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Adobe Premiere Pro CC - 2014 Manual

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Exporting
Last updated 12/16/2014
Follow the same guidelines for audio
The same considerations apply to audio production as to video production. To achieve good audio compression, begin
with clean audio. If your project contains audio from a CD, transfer the audio files directly from the CD to your hard
disk. Do not record the sound through the analog input of your sound card. The sound card introduces an unnecessary
digital-to-analog and analog-to-digital conversion that can create noise in your source audio. Direct digital transfer
tools are available for Windows and Macintosh® platforms. To record from an analog source, use the highest-quality
sound card available.
Tips for creating video for mobile devices
You can export a sequence for use on Apple iPods, 3GPP cell phones, Sony PSPs, or other mobile devices. In Export
Settings, select an H.264 format preset made for the target device.
FAQ: "How do I export a movie for YouTube, Vimeo, iPad, iPhone, Apple TV?”
Use these tips when shooting content for mobile devices:
• Tight shots are better. Try to keep the subject separated from the background; the colors and values between
background and subject should not be too similar.
• Be aware of lighting. Poor lighting is a greater problem with mobile devices and can reduce visibility on small
screens. Shoot and adjust with this limitation in mind.
• Avoid excessive panning or rolling.
Use the following tips when editing video with Adobe Premiere Pro and After Effects:
• Set the frame rate for the output movie according to output device or output type. For example, a commercial in
After Effects might be rendered at 15 frames per second (fps) for distribution on mobile devices, but at 29.97 fps for
broadcast television in the USA. In general, use a lower frame rate. A frame rate of 22 fps is a good compromise for
reducing file size without losing quality
• Make the movie as small as possible and remove any extraneous content, especially empty frames. Many actions can
be done pre-encoding to limit file size. Some of them apply to shooting techniques, while others (for instance, using
motion-stabilization tools in After Effects or applying a noise-reduction or blur effect) are post-production tasks
that facilitate the compression portion of the encoder.
Note: For tips on making movies smaller, see the online Help for After Effects and Adobe Premiere Pro.
• Match the color palette to the correct mobile devices. Mobile devices, in general, have a limited color range.
Previewing in Device Central can help determine if the colors used are optimal for an individual device or range of
devices.
• Adjust clips. Grayscale view is helpful to compare values.
• Use the presets available in Adobe Media Encoder. Several presets are designed for export to 3GPP mobile devices
in Adobe Media Encoder. 3GPP presets come in standard sizes: 176 x 144 (QCIF), 320 x 240, and 352 x 288.
• Crop wisely. A common practice is to work at standard DV project settings and output to a combination of DV,
DVD, Flash, WMV and mobile 3GPP. Use the usual presets, but at encoding time manage the difference between
4:3 or 16:9 video and the 11:9 aspect ratio of mobile 3GPP. The AME crop tool allows constraint to arbitrary
proportions in the same manner as Photoshop’s Crop tool and adds an 11:9 constraint preset to the existing 4:3 and
16:9.
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