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Behringer XAir - XR12 Manual

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39 X AIR User Manual
The TIME knob adjusts the delay time, and the PATTERN knob sets the delay ratio
for the right channel and negative values activate a cross feedback between the
two channels. The FEEDHC knob adjusts the delay high-cut frequency, while the
FEEDBACK knob adjusts the number of repeats. The X-FEED knob allows you to
send the delay sound to the chorus eect. The BALANCE knob adjusts the ratio
between delay and chorus. SPEED, DELAY and DEPTH adjust the rate, delay,
andmodulation depth of the chorus. The right channel LFO PHASE can be oset
by up to 180 degrees, and WAVE adjusts the chorus character by shaping the
LFOwaveform from sine wave to triangular wave. Use the MIX knob to blend
theeected signal with the “dry” sound.
Delay + Flanger
This handy dynamic duo blends the “woosh” of soaring jet planes with classic
Delay, and can be adjusted from mild to wild. This combination eect only takes
up one FX slot. (Inspired by the TC Electronic D-Two)
The TIME knob adjusts the delay time, and the PATTERN knob sets the delay ratio
for the right channel and negative values activate a cross feedback between
the two channels. The FEEDHC knob adjusts the delay high-cut frequency, while
the FEEDBACK knob adjusts the number of repeats. The X-FEED knob allows
you to send the delay sound to the anger eect. The BALANCE knob adjusts
the ratio between delay and anger. SPEED, DELAY and DEPTH adjust the rate,
delay, andmodulation depth of the anger. The right channel LFO PHASE
canbe osetby up to 180 degrees, and FEED (positive and negative amounts)
adjuststhe feedback eect. Use the MIX knob to blend the eected signal
withthe “dry”sound.
Modulation Delay
Modulation Delay combines three of the most used time modulation eects
into one easy-to-operate unit, featuring true-stereo delay with a lush chorus,
toppedo with three reverb models to choose from.
The BALANCE knob adjusts ratio of delay to reverb. The processor chain can
operate as serial where one eect ows into the next, or parallel where
each eect is applied to the source signal independently. TIME, FEED(back),
LOWand HI CUT all aect the delay. Modulation DEPTH and RATE are adjustable.
Threetypes of reverb are available – ambience, club and hall – with adjustable
DECAY and HI DAMP.
Graphic and Tru EQ
The dual and stereo EQs are standard graphic equalizers that provide 31 bands of
adjustment between 20 Hz and 20 kHz. A master volume slider compensates for
changes in volume caused by the equalization. A maximum boost or cut of 15 dB
is available for each band.
The TruEQ incorporates a special algorithm that compensates for the gain
adjustment overlapping eect that adjacent frequency bands have on one
another. On a standard EQ, when neighboring bands are boosted together,
theresulting eect is magnied beyond what is visible from the positioning
ofthe sliders.
This compensated EQ will produce an adjustment that is identical to the actual
positioning of the sliders.
DeEsser
The DeEsser eect allows the sibilance to be controlled for singers that have
a pronounced “S” sound. Separate knobs allow the low and high bands to be
adjusted, and the eect can be optimized for male and female voices.
… 39 …


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