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Saving and sharing your movies
Last updated 10/4/2016
M Frames Specifies the number of B frames (bi-directional frames) between consecutive I frames (intra-frames) and P
frames (predicted frames). This option is available only for MPEG formats.
N Frames Specifies the number of frames between I frames (intra-frames). This value must be a multiple of the M
frames value. This option is available only for MPEG formats.
Closed GOP Every Specifies the frequency of each Closed Group of Pictures (Closed GOP), which cant reference
frames outside of the closed GOP. A GOP consists of a sequence of I, B, and P frames. (This option is available when
you choose either of the Multimedia Compatible presets (MPEG1 Multimedia Compatible or MPEG2 Multimedia
Compatible) from the Export MPEG dialog box, and then click Advanced.)
Automatic GOP Placement When selected, sets the placement of Group of Pictures (GOP) automatically. (This option
is available when you choose either of the MPEG Multimedia Compatible presets from the Export MPEG dialog box,
and then click Advanced.)note: MPEG-1 and MPEG-2 formats include numerous advanced options not listed here. In
most cases, selecting a format or preset designed for your target output sets the appropriate options automatically. For
detailed information on options not listed, consult the industry specifications for the MPEG-1 and MPEG-2 formats.
Audio settings
The following options are available in the Audio panel of the Export Settings dialog box (you see these when you share
a project using the Computer or Mobile Phones And Players options). Not all options are available for all presets.
Audio Format Specifies the type of audio output, such as Dolby Digital or MP3, and may determine which audio codec
is used.
Audio Codec Specifies the codec for Premiere Elements to apply when compressing audio. The codecs available depend
on the file type you specified in the General panel in the Export Settings dialog box. Some file types and capture cards
support only uncompressed audio, which has the highest quality, but uses more disk space. Check with your capture
cards documentation before choosing an audio codec.
Sample Rate Specifies the rate for export. Choose a higher rate for better audio quality in an exported file, or choose a
lower rate to reduce processing time and disk-space requirements. CD quality is 44.1 kHz. Resampling, setting a
different rate than the original audio, also requires additional processing time. Avoid resampling by capturing audio at
the final rate.
Sample Type Specifies the bit depth for export. Choose a higher bit depth and stereo for better quality, or choose a
lower bit depth and mono to reduce processing time and disk-space requirements. CD quality is 16-bit stereo.
Channels Specifies how many audio channels are in the exported file. By default, stereo provides two channels of audio;
mono provides one. If you choose to export a stereo track as mono, the audio will be down mixed.
Interleave Specifies how often audio information is inserted among the video frames in the exported file. See your
capture card documentation for the recommended setting. A value of 1 frame means that when a frame is played back,
the audio for the duration of that frame is loaded into RAM so that it can play until the next frame appears. If the audio
breaks up when playing, the interleave value may be causing the computer to process audio more frequently than it can
handle. Increasing the value lets Premiere Elements store longer audio segments that need to be processed less often,
although higher interleave values require more RAM. Most current hard disks operate best with 1/2- to 1-second
interleaves.
Bitrate Specifies the number of megabits per second you want the encoded file to have. Generally, higher bitrates
increase both quality and file size. This option is available for Dolby Digital Stereo, MPEG, and some Windows Media
Audio codecs.
note: Options not documented here are specific to the selected format. For detailed information, consult the industry
specifications for the selected format.
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