromatic tuner, and recallable scenes

• LED display and illuminated controls are easy to read and

use, even on dimly-lit stages

High-Density Connectivity

• Unprecedented connectivity and control in a small digital

stereo mixer

• Four (T4S) or eight (T8S) high-quality audio preamps with

XLR-combo jacks for microphones or instruments, and

switchable phantom power

• Two Aux inputs for additional sources two (T4S) or four

(T8S) Aux sends

• USB-A and -B for USB drive playback or PC/Mac interfacing

• ToneMatch outputs for digital audio and power (T4S only)

• Balanced ¼” TRS and XLR (T8S only) stereo outputs

• Independent headphone output

Convenient Gig-Ready Features

• Rugged enclosure with a protective magnetic cover to

protect controls and connectors

• Includes a ToneMatch cable for connecting to a Bose L1

Model II or L1 Model 1S system for digital audio and power

(T4S), or includes a universal power supply (T8S)

• Bottom insert allows you to use standard camera

mounting accessories to keep your ToneMatch mixer

within reach

T4S ToneMatch mixer and cover ToneMatch Cable

ToneMatch power supplyT8S ToneMatch mixer and cover

For a complete list of optional equipment and accessories, please visit www.Bose.com.

Unpacking

See the following table for what your mixer carton will include:

T4S

T8S

Control and Connection Panels

6 - English

T4S ToneMatch® Mixer

Control Panel

Figure 1. T4S Control Panel

q INPUT SIGNAL/CLIP LEDs (1-4) – Displays the input signal status in color:

Green: Indicates the presence of an input signal

Red: Indicates input source clipping

w TRIM CONTROLS (1-4) – Adjusts the input sensitivity for the respective channel.

e DISPLAY – Provides function menus and system information.

r EDITING CONTROLS – These three rotary/push-button controls allow you to select or adjust items/values

appearing on the display.

t CH EDIT BUTTONS (1-4) – Selects the channel you want to modify.

y FX MUTE BUTTONS (1-4) – Bypasses the Mod, Delay, and Reverb eects on the selected channel.

u VOLUME CONTROLS (1-4) – Adjusts the volume level for the respective channel.

i MUTE BUTTONS (1-4) – Silences the audio output for the respective channel.

o MASTER VOLUME CONTROL – Adjusts the overall output level.

a HEADPHONE VOLUME CONTROL – Adjusts the volume level of the headphone output.

s ROTARY SELECTOR – Allows access to both global and channel-related parameters, which are adjusted

using the editing controls.

d PHANTOM POWER SWITCH – Applies +48V power to input channels 1-4. A red LED indicates that phantom

power is on.

f HEADPHONE JACK – For use with headphones only, with a minimum impedance of 24Ω.

English - 7

Control and Connection Panels

Figure 2. T4S Connection Panel

Connection Panel

q POWER SWITCH – Turns the mixer on or o.

w USB 2.0 TYPE-B – A USB interface that allows you to connect the mixer to your computer.

e USB 2.0 TYPE-A – A USB interface that allows you to stream audio from your ﬂash drive.

r ANALOG L/R OUTPUT – Main analog output. Accepts ¼ TRS balanced or TS unbalanced cables.

t AUX OUTPUT – Two user-deﬁnable analog outputs. Can be conﬁgured for a pre-fader, post-EQ, and eects,

or post-fader output. Accepts ¼ TRS balanced cables.

y AUX IN – Analog input channels 5/6. Accepts ¼ TRS balanced or TS unbalanced cables for line-level

inputs. Can be used for stereo input signals.

u INPUTS 1-4 – Analog input channels 1-4. Accepts XLR balanced cables for microphones or ¼" TRS balanced

or TS unbalanced cables for high-impedance inputs, such as guitars.

i DIGITAL MAIN OUTPUT L – Connect digitally in stereo to two L1® Model 1S/II systems. Note: Only used in

stereo with Digital Main Output R.

o POWER PORT/DIGITAL MAIN OUTPUT R – A digital output used by the L1 Model 1S/II system. Delivers

power to the T4S mixer from the L1 Model 1S/II power stand. Can also deliver power from an AC outlet via

a ToneMatch power supply (not included with the T4S). Accepts the included ToneMatch® cable.

CAUTION: Although the ToneMatch port accepts a standard RJ-45 connector, do NOT connect the T4S

to a computer or phone network.

USB AUDIO

( )

MONO

q w e r t y

uio

Control and Connection Panels

8 - English

T8S ToneMatch® Mixer

Control Panel

Figure 3. T8S Control Panel

q INPUT SIGNAL/CLIP LEDs (1-8) – Displays the input signal status in color:

Green: Indicates the presence of an input signal

Red: Indicates input source clipping

w TRIM CONTROLS (1-8) – Adjusts the input sensitivity for the respective channel.

e DISPLAY – Provides function menus and system information.

r EDITING CONTROLS – These three rotary/push-button controls allow you to select or adjust items/values

appearing on the display.

t CH EDIT BUTTONS (1-8) – Selects the channel you want to modify.

y FX MUTE BUTTONS (1-8) – Bypasses the Mod, Delay, and Reverb eects on the selected channel.

u VOLUME CONTROLS (1-8) – Adjusts the volume level for the respective channel.

i MUTE BUTTONS (1-8) – Silences the audio output for the respective channel.

o MASTER VOLUME CONTROL – Adjusts the overall output level.

a HEADPHONE VOLUME CONTROL – Adjust the volume level of the headphone output.

s STEREO OUTPUT METER – Allows you to visually measure your output level.

d ROTARY SELECTOR – Allows access to both global and channel-related parameters, which are adjusted

using the editing controls.

f PHANTOM POWER SWITCH – Applies +48V power to input channels 1-8. A red LED indicates that phantom

power is on.

g HEADPHONE JACK – For use with headphones only, with a minimum impedance of 24Ω.

English - 9

Control and Connection Panels

Figure 4. T8S Connection Panel

Connection Panel

q POWER SWITCH – Turns the mixer on or o.

w USB 2.0 TYPE-B – A USB interface that allows you to connect the mixer to your computer.

e USB 2.0 TYPE-A – A USB interface that allows you to stream audio from your ﬂash drive.

r ANALOG L/R OUTPUT – Main analog output. Accepts ¼ TRS balanced and TS unbalanced cables.

t AUX OUTPUT – Four user-deﬁnable analog outputs. Can be conﬁgured for a pre-fader, post-EQ, and

eects, or post-fader output. Accepts ¼" TRS balanced or TS unbalanced cables.

y AUX IN – Analog input channels 9/10. Accepts ¼ TRS balanced or TS unbalanced cables for line-level

inputs. Can be used for stereo input signals.

u INPUTS 1-8 – Analog input channels 1-8. Accepts XLR balanced cables for microphones or ¼ TRS balanced

or TS unbalanced cables for high-impedance inputs, such as guitars.

i XLR STEREO OUTPUT – Stereo analog output. Accepts XLR balanced cables for stereo output.

o DIGITAL POWER PORT – For use w/ ToneMatch power supply (see “Connecting the ToneMatch® Power

Supply” on page 14).

Note: The T8S is NOT designed to connect digitally to the L1® Model 1S/II.

CAUTION: Although the ToneMatch port accepts a standard RJ-45 connector, do NOT connect the T8S

to a computer or phone network.

( )

MAIN OUT

USB AUDIO

MONO

q w e r t y

uio

10 - English

System Setup

Removing/Attaching the Cover

The T4S/T8S ToneMatch® mixer comes out of the carton with a cover installed on the top panel. The cover is

designed to protect the control panel while transporting or storing the mixer.

To remove the cover:

1. Place thumbs on notches on front of cover and slide cover forward.

2. Grab cover by the back and lift to remove it.

To attach the cover:

1. Slide cover over the mixer, from back to front.

2. The magnetized cover will engage on its own and secure itself to the mixer.

Figure 5. Removing and attaching the cover

System Setup

English - 11

Figure 6. Securing bracket to T4S Figure 8. Mounting T4S to tripod stand using bracket

Figure 7. Bracket attached to T4S

Mounting Options

The T4S/T8S comes with a ¼ (6 mm) mounting screw insert. This enables it to be mounted onto a number

of available products that include a ¼" (6 mm) mounting screw, including a camera tripod stand.

