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.:U.U*U)U_6&)*UU*6-
7+))(b&)-()UU.-:
:MJ(U.).N._)&
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'+"/..,-$/.,/"
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Si la fin de la phrase chevauche le début de la prochaine phrase, ralentissez le tempo. S’il y a des silences entre les phrases, augmentez le
tempo. Il est également possible de taper la touche [TAP TEMPO] au rythme de la boucle afin d'obtenir une synchronisation approximative.
 B !,6777  J J  , ,  9 9    
JSJJ99J'
 J          J   P   
I=@MVJN
f)*+UU
5 $%%%  U  )*  +U *.
:  d+e&  )* b  )*
7U* ).7 7 )  )U*U-
)h   UU ) +b :&  U )
`U)U7*:UU.U
/-(:J.7/))/&
9 7U )  )* +- )UM / U)
:>
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9))+M18"!=2&
La page SYNTH s'affiche.
Lorsque la touche [SYNTH] est enfoncée, la première piste Synth de votre
séquence est mise en relief. S'il n'y a pas de pistes avec des programmes Synth
assignés, la MPC5000 en ajoutera une pour vous.
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U*M)b+.UU&
Le premier écran affiché en mode SYNTH est la page BASIC. C'est sur cette page
que la plupart des paramètres peuvent être modifiés.
Il est possible de modifier les paramètres sur l'écran à l'aide des commandes Q-
LINK correspondantes, tel qu'indiqué sur le tableau de droite. Les commandes Q-
Links vous permettent de modifier rapidement les programmes Synth afin d'obtenir
le son désiré, comme un vrai synthétiseur analogique.
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U)M.?5)M)&
Écoutez afin de comprendre comment chacune des commandes modifie le son du programme Synth. Certaines modifications sont assez
radicales, alors que d'autres sont très subtiles. La clé pour bien comprendre la section Synth, c'est l'expérimentation.
i 7  ?5 )*9-:):M*UU)   :/ )*
+& 5 + ) ` U )  U  U / )* <- <,- <9- 5,  - :
)U*:)*/:UM7(U&)
)*7U)*+-:);7&
41


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