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EN
USE
Application Suggested Microphone
Placement Tone Quality
Vocals
Lips less than 15 cm (6 in.) away
or touching the windscreen, on
axis to microphone.
Robust sound, emphasized bass,
maximum isolation from other
sources..
15 to 60 cm (6 in. to 2 ft.) away
from mouth, just above nose
height.
Natural sound, reduced bass.
20 to 60 cm (8 in. to 2 ft.) away
from mouth, slightly o to one
side.
Natural sound, reduced
bass and minimal “s” sounds.
90 cm to 1.8 m (3 to 6 ft.) Away. Thinner, distant sound;
noticeable levels of ambient
noise..
Guitar & Bass Ampliers
2.5 cm (1 in.) from speaker,
axis with centre of speaker cone.
Sharp attack; emphasized bass.
2.5 cm (1 in.) from speaker,
at edge of speaker cone..
Sharp attack; higher frequency
sound.
15 to 30 cm (6 to 12 in.) away
from speaker and on-axis with
speaker cone.
Medium attack; full, balanced
sound
60 to 90 cm (2 to 3 ft.) back from
speaker, on-axis with speaker
cone..
Softer attack; reduced bass
General rules for use
Aim the microphone toward the desired sound source (such as the
talker, singer, or instrument) and away from unwanted sources.
Place the microphone as close as practical to the desired sound
source.
Work close to the microphone for extra bass response.
Use only one microphone to pick up a single sound source.
Use the fewest number of microphones as practical.
Keep the distance between microphones at least three times the
distance from each microphone to its source.
Place microphones as far as possible from reective surfaces.
Add a windscreen when using the microphone outdoors.
Avoid excessive handling to minimize pickup of mechanical noise
and vibration.
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