Mounting the T4S/T8S on a Camera Tripod Stand

1. Extend the camera tripod legs and secure at desired height.

2. Remove the bracket from the top of the camera tripod stand and secure the bracket to the bottom of the

T4S/T8S with the screw. Make sure the small indentation on the T4S/T8S and the bump on the bracket

are aligned. See Figure 6.

3. Secure the bracket with the T4S/T8S back onto the camera tripod stand. See Figure 8.

WARNING: Do not use the ToneMatch® T4S/T8S mixer with a tripod/stand that is unstable. The mixer

is only designed for use on a ¼" screw (6 mm), and the tripod/stand must be capable of supporting

a device with a minimum weight of 1.9 kg (4.1 lbs) and an overall size of 214 x 311 x 83 mm (8.4 x 12.25

x 3.25 inches). Using a tripod/stand that is not designed to support the size and mass of the T4S/T8S

mixer may lead to an unstable and hazardous condition that could result in injury.

12 - English

System Setup

Connecting the T4S via Digital Connection

1. Make sure the L1 Model 1S/II and T4S are powered o and the T4S Master volume control is set to

minimum.

2. Plug one end of the ToneMatch® cable into the Power port/Digital Main Output R on the T4S. Plug the

other end of the ToneMatch cable into the ToneMatch port on the power stand.

Note: To connect the T4S to two L1 Model 1S/II power stands, connect a second power stand to the Digital

Main Output L port on the T4S using a ToneMatch cable.

3. Turn on the mixer and then turn on the L1 Model 1S/II power stand.

4. Connect your instruments and adjust levels. Refer to “Optimizing Input Gain and Output Volume” on

page17.

Figure 9. Two L1 model II systems connected to a T4S via digital connection

USB AUDIO

( )

MONO

Note: The T8S cannot be connected digitally and cannot be powered by the L1 Model 1S/II.

System Setup

English - 13

Connecting the T4S/T8S via Analog Connection

1. Make sure the device you are connecting to and the T4S/T8S are powered o and the T4S/T8S Master

volume control is set to minimum.

2. Using XLR balanced cables, connect one or two devices to the XLR Stereo Outputs of your T8S (see

Figure 10).

Note: The T4S/T8S can be connected to a device via the Analog R Output port using a ¼" TRS cable (sold

separately). Plug the other end of the TRS cable into the Analog Input port of the device. To connect the

T4S/T8S to two devices, connect a second device to the Analog L Output port on the T4S/T8S using a ¼"

TRS cable.

3. Connect a ToneMatch® power supply to the Power port of the T4S/T8S and plug it into a live AC outlet.

Refer to “Connecting the ToneMatch® Power Supply” on page14.

4. Turn on the T4S/T8S mixer and then turn on the device.

5. Connect your instruments and adjust levels. Refer to “Optimizing Input Gain and Output Volume” on

page17.

Figure 10. Two F1 systems connected to a T8S via analog connection

( )

MAIN OUT

USB AUDIO

MONO

(

B AUDI

( )

AIN

()

14 - English

System Setup

Connecting the ToneMatch® Power Supply

The ToneMatch power supply provides power for the T4S/T8S mixer.

1. Plug the power supply cable into the T4S/T8S Power port.

2. Plug one end of the AC power cord into the power supply.

3. Plug the other end of the power cord into a live AC power outlet.

4. Switch the T4S/T8S power switch to the ON position.

Note: Power supply included with T8S is required for operation of the T8S. Power supply is not included with

the T4S and is not required for operation of the T4S.

Figure 11. Connecting T4S to power supply

System Setup

English - 15

Connecting the T4S/T8S to Your Computer

The T4S/T8S provides a USB port for connecting it to a computer. This allows you to download performance

scenes to a computer or install system updates. Visit www.Bose.com/livesound for details on updating your

system.

When connected to a computer, you also can use the T4S/T8S as a general-purpose USB audio device for

recording/playback.

Note: The T4S/T8S operates at 48 kHz/24-bit. When using the T4S/T8S with recording software, you may

need to conﬁgure the software settings for 48 kHz/24-bit operation.

Note: Connecting the T4S/T8S to your computer requires a USB cable (Type A to Type B, not supplied).

1. Connect the mixer to a power source (ToneMatch® power supply for T4S/T8S or an L1 Model 1S/II for T4S only).

2. Plug one end of the USB cable into the mixer's USB 2.0 Type-B port (Figure 12).

3. Plug the other end of the USB cable into a USB port on your computer.

4. Turn on the mixer.

Figure 12. T4S-to-USB connection

ToneMatch port – To an L1 Model 1S/II

system or an ToneMatch power supply

Power switch

USB cable

(Type A to Type B)

To computer

USB port

Connecting a Flash Drive to the T4S/T8S

Plug in a USB 2.0/3.0 ﬂash drive loaded with WAV/MP3 ﬁles into the USB 2.0 Type-A port to playback audio

tracks to your mixer.

Figure 13. Connecting a ﬂash drive to the T4S

16 - English

Operation

Reading the T4S/T8S Display

The display provides you with an interface for operating the mixer. Figure 14 shows a sample of display

information and the basic operating conventions. The content of the display depends on the rotary selector

position.

Figure 14. Sample display and operating conventions

Ch 1

Type Tim

Digital 250ms 30%

Delay

Fdbk.

All Channels

*Bose Scene 01

Load Shared Save

Scenes

Identiﬁes the

selected channel

Indicates that pressing the control

toggles between parameters

Displays visual representation of

the value of the parameter

Identiﬁes the function accessed by

the rotary selector

Parameter names and

their settings/values

Rotary/pushbutton

controls

This symbol indicates

that rotating the control

changes the setting.

Asterisk indicates that

the loaded scene was

modiﬁed

Indicates that pressing

the control activates the

function

Operation

English - 17

Optimizing Input Gain and Output Volume

Getting a quality volume level from your system relies on the combined adjustments of input channel gain,

master volume, and channel volume. Do the following for each channel used.

1. Make sure the Master volume, Trim, and channel volume controls are set to minimum.

2. Adjust input channel Trim.

A. If applicable, adjust the volume of your instrument/source to the desired level.

B. Play your instrument/source at a performance level.

C. Slowly turn the Trim control clockwise until the signal/clip indicator glows green. If the indicator

ﬂashes red or glows steady red, turn the Trim control counterclockwise to decrease the level.

D. Use the input level meters (page 28) in the Prefs menu to check your input levels

CAUTION: If you are using a device that requires phantom power (+48V), such as a condenser

microphone, depress the Phantom power switch before adjusting the Trim control.

Note: The input level meter in the Prefs menu can be helpful when adjusting the input Trim level (see

page 28).

3. Set the Master volume control at the 12 o’clock position.

4. Slowly turn the channel volume control clockwise until the volume reaches the desired level.

Input LevelPreferences

Ch 3

Ch 1

Ch 2

Ch 4

Menu Aux InReset

Peak level indicator

Input level indicator

18 - English

Operation

Using the Master Volume Control

The Master volume control adjusts the overall output level of the T4S/T8S ToneMatch® output and analog

Master output. During normal operation, it is recommended to keep the Master control set at the 12 o’clock

position. Once you have set volume levels for all channels, you can adjust the Master volume up or down from

this position.

Muting a Channel

The Mute buttons silence the audio for the respective channel.

• To mute a channel, press the Mute button once. The Mute button glows white to indicate that the channel is

muted. “CH MUTE” will appear on the display for the respective channel.

• Press the Mute button again to unmute the channel. The Mute button dims to indicate that the channel is not

muted.

Muting Channel Eects

The FX Mute buttons mute only the Mod, Delay, and Reverb eects on the respective channel. Muting eects

does not bypass ToneMatch presets, zEQ, Para EQ, and Comp/Gate settings.

• To mute eects on a channel, press the FX Mute button once. The FX Mute button glows white to indicate

that the channel eects are muted. “FX MUTE” will appear on the display for the respective channel.

• Press the FX Mute button again to unmute the channel eects. The FX Mute button dims to indicate that the

channel eects are not muted.

