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Allen-Heath ZED SIXTY-10FX Manual

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Allen & Heath 10 ZED Sixty 10FX & 14FX User Guide
Background Overview:
The Allen & Heath ZED series mixers have been carefully and lovingly designed in the beau-
tiful county of Cornwall in the UK and are manufactured alongside a wide range of profes-
sional audio mixing consoles to the same high standards. Many of the components used in
ZED Sixty-10FX and ZED Sixty-14FX are exactly the same as in the larger Allen & Heath
products and the construction methods are also very similar — utilising individual vertically
mounted channel circuit boards with each rotary control fixed with a metal nut to the front
panel. This provides a very robust product that will resist damage and give years of reliable
use. It also makes servicing much easier should it be required, with the ability to remove one
particular channel from the mixer at a time. The vertical board construction method is
unique in a product at this price point and puts the ZED Sixty-10FX and ZED Sixty-14FX in a
truly professional class of their own.
The audio circuitry is based on years of continual development and refinement , the perfor-
mance of all the elements within the mixer is scrutinised and perfected to ensure the very
best sound quality possible.
Multi-application:
ZED’s are great for live mixing! Their layout makes them very easy to use and easy to
achieve a great sound. They are also perfect for recording, either a live show or an audio
project at home can be built up track by track using the USB digital audio interface. The flexi-
bility and quality of these mixers make them stand out from the crowd. You can plug your
guitars or instruments straight into the class A discrete FET high impedance inputs, cater for
up to eight microphones, two stereo sources with MP3 player compatibility, separate 2-track
record outputs and a stereo playback input for 2-track replay or perhaps interval music from
a CD player, XLR main stereo outputs with inserts, comprehensive monitoring with head-
phones and separate monitor speaker outputs, 48V microphone phantom power, DI level
switching for sub mixing, and not least of all, the same digital effects algorithms as those used
on our flagship digital consoles costing 150 times as much!
All this and the ability to withstand life being gigged night after night—there is nothing else
like it at this price point.
ZED mixers are also ideal for teaching establishments, houses of worship, hotels and confer-
ence centres where their ease of use and robust qualities make them a top choice.
Mic/Line Pre-amps:
Based on the pre-amps from the MixWizard series, the ZED Sixty pre-amps use low noise
discrete transistor circuitry to achieve high gain (60dB max), low noise and good linearity.
GTR/Hi Z Inputs:
Specially designed, two ultra high impedance discrete class A FET (Field Effect Transistor)
inputs for plugging any kind of guitar or instrument straight in. A 26dB gain boost switch
allows instruments with very low output pickups to be used, and the FET does a great job of
emulating the valve/tube input circuitry commonly found on instrument combos or amplifi-
ers.
INTRODUCTION TO THE ZED Sixty
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