618546

Adobe Premiere Pro CC - 2015 Manual

498
Zoom out
Zoom in
Previous page
1/519
Next page
492
Compositing
Last updated 11/30/2015
Using blending modes
You can select the way in which Premiere Pro blends, or superimposes, a clip on a track in a Timeline with the clip or
clips on lower tracks.
1 In a Timeline, place a clip on a track higher than a track where another clip is located. Premiere Pro superimposes,
or blends, the clip in the higher track over the clip in the lower track.
2 Select the clip in the higher track, and select the Effect Controls panel to make it active.
3 In the Effect Controls panel, click the triangle next to Opacity.
4 Drag the Opacity value to the left to set the opacity to less than 100%.
5 Click the triangle in the Blend Mode menu.
6 Select a blend mode from the list of blend modes.
Blend mode reference
For in-depth information about the concepts and algorithms behind these blend modes as implemented in several
Adobe applications, see the
PDF reference material on the Adobe website.
The Blend Mode menu is subdivided into six categories based on similarities between the results of the blend modes.
The category names do not appear in the interface; the categories are simply separated by dividing lines in the menu.
Normal category Normal, Dissolve. The result color of a pixel is not affected by the color of the underlying pixel unless
Opacity is less than 100% for the source layer. The Dissolve blend modes turn some of the pixels of the source layer
transparent.
Subtractive category Darken, Multiply, Color Burn, Linear Burn, Darker Color. These blend modes tend to darken
colors, some by mixing colors in much the same way as mixing colored pigments in paint.
Additive category Lighten, Screen, Color Dodge, Linear Dodge (Add), Lighter Color. These blend modes tend to
lighten colors, some by mixing colors in much the same way as mixing projected light.
Complex category Overlay, Soft Light, Hard Light, Vivid Light, Linear Light, Pin Light, Hard Mix. These blend modes
perform different operations on the source and underlying colors depending on whether one of the colors is lighter
than 50% gray.
Difference category Difference, Exclusion, Subtract, Divide. These blend modes create colors based on the differences
between the values of the source color and the underlying color.
HSL category Hue, Saturation, Color, Luminosity. These blend modes transfer one or more of the components of the
HSL representation of color (hue, saturation, and luminosity) from the underlying color to the result color.
Blending mode descriptions
In the following descriptions, these terms are used:
• The source color is the color of the layer to which the blend mode is applied.
• The underlying color is the color of the composited layers below the source layer in the Timeline panel.
• The result color is the output of the blending operation; the color of the composite.
Normal The result color is the source color. This mode ignores the underlying color. Normal is the default mode.
Dissolve The result color for each pixel is either the source color or the underlying color. The probability that the result
color is the source color depends on the opacity of the source. If opacity of the source is 100%, then the result color is
the source color. If opacity of the source is 0%, then the result color is the underlying color.
… 498 …


Need help? Post your question in this forum.

Forumrules


Report abuse

Libble takes abuse of its services very seriously. We're committed to dealing with such abuse according to the laws in your country of residence. When you submit a report, we'll investigate it and take the appropriate action. We'll get back to you only if we require additional details or have more information to share.

Product:

For example, Anti-Semitic content, racist content, or material that could result in a violent physical act.

For example, a credit card number, a personal identification number, or an unlisted home address. Note that email addresses and full names are not considered private information.

Forumrules

To achieve meaningful questions, we apply the following rules:

Register

Register getting emails for Adobe Premiere Pro CC - 2015 at:


You will receive an email to register for one or both of the options.


Get your user manual by e-mail

Enter your email address to receive the manual of Adobe Premiere Pro CC - 2015 in the language / languages: English as an attachment in your email.

The manual is 29,41 mb in size.

 

You will receive the manual in your email within minutes. If you have not received an email, then probably have entered the wrong email address or your mailbox is too full. In addition, it may be that your ISP may have a maximum size for emails to receive.

Others manual(s) of Adobe Premiere Pro CC - 2015

Adobe Premiere Pro CC - 2015 User Manual - German - 647 pages


The manual is sent by email. Check your email

If you have not received an email with the manual within fifteen minutes, it may be that you have a entered a wrong email address or that your ISP has set a maximum size to receive email that is smaller than the size of the manual.

The email address you have provided is not correct.

Please check the email address and correct it.

Your question is posted on this page

Would you like to receive an email when new answers and questions are posted? Please enter your email address.



Info