Ch 1

Category

Utility

ToneMatch

CH MUTE

Flat

Preset

Ch 1

Category

Utility

ToneMatch

FX MUTE

Flat

Preset

Operation

English - 19

Using the Rotary Selector

The rotary selector provides access to the functions of the ToneMatch® mixer output. Figure 15 provides a

summary of the nine channel-related functions and the three global functions. The following pages describe

how to adjust each function.

Figure 15. Rotary selector

Channel Functions

q Pan/Aux – Provides access to pan, aux ins, and aux outs.

w Tuner – Provides tuning information for an instrument playing into the selected channel.

e ToneMatch – Provides access to proprietary ToneMatch presets designed for speciﬁc instruments and

microphones.

r zEQ – As part of the selected ToneMatch preset, zEQ provides controls to adjust low/mid/high frequencies

that are within the range of your instrument or microphone.

t Para EQ – Provides parametric EQ controls per channel.

y Comp/Gate – Provides access gate, compression, limiter, de-esser, and kick drum presets with adjustable

parameters.

u Mod – Provides access to several modulation eects such as chorus, ﬂanger, phaser, and tremolo.

i Delay – Provides access to three types of delays and tap-tempo delay.

o Reverb – Applies reverb to a selected channel and can be sent to mains or aux.

Global Functions

a Reverb Type – Applies a selected type of reverb to all master output channels or aux sends.

s Prefs – Allows access to several system utilities.

d Scenes – Allows you to save and load performance scenes (a snapshot of the complete state of the unit).

20 - English

Operation

Editing the Sound of a Channel

The CH Edit functions allow access to settings that aect selected channels. The CH Edit functions are Pan/

Aux, Tuner, ToneMatch®, zEQ, Para EQ, Comp/Gate, Mod, Delay, and Reverb.

To edit a channel:

1. Press the CH Edit 1, 2, 3, 4, (T4S and T8S) 5, 6, 7, or 8 (T8S only) button. The selected channel will be

viewable in the upper-left corner of the display.

2. Select one of the CH Edit functions using the rotary selector.

3. Adjust the settings for that function using the following instructions.

Note: You can only edit one channel at a time. Pressing a CH Edit button enables editing for the selected

channel only.

Using the Pan/Aux Functions

Use the Pan/Aux function to route audio to either the master out L or R, control aux in, or aux send.

Using Pan

Use the Pan control to send each channel to its separate space in a stereo mix.

1. Press or rotate the left editor control and select Pan from the menu.

2. Rotate the Pan control to adjust the line output from L to R.

Aux Input 5/6 (9/10)

Use Aux Input 5/6 (9/10) to input a line-level stereo source, such as a mobile device.

1. Press or rotate the left control and select Aux In 5/6 from the menu.

2. Rotate the 5 Lvl or 6 Lvl control to adjust the signal level of either channel 5 or channel 6.

3. Press the 5 Lvl to switch to 5 Pan; press the 6 Lvl control to switch to 6 Pan. Rotate the Pan control to

adjust the pan from L to R.

Ch 1

Menu Pan

Pan

Ch 1

Menu 5 Pan 6 Lvl

Aux In 50%

Aux Input 5/6

6 Pan5 Lvl

Operation

English - 21

Routing Input Signals to the Aux Outputs

The Aux function allows you to route signals to two Aux outputs (T4S only) or four Aux outputs (T8S only)

for various signal processing, recording, and sound reinforcement applications. The signal level is adjustable

for each of the available Aux outputs:

Note: To mute the Aux output, press the Level control. Press it again to unmute.

1. Press or rotate the Menu control and select an Aux Send.

2. Rotate the Level control to adjust the signal level of the selected channel.

3. Rotate the Tap control to scroll through the tap menu and highlight the desired tap point.

A. Dry: After Preamp – The completely dry (no processing) signal is routed directly from the preamp

stage.

B. Pre: With EQ & Fx – The signal is routed from the preamp stage with applied processing.

C. Post: After Fader – The signal is routed after the Channel volume control with applied processing.

4. Press the Select control to select the tap point, or press the Cancel control to exit with no change. The

name of the currently selected tap point appears in bold type.

Ch 1

Menu Tap

Aux

Level

50%

Aux 1 Output

Using the Tuner

An independent tuner is available on each input channel. The display indicates the note being played at the

bottom of the screen. As you tune, a pitch indicator appears on the display, showing you whether the note is

sharp or ﬂat. Adjust the pitch of your instrument so the cursor aligns itself with the center of the screen.

Note: For silent tuning, press the Mute button for the applicable channel.

Use the Transpose feature to change the reference pitch up or down by two half steps. Or precisely dial in

your tuning using the reference pitch.

Ch 1

Tuner

Pitch indicator

22 - English

Operation

Ch 1

Category

Vocal Mics

ToneMatch

Handheld Mics

Preset

Handheld Mics

Headworn Mics

High Gain: Bright

High Gain: Normal

SelectCancel

Ch 1

Category

Utility

ToneMatch

Flat

Preset

Ch 1

Category

Vocal Mics

ToneMatch

Headworn Mics

Preset

Vocal Mics

Utility

Electric Guitars

Acoustic Guitars

Select Cancel

Rotate Press

PressRotate

Selecting a ToneMatch® Preset

The ToneMatch function allows you to select a ToneMatch preset for your instrument or microphone.

This proprietary technology optimizes system equalization to preserve the natural sound of your speciﬁc

instrument or microphone. They are organized into categories and independently selected for each channel.

1. Rotate the Category control to access the list of categories and highlight your choice.

2. Press the Select control to select your choice, or press the Cancel control to exit the list with no change.

3. If you pressed Select, rotate the Preset control to access the list of presets and highlight your choice.

4. Press the Select control to select your choice, or press the Cancel control to exit the list with no change.

Ch 1

Low Mid

Handheld Mics

High

0.0db 0.0db 0.0db

zEQ

Adjusting zEQ

The zEQ function is part of the ToneMatch preset technology. It allows you to adjust low/mid/high

frequencies that are within the range of your instrument or microphone.

To adjust zEQ, rotate the control under the corresponding frequency band.

Note: To bypass an individual frequency band, press the corresponding control. Press it again to activate.

Operation

English - 23

Adjusting Para EQ

The Para EQ function provides three parametric equalizations centered on a user-speciﬁed frequency within

the range of 50 Hz to 16 kHz.

Note: To bypass the Para EQ settings, press the Select control. Press it again to activate.

1. Press or rotate the Select control and select Para EQ band 1-3.

2. Rotate the Level control to adjust the boost/cut level from -15 dB to +15 dB.

3. Rotate the Freq control to adjust the center frequency from 50 Hz to 16 kHz.

4. Press the Freq control to switch to Width. Rotate the Width control to adjust the width of the bell curve

around the center frequency from 0.20 octave to 5.00 octave.

Ch 1

Select Level

Freq

PEQ 1 -3.4dB 250.0Hz

Parametric EQ

Width

Using Compressor/Gate Functions

The Comp/Gate function provides access to gate, compression, limiter, de-esser and kick drum presets with

adjustable parameters.

Note: To bypass the Comp/Gate settings, press the Type control. Press it again to activate.

Note: Only one eect per channel.

1. Rotate the Type control to access the list of Comp/Gate eects and highlight your choice:

A. Compressor 1: Light – Compressor featuring a preset low-compression ratio with variable threshold

and gain parameters. Works well as a general-purpose compressor for most instruments and

microphones that require minimal level control.

B. Compressor 2: Medium – Compressor featuring a preset moderate compression ratio with variable

threshold and gain parameters. Works well with basses, guitars, keyboards, and vocals requiring

subtle level control.

C. Compressor 3: Heavy – Compressor featuring a preset high compression ratio with variable threshold

and gain parameters. Works well with loud instruments (like horns and drums), as well as strong

vocals that require more aggressive level control.

D. Limiter – Hard limiter featuring a preset ratio (∞:1) with variable threshold and gain parameters. Works

well with very loud instruments, such as drums, to prevent signal peaks from overloading the channel.

Ch 1

Type Thresh Speed

Gate -80.0dB 50%

Comp/Gate

Ramp

24 - English

Operation

Using the KickGate

The KickGate is a Bose® proprietary technology that allows you to raise the level of a kick drum channel while

eliminating the risk of feedback from the microphone. Two KickGate settings are available in the Comp/Gate

menu.

