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#9.-+$/$..>.$/$$//.$/2//
  :  *  6 ( ) &    *(  (U  6 (-  +
)(&#(-W(  -.J
W().&
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=9"# ##"# 5#"!= 0( *  
4&
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*  W  (   ) X"' 5*Y
0":*4+)(P1,$21 !20=4&
#9.-+$/$...,,/$//.$/2//
,-.J))+&
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Si el final de la frase se superpone con el comienzo de la siguiente, ajuste el tempo a un valor más lento. Si hay una parte de silencio entre las
frases, ajústelo a un valor más rápido. También puede golpear el botón [TAP TEMPO] en sincronismo con el loop para lograr una sincronización
gruesa.
'!,6777"J
";"JC;D
 " .          H =@ 'F 
!
P))*M
:P$%%%)*P*:
7M7&#)*
.  *    *( ):-    
  U  7R (:7&  )
 : (   (J ( + )
J+)-U)))
*&
  Q)    )*  M- * 
*>
%&
(P18"!=2&
De esta forma se abre la página SYNTH (Sintetizador).
Cuando se pulsa el botón [SYNTH], va a la primera pista de sintetizador de la
secuencia. Si no hay pistas con programas de sintetizador asignados, agrega una.
%6&
9J)QM&
La primera pantalla que verá en el modo SYNTH es la página BASIC (Básicos).
Puede editar aquí los parámetros más comunes.
Para editar los parámetros en la pantalla, puede usar los controles Q-LINK
correspondientes, como se muestra en la tabla de la derecha. El uso de Q-Links
para editar programas de sintetizador le permite afinar rápidamente el sonido que
desea, tal como en un sintetizador analógico real.
%;&
:?5+*))&
Escuche cómo cada control cambia el sonido del programa de sintetizador. Algunos lo cambian radicalmente y otros son más sutiles. La clave
de la sección del sintetizador es la experimentación.
  ?5 +  )Q* 9- (Q . ) * : )*  M Q) +
Q&#M)Q-)Q*<-<,-<9-5,
-.)P)*/.(&(Q
P))*M-:)R;&
27


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