Manual Arturia Keylab MkII 88 (page 74 of 89) (English)

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8.7.2. Encoder Control

• Name: Lets you enter a custom name for the encoder, which will be shown on the

display when the knob is used. The name can be a maximum of 12 characters

long.

• Option: This lets you change the encoders' response from Absolute to Relative

#1-3 [p.69].

• Acceleration: This parameter alters how the rotary encoder responds to the

speed with which you turn it. This can be set as:

◦

None:

The encoders move at a set speed and do not accelerate.

◦

Medium:

The encoders will accelerate when moved faster.

◦

Fast:

The encoders will accelerate quickly when moved faster.

◦

1:1:

The encoders will precisely match the speed that you turn the

rotary knob.

• Channel: Select the MIDI channel output for the selected encoder, between 1 to

16. This can also be set to “User”, which will make the encoder output to the MIDI

channel selected for the MIDI Ch button [p.64].

• CC Number: The selected encoder can be set to transmit any MIDI CC# between

0-127. Many MIDI CC numbers are named within the drop-down menu to identify

standard uses.

• Min Value & Max Value: These parameters let you set the minimum and

maximum range of the selected encoder. Click and drag the knobs or enter a

value in the fields below them to set the range.



♪: Setting the Min & Max Values of the encoders is a great way of ensuring you only ever move within

the preferred range of a synth parameter, such as its output level, for example.

8.7.2.1. Relative control

The "Relative" control options send only a few values to indicate direction and speed as the

encoder is turned.

To be specific, a “relative” setting sends values 61-63 when turned in a negative direction

and values 65-67 when turned in a positive direction. The turn speed determines which

value is sent. Refer to the documentation of the target instrument to see if it can respond

appropriately to these commands.

When configured this way, movements of the encoder will cause the target parameter

to change by starting at its current setting, rather than being an “absolute” control and

snapping it to some other value as soon as you start to move it.

This can be a great feature when controlling parameters like volume, filter, or effect controls,

since you may not want them to jump noticeably from their current setting when they are

modified.

69 Arturia - User Manual KeyLab MkII - MIDI Control Center

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Arturia Keylab MkII 88 Manual

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