1. Connect the appropriate type of microphone.

2. Select an appropriate ToneMatch® preset.

3. Adjust the channel input Trim control until the hardest kick drum hits turn the input channel LED red, then

continue to adjust the control until the LED turns green. This optimizes your channel input Trim level.

4. Select Comp/Gate with the rotary selector.

5. Rotate the Type control to scroll down the list, highlight KickGate 1: Regular or KickGate 2: Fast, and

press Select. Choose KickGate 2 when using a double bass drum pedal.

6. While playing the kick drum, increase the volume to the desired performance level.

7. Play the kick drum at the softest level you intend to use in the performance and check that you can hear it.

8. While playing softly, increase the Thresh level until some of the kick drum hits get cut o. Then lower the

Thresh level by 3 dB.

9. While playing the kick drum normally, rotate the Tight control counter-clockwise to reduce the tightness

and add more “boom” to the sound. Tightness can be adjusted from 0% (slowest) to 100% (fastest).

E. De-Esser – Side-chained compressor featuring a preset compression ratio with variable threshold and

gain parameters. Designed to reduce sibilance on vocals.

F. Noise Gate – Noise gate with a fast preset attack time, variable threshold, and variable speed (release

time). Well-suited for eliminating unwanted noise from microphones and instruments.

G. KickGate 1: Regular – Gate featuring a preset attack time, and variable threshold and tightness

(release time) parameters. This is a Bose® proprietary technology designed speciﬁcally for kick drums.

This robust gate provides maximum gain before feedback, making your kick drum as loud as possible

through an PA system.

H. KickGate 2: Fast – Same as KickGate 1 but adjusted for faster tempos. Select this setting if you are

using a double bass drum pedal.

2. Press the Select control to select your choice, or press the Cancel control to exit the list with no change.

3. Compressor 1-3, Limiter, De-Esser: Rotate the Thresh control to adjust the input threshold (trigger) level

from –50 dB to 0 dB. Rotate the Gain control to adjust the gain from 0 dB to 30.0dB. The gain bar above

the control shows the amount of gain reduction. This display helps in setting the threshold.

Noise Gate: Rotate the Thresh control to adjust the input threshold (trigger) level from –90 dB to –30 dB.

Rotate the Speed control to set the gate closing speed to any value from 0% (fastest) to 100% (slowest).

Rotate the Ramp control to adjust the slope of the gate from 0% (horizontal) to 100% (vertical).

KickGate 1-2: Rotate the Thresh control to adjust the input threshold (trigger) level from –20dB to 0 dB.

Rotate the Tight control to adjust the tightness (how quickly the gate closes) from 0% (slowest) to 100%

(fastest).

Operation

English - 25

Using Modulation Eects

The Mod function allows you to apply modulation eects.

Note: To bypass the Mod settings, press the Type control. Press it again to activate.

1. Rotate the Type control to access the list of modulator types and highlight your choice:

A. Chorus 1: Brite – Wet, shimmering chorus that works well with acoustic instruments. Includes

adjustable mix, depth, and speed parameters.

B. Chorus 2: Warm – Similar to Chorus 1, but with a little less high frequencies. Includes adjustable mix,

depth, and speed parameters. Works well with electric guitars/basses.

C. Chorus 3: Dark – Similar to Chorus 2, but with less high frequencies for a darker tone. Includes

adjustable mix, depth, and speed parameters. Works well with electric guitars/basses.

D. Flanger 1: Tape – Tape-style ﬂanger with no feedback. Includes adjustable mix, depth, and speed

parameters. Works well as an eect on electric guitars/basses.

E. Flanger 2: Feedback – Same as Flanger 1, but with preset Feedback eect.

F. Phaser 1: Stomp – Classic “stompbox”-style phaser. Features a preset wide sweep with variable speed

and feedback parameters. Works well as an eect on electric guitars/basses and keyboards.

G. Phaser 2: Rack – Classic “rack”-style phaser. Features a positive mix type with variable speed and

feedback parameters. Works well as an eect on electric guitars/basses and keyboards.

H. Phaser 3: Warm – Vintage-style phaser. Features a positive mix type with variable speed and

feedback parameters. Works well as an eect on electric guitars/basses and keyboards.

I. Phaser 4: Brite – Phaser with no bass. Features a positive mix type with variable speed and feedback

parameters. Works well as an eect on electric guitars and keyboards.

J. Tremolo – Vintage-style tremolo eect with variable speed and depth parameters. Works well as an

eect on guitars, keyboards, and harmonica.

2. Press the Select control to select your choice, or press the Cancel control to exit the list with no change.

3. Chorus 1-3, Flanger 1-2: Rotate the Mix control to adjust the desired mix of dry signal to wet signal

(modulator-processed). Rotate the Depth control to adjust how much the pitch varies from the original

input signal. Press the Depth control to access the Speed parameter. Rotate the Speed control to adjust

how quickly the pitch modulates.

Phaser 1-4: Rotate the Speed control to adjust how quickly the pitch modulates. Rotate the Fdbk. control

to adjust how much the modulation reverberates.

Tremolo: Rotate the Speed control to adjust how quickly the volume modulates. Rotate the Depth control

to adjust how much the volume varies from the original input signal.

Ch 1

Type Mix Depth

Chorus1 50% 50%

Modulator

Speed

26 - English

Operation

Ch 1

Type Tim

Digital 250ms 30%

Delay

Fdbk.

Adding Delays

The Delay function allows you to apply a digital-, analog-, or tape-style delay.

Note: To bypass the Delay settings, press the Type control. Press it again to activate.

1. Rotate the Type control to access the list of Delay types and highlight your choice.

A. Digital Delay – Straight digital delay eect where the repeats remain uncolored. Features adjustable

mix, time, and feedback parameters. Works well with guitars, drums, and vocals.

B. Analog Delay – Classic analog delay eect where the repeats continuously deteriorate. Features

adjustable mix, time, and feedback parameters. Works well with guitars, drums, and vocals.

C. Tape Delay – Vintage-style tape delay eect where the repeats deteriorate even more than Analog

Delay. Well-suited for guitars, horns, harmonica, and vocals.

2. Press the Select control to select your choice, or press the Cancel control to exit the list with no change.

3. Rotate the Time control to adjust the amount of the delay time in 5 ms increments. Press the Time control

to tap your desired delay tempo.

4. Rotate the Mix control to set the desired mix of dry signal (0%) to wet signal (100%).

5. Press the Mix control to access the Fdbk. setting. Rotate the Fdbk. control to adjust the amount of delay

feedback.

Adding Reverb

The Reverb function applies a user-adjustable amount of reverb to the selected channel. To select the type of

reverb, see “Selecting a Reverb Type” on page 27.

Note: To mute the Reverb eects, press the Mix control. Press it again to unmute.

1. Press or rotate the Menu control and select which output to send the reverb too.

2. Rotate the Mix control to adjust the desired mix of dry signal (0%) to wet signal (100%).

3. Rotate the Bright control to equalize the high frequencies of reverb applied to the selected channel.

Ch 1

Mix Bright

50% 50%

Reverb

Main

Operation

English - 27

Using Global Functions

The Global functions allow access to settings that aect the overall operation of the mixer and all of its

channels.

Selecting a Reverb Type

The Reverb Type function allows you to select the type of reverb that is applied to all input channels. The

decay time (Time) and balance (Bal) are adjustable. Balance controls the ratio of early-to-late reﬂections.

Note: To mute the Reverb, press the Type control. Press it again to unmute.

1. Select Reverb Type with the rotary selector.

2. Press or rotate the Menu control and select which output to send the reverb too. You can send a dierent

reverb type to either the Main or Aux sends.

3. Rotate the Type control to display the list of reverbs:

A. Plate – Creates the ambiance of a typical studio plate reverb. Features adjustable time and balance

(ratio of early/later reﬂections) parameters.

B. Small – Creates the ambiance of a small-sized space. Features adjustable time and balance (ratio of

early/later reﬂections) parameters.

C. Medium – Creates the ambiance of a medium-sized space. Features adjustable time and balance

(ratio of early/later reﬂections) parameters.

D. Large – Creates the ambiance of a large-sized space. Features adjustable time and balance (ratio of

early/later reﬂections) parameters.

E. Cavern – Creates the ambiance of an extremely large space. Features adjustable time and balance

(ratio of early/later reﬂections) parameters. A unique and interesting reverb eect.

