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Allen & Heath 26 GS_R24 User Guide
2 TRACK DUB
L
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
PFL/AFL ACTIVE
R
2 TO 1
1 TO 2
2 TRACK 1
REPLACE L-R
TALK
LEV
MIN MAX
TALK
TO STUDIO
TO AUX 1 & 2
TO AUX 3 & 4
TO GROUPS
MIN MAX
LEVEL
PHONES
2 TRACK 1
2 TRACK 2
DIG MASTER
MAIN MIX L-R
MONO
MONO L-R
ALT SPKRS
MIN MAX
MASTER
DIG
L-R
INPUT
L-R/5.1
MIN MAX
LEVEL
CRM
17-2
5.1
A
L
DIM L-R
SPKRS
MASTER SECTION
L-R Monitor meters
12 segment LED meters sourced from the monitor section of the console.
0VU = Nominal working level (+4dBu at main L-R mix outputs).
PFL/AFL Active LED
Illuminates when the PFL or AFL system is activated by pressing a channel solo
switch in PFL or AFL mode, or any AFL switch in the master section. The me-
ters will show the signal level from selected sources.
2 Track Dubbing switches
These allow easy copying from one 2 Track recording machine to another with-
out unplugging the equipment from the console. 2 TO 1 connects the 2Track 2
inputs to the 2Track 1 outputs (main xlr), and likewise 1 TO 2 connects the
2Track 1 input jacks to the 2Track 2 RCA Phono output connectors.
2 Track 1 Replace L-R switch
Pressing this switch disconnects the main L-R mix from the main outputs and
replaces it with the stereo 2Track 1 inputs. This can be useful for exclusive play-
back, or background music where signals from the main mix are not desired.
Talkback microphone, level and routing switches
A built-in electret microphone is provided for talkback communication. The
Talk Lev control varies the level from the microphone and the routing switches
allow the user to select between the Studio Outputs, Pairs of Auxes, or all four
Group outputs.
The signal from the microphone will not be active unless the TALK switch is
pressed, which is a non-latching switch so you have to keep your finger on it.
Headphones Level control
Adjusts the level to the headphones jack sockets (one on the front panel and a
second on the rear).
Monitor system source default selection switches
These select the default source for the headphones and speaker monitors. The
switches work on a priority method with one source selected at a time.
For example if all the switches were pressed, only the 2Track 1 would be moni-
tored. This source is overridden by any pressed AFL sources, which in turn is
overridden by any PFL sources.
CRM Level (L-R or 5.1 surround)
Adjusts the level to the main control room speakers, alternate speakers or the
surround sound speakers if the console monitoring is in 5.1 Surround mode.
Mono L-R switch
Selects a mono sum of the L-R monitor outputs to headphones, CRM L-R and
ALT L-R for checking phase and stereo aspects of a mix. This switch does not
affect any of the channels in 5.1 surround monitoring mode.
Alternative speakers switch
Swaps the control room L-R outputs to the Alternative Speaker output jacks in
order to use a second pair of monitoring or nearfield speakers.
Dim L-R speakers switch
Dims the control room or alternate speakers by 20dB when the phone rings.
Does not affect the surround monitor channels.
Digital Master return level control and routing switch
The interface return channels 31 & 32 can be routed to the main L-R mix bus
using this switch for playback or monitoring a master DAW track.
26


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