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27
Panoramica pannello superiore
1. Ingressi – Collegare cavi XLR o ¼” agli ingressi.
2. Inserti – Porre ulteriori dispositivi (quali compressori,
equalizzatori, ecc.) nel segnale servendosi di cavi “inserto”.
3. Interruttore Mic/Line o Guitar (solo canali 1-2)
Interruttore su circuito ad elevata impedenza per la
registrazione di chitarre elettriche/bassi.
4. Manopole guadagno – Impostano il livello di guadagno del
preamplificatore.
5. Manopola di miscelazione monitor – Questa manopola
regola la quantità di segnale diretto (dagli ingressi analogico e
digitale) che viene miscelata alle uscite 1/2. This direct signal
monitoring bypasses the computer for lag-free listening while
tracking.
6. Sezione misurazione – Misuratori a 5 segmenti a "scala”
mostrano l’esatto segnale di ingresso digitale per ciascun
canale analogico.
Le spie di stato indicano il collegamento Firewire al
computer, gamma di campionamento attuale e attività ADAT,
S/PDIF e MIDI.
I misuratori di uscita stereo mostrano i livelli per le uscite
1/2.
7. Volume cuffia 1&2 – L’IO|14/26 presenta due uscite per
cuffia distinte.
8. Livello main – Questa manopola imposta i livelli di uscita dei
canali 1/2.
9. Interruttore Mic/Line o Phono (solo IO|26) – Se si
desidera collegare un giradischi all’IO|26, servirsi degli
MIC / LINE
It’s OK to set your gain levels
conservatively with the IO|14
and IO|26. These interfaces
feature outstanding analog-
to-digital converters and
preamplifiers, allowing you
to capture excellent
recordings even if your
signals peak at -9dB (or even
lower).
I jack di ingresso combo
L’ingresso XLR si “aspetta”
di ricevere un microfono e
offre tra 6,8dB e 50dB di
guadagno, a seconda della
posizione dell’apposita
manopola.
L’ingresso ¼” si “aspetta”
un ingresso di linea o una
chitarra elettrica o un basso,
a seconda dell’impostazione
dell’interruttore
Mic/Line/Guitar.
In posizione Line, l’ingresso
fornisce un guadagno
compreso tra -15,4 dB e 27,8
dB. Ciò consente moltissimo
guadagno per le sorgenti a
livello di linea deboli e offre
la capacità di smorzare
sorgenti di linea troppo
potenti.
Su Guitar, l’ingresso fornisce
un guadagno compreso tra
6,8 dB e 50 dB, la stessa
gamma dell’ingresso XLR.
29


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