4. Rotate the Type control to scroll through the reverb list and highlight the desired reverb type.

5. Press the Type control to select.

6. Rotating the Time control controls the decay time of the selected reverb model from its minimum decay

time to its maximum decay time. At 0%, the decay time will be at minimum and will simulate the smallest

room size available to the currently selected reverb type. At 100%, the decay time will be at maximum

and will simulate the largest room size available to the currently selected reverb type. Each reverb type

has their own usable range of decay times that work best for the selected model type. The Reverb

Decay parameter allows you to adjust the reverb time between the speciﬁc ranges that work best for the

selected reverb model type.

7. Press the Time control to switch to Bal. Rotate the Bal. control to adjust the early-to-late reﬂection ratio

(0% = all early reﬂections, 100% = all late reﬂections).

All Channels

Menu Type Bal.

Main Medium 50%

Reverb Type

Time

28 - English

Operation

Using the Prefs Utilities

The Prefs function allows access to several system utilities.

1. Select Prefs with the rotary selector.

2. Rotate the Menu control to scroll through the list and highlight the desired utility. Press the Select control

to display the utility:

• Status – Displays the eects assigned to input channels (viewable only).

• Input Level – Displays input level meters with peak signal indicators for all input channels. Press the

Reset control to reset all peak signal indicators. This display is helpful in setting the channel input trim

level (see “Optimizing Input Gain and Output Volume” on page 17). Press the Aux In control to monitor

the level of the auxiliary inputs (For the T8S only, press the Ch 5-8 control to monitor the level of

Inputs5-8).

• Output Level – Displays output level meters for all outputs: Main L, Main R, USB L, and USB R. Press the

Aux control to monitor the level of the auxiliary outputs.

Output Level Preferences

USB L

Main L

Main R

USB R

Menu Rese

Status

Ch 1 Mod

Mod

Mod Dly

Rev

CmpCh 2

Ch 3

Ch 4

Preferences

Cmp = Compressor/Gate

Mod = Modulation

Dly = Delay

Rev = Reverb

Input LevelPreferences

Ch 3

Ch 1

Ch 2

Ch 4

Menu Aux InReset

Peak level indicator

Input level indicator

Operation

English - 29

• Master Out EQ – The Master Out EQ is a 6-band graphic equalizer put on the master mix output. With

the middle control, select the frequency range you want to boost or attenuate and use the Level control

to adjust the level +/–18dB.

• USB B to PC – Allows you to send a selected source to your computer through USB left and right

output channels. The source choices are Ch1-4 (Ch5-8 for T8S only), Aux In, Master, or Aux Out 1-2

(AuxOut 3-4 for T8S only).

• USB B from PC – Allows you to send USB left and right channels from your computer to a selected

mixer destination (None, Aux In, or Master).

• USB A-Playback – Attach a USB Type-A ﬂash drive to play any WAV/MP3 ﬁles stored to the ﬂash drive.

Using the menu, select the folder that contains the WAV/MP3 ﬁles; select the ﬁle you want to play and

adjust the level by rotating the Level control.

+18

+12

-6

-12

-18

125HzMenu

Master EQ Preferences

Level

1. Rotate the Left/Right control to highlight a source.

2. Press the Select control to select the source, or press the Cancel

control to exit with no change.

3. Rotate Menu to return to the Prefs menu list.

Left : Master

Right : Master

LeftMenu

USB to PC Preferences

Right

Left : Master

Right : Master

LeftMenu

USB from PC Preferences

Right

1. Rotate the Left/Right control to highlight a destination.

2. Press the Select control to select the source, or press the Cancel

control to exit with no change.

3. Rotate the Menu control to return to the Prefs menu list.

Tomorrow Is Too late.wav

Sarah.wav

Mistakes for Love.mp3

Sun Behind the Clouds.wav

Hey God Maker. mp3

LevelSelectMenu

30 - English

Operation

• Versions – Displays revision levels of DSP Firmware.

• ToneMatch – Displays the list of ToneMatch preset banks stored in the T4S/T8S. Refer to

www.Bose.com/livesound for the latest preset banks.

• L1 Power Stand – When connected to an L1® Model 1S/II power stand, Connected appears on the

screen.

Versions

T4S v1.0.0

Preferences

C: Ovation Guitars

B: Audix Mics.

A: Taylor Guitars

ToneMatchPreferences

Connected

L1 Stand Preferences

Loading and Saving Scenes

A scene is a snapshot of the state of the T4S/T8S ToneMatch® mixer.

• A scene remembers all ToneMatch mixer settings, and the status of the Mute, FXMute, and CH Edit buttons.

• A scene does not remember channel trim, channel volume levels, Master volume level, headphone level or

the Phantom power switch position.

All Channels

Singer/Songwriter

Load Shared Save

Scenes

Operation

English - 31

The T4S/T8S includes three types of scenes:

• (5) Bose scenes: Read-only factory-preset scenes. You cannot edit and overwrite them.

• (10) User Scenes: User-deﬁnable scenes for saving and recalling all your favorite settings. You can update

these scenes by overwriting them as many times as you want.

• (1) Shared Scene: A user-deﬁnable scene for saving settings you want to share with other T4S/T8S

ToneMatch® mixer users. This scene can be uploaded to a computer using the L1® updater software available

at www.Bose.com/livesound.

To load a scene:

1. Select Scenes with the rotary selector.

2. Rotate the Load control to scroll through the scenes list and highlight the desired scene name. The name

of the currently loaded scene appears in bold type.

3. Press the Select control to select the scene, or press the Cancel control to exit the list and leave the

setting unchanged.

Note: The display returns to the Scenes screen if you do not press the Select or Cancel control within

10seconds. No change is made and the currently loaded scene appears on the screen.

4. If you pressed Select, the question “Are you sure?” is displayed. Press the Yes control to load the scene, or

press the No control to exit and leave the scene setting unchanged.

Note: The display returns to the Scenes screen if you do not press the Yes or No control within 10 seconds. No

change is made and the currently loaded scene appears on the screen.

To save a scene:

1. Select Scenes with the rotary selector. The currently loaded scene is displayed.

2. Rotate the Save control to highlight the scene you wish to save. Press Select, or press Cancel to exit the

list.

All Channels

Singer/Songwriter

Load Shared Save

Scenes

Note: The display returns to the Scenes screen if you do not press

the Select or Cancel control within 10 seconds. No change occurs,

and the currently loaded scene appears on the screen.

My Scene 01

My Scene 02

My Scene 03

Cancel Select

32 - English

Operation

3. If you pressed Select, use the Rename screen to edit the scene name, or press Save to use the name as

displayed and go to Step 4.

To change the scene name before saving:

You can use the following editing options to change the scene name. After changing the name, press the Save

control and go to Step 4.

• Select and change characters: While the Rename screen is displayed, rotate the Cursor control to highlight

the character or character position you want to change. Then rotate the Select control to change the

character.

• Use the character map: While the Rename screen is displayed, rotate the Cursor control to highlight the

character you want to change. Then press the Select control to view the character map. Rotate the Select

control to move the cursor left or right. Rotate the Up/Dn control to move the cursor up or down. When the

character you want is highlighted, press Select to write that character in the selected position.

• Use clear, insert, and delete functions: While the Rename screen is displayed, rotate the Cursor control to

position the cursor. Then press the Cursor control for a menu of special editing functions. Rotate the Select

control to highlight the function you want. Then press the Select control to perform the function.

Clear Character – Removes the character highlighted by the cursor and leaves

a blank space.

Clear All – Clears the entire line of text.

Clear to End – Clears all text to the right of the cursor including the

highlighted character.

Insert – Inserts a blank space to the left of the highlighted character.

Delete – Removes the character and space highlighted by the cursor.

Rename

rstuvwxyzABCDEFGHI

123456789, ;/\()|+-

KLMNOPQRSTU VWXYZ0

abcdefgh jklmnopqi

Cancel Up/Dn Select

Scenes

Clear To End

Insert

Clear All

Clear Character

Delete

CancelSelect

Rename

M yScene 01

CursorSave Select

Scenes

Operation

English - 33

4. When the question “Are You Sure?” is displayed, press the Yes control to save the scene, or press the No

control to exit without saving the scene.

