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SVT-3 PRO Bass Guitar Amplifier SVT-3 PRO Bass Guitar Amplifier
5
The Front Panel
1. INPUT: The signal output from an
instrument (active or passive) may be
connected to this 1/4" input by means
of a shielded instrument cable.
2. BRIGHT: When this switch is engaged, a
more lively top end response [+6 dB at
2 kHz] is added to the input signal.
3. –15 dB: Press this switch in to reduce
the input signal by 15 dB and
compensate for higher output sources.
This attenuation is suited for use with
basses that have active electronics or
high-output pickups. Use this pad if you
notice that the peak/mute LED comes
on regularly. It will reduce the chance of
overdriving the preamplifier stage and
allow more usable range and fine
adjustment of the gain control.
4. PEAK/MUTE LED: This red warning
LED will come on if: the mute switch
is engaged, or if the input signal is too
high, the gain control is set too high, or
there is too much boost from the bass,
midrange and treble controls. If it comes
on regularly, even when these controls
are low, try engaging the –15 dB pad.
5. GAIN: This varies the amount of signal
driving the preamplifier. If a small
clockwise rotation from minimum leads
to overloading and the peak LED
illuminating, try engaging the –15 dB
pad. This will give more usable range
with the gain control.
6. ULTRA HI: This switch, when engaged,
enhances the amount of high frequency
output by 6 dB at 5 kHz.
7. ULTRA LO: This switch, when engaged,
enhances the amount of low-end output
by 2 dB at 40 Hz and –10 dB cut at
500 Hz.
8. BASS: Use this to adjust the low
frequency level of the amplifier.
This provides up to 12 dB of boost,
or 12 dB of cut at 50 Hz. The low
frequency output is flat at the center
position.
9. MIDRANGE: Use this to adjust the
midrange frequency level of the
amplifier. This provides up to 15 dB of
boost, or 15 dB of cut at the center
frequency selected by the frequency
control. The midrange frequency output
is flat at the center position. Rotate the
control counter clockwise for a
“contoured” sound (more distant, less
midrange output) or clockwise for a
sound which really cuts through.
10. FREQUENCY: This control allows you to
select the center frequency for the
midrange control, giving you a choice of
five “voices” for the midrange. The
numbers correspond to the following
center frequencies: 1=220 Hz,
2=450 Hz, 3=800 Hz, 4=1.6 kHz,
5=3 kHz.
0
+12dB
-12dB
LEVEL
+8dB
-10dB
MUTE
EQ
PEAK /
MUTE
BRT
-15dB
HI
LO
zHk9zH33 5kHz2kHz900Hz600Hz300Hz150Hz80Hz
ON
POWER
ON
MASTER TUBE GAINTREBLEFREQUENCYMIDRANGEBASSGAININPUT
1 4 16 19 205 8 9 11 12 181713102 3 6 7 14 15
5


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