Sharing a Scene

If you create a scene that you would like to share with another T4S/T8S ToneMatch® mixer user, you can

save that scene as a Shared Scene by saving it to the [To Shared Scene] slot. Using the L1® updater, you can

upload the Shared Scene to your computer and then transfer the ﬁle to the computer of another T4S/T8S

user. The other T4S/T8S user can download the scene to their T4S/T8S using the L1 updater. The L1 updater

is available at www.Bose.com/livesound.

To save a Shared Scene:

1. Load the scene that you want to share (see “To load a scene” on page 31).

2. Press the Save control to access the list of scenes.

3. Rotate the Select control to scroll through the scene list and highlight [To Shared Scene]. Press Select or

press Cancel to exit the list.

4. If you pressed Select, use the Rename screen to edit the scene name (see “To change the scene name

before saving” on page 32) or go to Step 5 if you want to use the existing name.

Are You Sure?

YesNo

Note: The display returns to the Scenes screen if you do not press the Select

or Cancel control within 10 seconds. No change occurs, and the currently

loaded scene appears on the screen.

[To Shared Scene]

My Scene 10

My Scene 09

Cancel Select

Rename

M yScene 07

CursorSave Select

Scenes

34 - English

Operation

5. Press the Save control to store the scene as a Shared Scene.

6. When the question “Are you sure?” is displayed, press the Yes control to save the scene, or press the No

control to exit without saving the scene as a Shared Scene.

Note: The display returns to the Scenes screen if you do not press the Yes or No control within 10 seconds. No

change occurs, and the currently loaded scene appears on the screen.

7. Press the Shared control to conﬁrm the scene saved as a Shared Scene.

Note: The T4S/T8S provides only one storage location for a Shared Scene. Saving a scene as a Shared Scene

always overwrites the previously saved Shared Scene.

Please visit www.Bose.com/livesound for details on using the L1® updater application for downloading and

uploading scenes to and from your computer.

All Channels

Singer/Songwriter

Load Shared Save

Scenes All Channels

My Scene 07

Current Shared Scene:

Back

Scenes

Press

Operation

English - 35

Bose Scenes

The ﬁve Bose scenes are provided as examples for you to use as a starting point. After loading a Bose scene,

you can modify the settings and then save the settings as a My Scene or Shared Scene.

Factory Settings

This scene restores the mixer to the settings it had when it left the factory. Loading this scene erases any

changes you previously made to the currently loaded scene.

CH 1-4 (T4S/T8S) CH 5-8 (T8S)

ToneMatch

Active

Utility

Flat

zEQ

Bypass

Low Mid High

0 dB 0 dB 0 dB

Para EQ Bypass

Comp/Gate

Bypass

Chorus1

Mod

Bypass

Chorus1

Delay

Bypass

Digital

Reverb

Bypass

Digital

Aux

Mute

Pre: With EQ & Fx

Global Settings

Preferences

Active screen Status

USB to PC Left/Right:Master

USB from PC Left/Right:Master

Master Out Post Master Volume

Reverb Type

Type Medium

Time 50%

Bal 50%

Note: For a list of the factory settings for all eects, see “Factory Settings” on page 42.

36 - English

Operation

Singer/Songwriter

This scene is designed for a singer/songwriter playing keyboard or guitar and sometimes accompanied by an

MP3 track.

Figure 16. Example setup for Singer/Songwriter

Operation

English - 37

Microphone Guitar Keyboard Bass Aux In

CH 1 CH 2 CH 3 CH 4 5/6

ToneMatch

Active Active Active Active

N/A

Vocal Mics Acoustic Guitar Keyboards Basses

Handheld Mics Steel String w/

piezo

General Keys Active Bass 1

zEQ

Active Active Active Active

N/ALow Mid High Low Mid High Low Mid High Low Mid High

0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB

Para EQ Bypass Bypass Bypass Bypass N /A

Comp/

Gate

Bypass Bypass Bypass Bypass

N/A

Comp2 Comp2 Comp2 Comp2

Mod

Bypass Bypass Bypass Bypass

N/A

Chorus1 Chorus1 Chorus3 Chorus1

Delay

Bypass Bypass Bypass Bypass

N/A

Digital Digital Digital Digital

Reverb

Active Active Bypass Bypass

N/A

Medium (Global) Medium (Global) Medium (Global) Medium (Global)

Pan/Aux

Center Center Center Center Aux In

Aux 1-2 50% Aux 1-2 50% Aux 1-2 50% Aux 1-2 50% 5 Lvl 6 Lvl

Pre: With EQ & Fx Pre: With EQ & Fx Pre: With EQ & Fx Pre: With EQ & Fx 50% 50%

Singer/Songwriter scene channel settings

Global Settings

Preferences

Active screen Status

USB to PC Left/Right:Master

USB from PC Left/Right:Master

Master Out Post Master Volume

Reverb Type

Type Medium

Time 50%

Bal 50%

38 - English

Operation

DJ/Playback

The DJ/Playback scene is designed for a DJ event or any audio playback need. This setup uses two

microphones and either a mobile device, mixer, or laptop computer.

Figure 17. Example setup for stereo DJ/Playback

Operation

English - 39

DJ/Playback scene channel settings

Global Settings

Preferences

Active screen Status

USB to PC Left/Right:Master

USB from PC Left/Right:Master

Master Out Post Master Volume

Reverb Type

Type Medium

Time 50%

Bal 50%

Source 1 Left Source 1 Right Microphone Microphone Aux In

CH 1 CH 2 CH 3 CH 4 5/6

ToneMatch

Active Active Active Active

N/A

DJ/Playback DJ/Playback Vocal Mics Vocal Mics

Flat, zEQ Controls Flat, zEQ Controls Handheld Mics Handheld Mics

zEQ

Active Active Active Active

N/ALow Mid High Low Mid High Low Mid High Low Mid High

0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB

Para EQ Bypass Bypass Bypass Bypass N/A

Comp/

Gate

Bypass Bypass Bypass Bypass

N/A

Limit Limit Comp2 Comp2

Mod

Bypass Bypass Bypass Bypass

N/A

Chorus1 Chorus1 Chorus3 Chorus1

Delay

Bypass Bypass Bypass Bypass

N/A

Digital Digital Digital Digital

Reverb

Bypass Bypass Bypass Bypass

N/A

Medium (Global) Medium (Global) Medium (Global) Medium (Global)

Pan/Aux

Left Right Center Center Aux In

Aux 1-2 50% Aux 1-2 50% Aux 1-2 50% Aux 1-2 50% 5 Lvl 6 Lvl

Pre: With EQ & Fx Pre: With EQ & Fx Pre: With EQ & Fx Pre: With EQ & Fx 50% 50%

40 - English

Operation

Full Band

This scene is set up for a drum kit, bass guitar, electric guitar, vocals, and MP3 player.

Figure 18. Example setup for Drums and Bass

SYSTEMINPUT 2INPUT 1

VOLUME VOLUME

FRONT

LED

POWER

LIMIT

OFF

FULL RANGE

WITH SUB

MIC

LINE LEVEL

SIGNAL INPUT

INPUT

POWER

OFF

100-240V~50/60Hz

1000W

LINE OUTPUT

SIGNAL/CLIP SIGNAL/CLIP POWER/FAULT

LIMIT

SYSTEM

INPUT 2INPUT 1

LINE OUTPUT LINE OUTPUT

LINE INPUT

POWER/FAULT

LIMIT

SIGNAL/CLIP

LINE INPUT

NORM

REV

THRU

HPF

POLARITY

LINE

OUTPUT EQ

POWER

LIMIT

OFF

FRONT

LED

SYSTEMINPUT 2INPUT 1

VOLUME VOLUME

FRONT

LED

POWER

LIMIT

OFF

FULL RANGE

WITH SUB

MIC

LINE LEVEL

SIGNAL INPUT

INPUT

POWER

OFF

100-240V~50/60Hz

1000W

LINE OUTPUT

SIGNAL/CLIP SIGNAL/CLIP POWER/FAULT

LIMIT

SYSTEM

INPUT 2INPUT 1

LINE OUTPUT LINE OUTPUT

LINE INPUT

POWER/FAULT

LIMIT

SIGNAL/CLIP

LINE INPUT

NORM

REV

THRU

HPF

POLARITY

LINE

OUTPUT EQ

POWER

LIMIT

OFF

FRONT

LED

Operation

English - 41

Full Band scene channel settings

Global Settings

Preferences

Active screen Status

USB to PC Left/Right:Master

USB from PC Left/Right:Master

Master Out Post Master Volume

Reverb Type

Type Medium

Time 50%

Bal 50%

Kick Drum Overhead Overhead Bass Guitar Microphone Microphone Microphone Aux In

CH 1 CH 2 CH 3 CH 4 CH 5 CH 6 CH 7 CH 8 9/10

ToneMatch

Active Active Active Active Active Active Active Active

N/A

Percussion Percussion Percussion Basses Electric Guitars Vocal Mics Vocal Mics Vocal Mics

Kick, General General Overhead General Overhead Active Bass 1 Mic'd Amp w/

SM57

Handheld Mics Handheld Mics Handheld Mics

zEQ

Active Active Active Active Active Active Active Active

N/A

L M H L M H L M H L M H L M H L M H L M H L M H

Para EQ Bypass Bypass Bypass Bypass Bypass Bypass Bypass Bypass N /A

Comp/Gate

Active Bypass Bypass Active Bypass Bypass Bypass Bypass

N/A

Kick 1 Comp2 Comp2 Comp2 Comp2 Gate Gate Gate

Mod

Bypass Bypass Bypass Bypass Active Bypass Bypass Bypass

N/A

Chorus1 Chorus1 Chorus1 Chorus1 Chorus 1 Chorus 1 Chorus 1 Chorus 1

Delay

Bypass Bypass Bypass Bypass Bypass Bypass Bypass Bypass

N/A

Digital Digital Digital Digital Digital Digital Digital Digital

Reverb

Bypass Bypass Bypass Bypass Bypass Active Active Active

N/A

Medium (Global) Medium (Global) Medium (Global) Medium (Global) Medium (Global) Medium (Global) Medium (Global) Medium (Global)

Pan/Aux

Center Center Center Center Center Center Center Center Aux In

Aux 1-4 50% Aux 1-4 50% Aux 1-4 50% Aux 1-4 50% Aux 1-4 50% Aux 1-4 50% Aux 1-4 50% Aux 1-4 50% 9 Lvl 10 Lvl

Dry: After Preamp Dry: After Preamp Dry: After Preamp Dry: After Preamp Dry: After Preamp Dry: After Preamp Dry: After Preamp Dry: After Preamp 50% 50%

Factory Settings

42 - English

Factory Settings

This section describes the settings in the T4S/T8S mixer when it left the factory. To restore your

T4S/T8S at any time to these factory settings, load the Bose Factory Settings scene.

Comp/Gate Factory Settings

Type Thresh Gain

Compressor 1: Light –16.0 dB 3.0 dB

Compressor 2: Medium –16.0 dB 5.0 dB

Compressor 3: Heavy –16.0 dB 8.0 dB

Limiter –10.0 dB 0 dB

De-Esser –10.0 dB 0 dB

Thresh Speed

Noise Gate –70.0 dB 50%

Thresh Tight

KickGate1: Regular –20.0 dB 100%

KickGate2: Fast –20.0 dB 100%

Modulator Factory Settings

Type Thresh Gain Speed

Chorus 1: Brite 50% 50% 0.50 Hz

Chorus 2: Warm 70% 100% 0.15 Hz

Chorus 3: Dark 25% 25% 3.0 Hz

Flanger 1: Tape 50% 50% 1.00 Hz

Flanger 2: Feedback 50% 100% 2.00 Hz

Speed Feedback

Phaser 1: Stomp 0.50 Hz 0%

Phaser 1: Rack 0.50 Hz –75%

Phaser 1: Warm 1.00 Hz –26%

Phaser 1: Bright 0.50 Hz –76%

Speed Depth

Tremolo 5.00 Hz 50%

Delay Factory Settings

Type Mix Time Feedback

Digital 30% 150 ms 30%

Analog 30% 275 ms 20%

Tape 30% 350 ms 30%

Reverb Type Factory Settings

Type Bal. Time Time Range

Plate 50% 20% 0-4.6 s

Small 50% 15% 0-0.8 s

Medium 50% 25% 0-1.9 s

Large 50% 50% 0-3.5 s

Cavern 50% 100% 0-7.0 s

English - 43

Care and Maintenance

Troubleshooting

If you experience problems while using this product, try the following solutions. If you still cannot solve the

problem, seek online help at www.Bose.com/livesound. If you cannot ﬁnd answers to your questions there,

please call the Bose Product and Technical Support Team directly at (877) 335-2673.

Problem What to do

T4S/T8S is plugged

in, power switch is on,

but no power.

• Make sure you have power at the AC outlet. Try operating a lamp or other

equipment from the same AC outlet or test the outlet using an AC outlet tester.

If using the T4S with an L1® Model II or 1S system:

• Make sure the ToneMatch® cable is properly connected to the mixer and the L1

power stand.

• Verify that the power cord plug is fully inserted into the power stand and the AC

(mains) outlet.

• Make sure the L1 power stand is turned on and the power LED is blue.

T4S/T8S is on, but

there is no sound.

• Make sure the Master volume control is turned up.

• Verify that the input channel(s) you want to hear is not muted.

• Check that the Volume control is turned up for the channel you want to hear.

• Make sure the appropriate input channel Trim control has been turned up enough

so that the LED is green (indicating that there is a strong input signal).

• Check the Prefs (Preference) Input and Output level meters to conﬁrm that there

is a signal at both the input and output stages.

• Make sure volume control is turned up on your input source (instrument).

• Connect your input source (instrument) to the mixer using a dierent cable.

• Plug your input source (instrument) directly into the L1 power stand or a dierent

ampliﬁer to make sure the source is working.

• Turn the mixer o and wait 30 seconds. Then turn mixer on again.

If using the T4S with an L1 Model II or 1S system:

• Turn o the power stand, re-seat the ToneMatch cable plug in the ToneMatch

port, and turn on the power stand again.

• If available, try a dierent ToneMatch cable. If another ToneMatch cable is not

available, try a standard ethernet cable.

• Connect the T4S/T8S Master output to the Analog Input on the power stand

using a ¼" phone plug cable. Turn up the power stand Trim control, and verify

that you hear sound.

• Make sure power LED on power stand is blue. If LED is red, please call the Bose

Product and Technical Support Team directly at (877) 335-2673.

44 - English

Care and Maintenance

Problem What to do

Poor quality sound from a

microphone or instrument

connected to the T4S/T8S.

• Make sure there is no unwanted zEQ or Para EQ equalization applied.

• Verify that you have selected an appropriate ToneMatch® mixer preset

for your microphone/instrument. If you do not want to use a ToneMatch

mixer preset, make sure ToneMatch is set to Flat.

• Make sure there are no unwanted eects (Comp/Gate, Mod, Delay,

Reverb) on your input channel. Check the Status in the Prefs menu for

any currently active eects.

• Check that the T4S/T8S input Trim is adjusted properly for your

microphone/instrument. The signal LED should be green; if the LED is

red, lower the Trim level until it is green.

• Try a dierent microphone or instrument cable.

• Check the cable connecting your microphone or instrument to the T4S/

T8S mixer. Make sure the cable plug is fully inserted into the microphone/

instrument output connector and the T4S/T8S input connector.

• Check the settings (if any) on your microphone or instrument.

• Check the batteries (if any) in your instrument or microphone.

Not hearing any eects. • Check that you pressed the correct CH Edit button.

• Make sure the FX Mute button is not pressed for the channel in question.

T4S/T8S not responding to

control knobs.

• Turn o the mixer. Wait 30 seconds and turn mixer on again.

Master volume control has no

eect.

• Verify that the Master output is conﬁgured for Post Master Volume

operation in the Prefs menu under Master Out.

With nothing plugged into the

T4S/T8S input connectors, a

slight hum or buzz is heard

from the L1® system.

• Plug the T4S/T8S and the L1 power stand into the same AC (mains) outlet.

• Using an AC outlet tester, test the AC outlet that the T4S/T8S and/or the

L1 power stand is plugged into for reversed or open (hot, neutral, and/or

ground) contacts.

• If using an extension cord, make sure that the cord is also tested as

above.

Too much (or not enough)

bass, mid-range, or high

frequencies.

• Make sure there is no unwanted zEQ or Para EQ equalization applied.

• Verify that you have selected an appropriate ToneMatch mixer preset

for your microphone/instrument. If you do not want to use a ToneMatch

mixer preset, make sure ToneMatch is set to Flat in the Utility category.

Poor-sounding playback of a

stereo recording using a CD

player, MP3 player, or other

such device.

• Connect the left channel of the device to Aux input 5 and the right

channel to Aux input 6 (or 9/10 for T8S). Aux inputs 5/6 (or 9/10) are

designed for line-level inputs.

• Disable any extended bass or EQ features when using CD or mobile

device.

• If you are using recording software on a computer, check the software

requirements. You may need to conﬁgure the software settings for

48kHz/24-bit operation.

English - 45

Care and Maintenance

Problem What to do

Microphone is encountering

feedback.

• Orient the microphone so that it is not pointing directly at its respective

loudspeaker.

• Try a dierent microphone.

• Try a dierent position for the L1 system and/or vocalist on stage.

• Increase the distance from the L1 system to the microphone.

• Reduce the HIGH frequencies by adjusting the zEQ on the microphone

channel.

• Try notching out a particular frequency that could be causing the

feedback by adjusting the Para EQ on the microphone channel.

• Temporarily bypass any audio eects used (Mod, Delay, Reverb) to see if

they might be contributing to the feed-back problem.

Aux output does not sound

right.

• Check if the Aux output is conﬁgured for the desired tap point for each

input channel. Refer to “Routing Input Signals to the Aux Output” on

page 21.

• Verify that each input assigns the desired signal level to the Aux output.

Unable to send T4S/T8S

audio to a computer through

a USB connection.

• Check that the USB cable is properly connected to the mixer and

computer.

• Try a dierent USB cable.

• Make sure the mixer is turned on.

• Verify that the desired mixer input channels are assigned to the left and

right USB output channels. See “USB to PC” in the Prefs menu.

• Make sure that the Trim level of the respective input channel is turned up

enough so that the green LED is on, indicating that there is a strong input

signal.

• Check the Input and Output level meters under the Prefs menu to conﬁrm

that there is a signal at both the input and output stages.

• Verify that your computer USB input is working by connecting another

USB-compatible audio device.

• If you are using recording software on a computer, check the software

requirements. You may need to conﬁgure the software settings for

48kHz/24-bit operation.

T4S/T8S is not responding to

ﬂash drive.

• To determine if there is an issue with your ﬂash drive, connect a dierent

brand ﬂash drive

46 - English

Care and Maintenance

Problem What to do

Unable to send audio from a

computer to the T4S/T8S via

USB connection.

• Check that the USB cable is properly connected to the mixer and

computer.

• Try a dierent USB cable.

• Make sure mixer is turned on.

• Verify the computer is playing and that the audio setting is not disabled

in your computer.

• Check that the USB signal is assigned to the desired mixer inputs. See

“PC to USB” in the Prefs menu.

• Verify that the mixer input channels assigned to the incoming USB signal

are not muted and their volume controls are turned up.

• Make sure that the appropriate input channel Trim control is turned up

enough so that the green LED is on (indicating that there is a strong

input signal).

• Check the Input and Output level meters under the Prefs menu to conﬁrm

that there is a signal at both the input and output stages.

• Verify that your computer USB output is working by connecting another

USB-compatible audio device.

• If you are using recording software on a computer, check the software

requirements. You may need to conﬁgure the software settings for

48kHz/24-bit operation.

Cleaning

• You may clean the product enclosure using only a soft dry cloth.

• Do not use any solvents, chemicals, or cleaning solutions containing alcohol, ammonia, or abrasives.

• Do not use any sprays near the product or allow liquids to spill into any openings.

Technical Information

Mechanical

T4S T8S

Dimensions (L x W x H) 8.4" x 7.25" x 3.25"

(214 mm x 184 mm x 83 mm)

8.4 x 12.25 x 3.25

(214 mm x 311 mm x 83 mm)

Weight 2.1 lbs (1.0 kg) 4.1 lbs (1.9 kg)

Electrical

A/D and D/A Conversion 24 bits

Sampling Rate 48 kHz

USB 2.0 or higher, Type-A to Type-B cable, Type-A port and Type-B port

PC Requirements Microsoft Windows 7 or higher; Mac OS 10.5 or higher

English - 47

Additional Information

Refer to the owner’s guide (online at www.Bose.com) for more information about your product (including

accessories and replacement parts). To request a printed copy, use the phone numbers provided.

Limited Warranty

Your product is covered by a limited warranty. Visit www.pro.Bose.com for warranty details.

The warranty information provided with this product does not apply in Australia and New Zealand. See our

website at www.bose.com/au/warranty or www.bose.com/nz/warranty for details of the Australian and New

Zealand warranty.

Date of Manufacture

The eighth digit in the serial number indicates the year of manufacture; “6” is 2006 or 2016.

Americas

(USA, Canada, Mexico, Central America, South

America)

Bose Corporation

Framingham, MA 01701 USA

Corporate Center: 508-879-7330

Americas Professional Systems,

Technical Support: 800-994-2673

Australia

Bose Pty Limited

Unit 3/2 Holker Street

Newington NSW Australia

61 2 8737 9999

Belgium

Bose N.V. / S.A

Limesweg 2, 03700

Tongeren, Belgium

012-390800

China

Bose Electronics (Shanghai) Co Ltd

25F, L’Avenue

99 Xianxia Road

Shanghai, P.R.C. 200051 China

86 21 6010 3800

France

Bose S.A.S

26-28 avenue de Winchester

78100 St. Germain en Laye, France

01-30-61-63-63

Germany

Bose GmbH

Max-Planck Strasse 36D 61381

Friedrichsdorf, Deutschland

06172-7104-0

Hong Kong

Bose Limited

Suites 2101-2105, Tower One, Times Square

1 Matheson Street, Causeway Bay, Hong Kong

852 2123 9000

India

Bose Corporation India Private Limited

Salcon Aurum, 3rd Floor

Plot No. 4, Jasola District Centre

New Delhi – 110025, India

91 11 43080200

Italy

Bose SpA

Centro Leoni A – Via G. Spadolini

5 20122 Milano, Italy

39-02-36704500

Japan

Bose Kabushiki Kaisha

Sumitomo Fudosan Shibuya Garden Tower 5F

16-17, Nanpeidai-cho

Shibuya-Ku, Tokyo, 150-0036, Japan

TEL 81-3-5489-0955

www.bose.co.jp

The Netherlands

Bose BV

Nijverheidstraat 8 1135 GE

Edam, Nederland

0299-390139

United Kingdom

Bose Ltd

1 Ambley Green, Gillingham Business Park

KENT ME8 0NJ

Gillingham, England

0870-741-4500

Importer Information

European Union

Bose Products B.V., Gorslaan 60, 1441 RG

Purmerend, The Netherlands

China

Bose Electronics (Shanghai) Company

Limited, Part C, Plan 9, No. 353 North Riying

Road, China (Shanghai) Pilot Free Trade Zone

Taiwan

Bose Taiwan Branch, 9F-A1, No. 10, Section 3,

Minsheng East Road, Taipei City 104, Taiwan

Tel: +886-2-2514 7676

Mexico

Bose de México, S. de R.L. de C.V., Paseo de

las Palmas 405-204, Lomas de Chapultepec,

11000 México, D.F.

Tel: +5255 (5202) 3545

See website for other countries

Contact Information

Visit us on the web at www.Bose.com.

Framingham, MA 01701-9168 USA

www.Bose.com

All trademarks are the property of their respective owners

AM801203 Rev. 00

November 2017

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Others manual(s) of Bose T8S TONEMATCH

Bose T8S TONEMATCH Quick start guide - English - 80 pages

Bose T8S TONEMATCH User Manual - German - 48 pages

Bose T8S TONEMATCH Quick start guide - German, Dutch - 80 pages

Bose T8S TONEMATCH User Manual - Dutch - 48 pages

Bose T8S TONEMATCH Quick start guide - French, Italian, Spanish - 80 pages

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Bose T8S TONEMATCH Manual

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