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Printing
Last updated 11/30/2015
4 For Color Handling, choose Let PostScript® Printer Determine Colors.
5 (Optional) Set any of the following options. In most cases, it is best to use the default settings.
Rendering Intent Specifies how the application converts colors to the destination color space.
Preserve RGB Numbers (for RGB output) or Preserve CMYK Numbers (for CMYK output) Determines how Illustrator
handles colors that do not have a color profile associated with them (for example, imported images without
embedded profiles). When this option is selected, Illustrator sends the color numbers directly to the output device.
When this option is deselected, Illustrator first converts the color numbers to the color space of the output device.
Preserving numbers is recommended when you are following a safe CMYK workflow. Preserving numbers is not
recommended for printing RGB documents.
6 Click Setup (Windows) or Printer (Mac OS) at the bottom of the Print dialog box to access the operating system
print settings.
7 Access the color management settings for the printer driver by doing one of the following:
In Windows, right-click the printer you are using, and select Properties. Then locate the color management
settings for the printer driver. For most printer drivers, color management settings are labeled Color Management
or ICM.
In Mac OS, select the printer you are using, and select the color management option from the pop-up menu. For
most printer drivers, this option is labeled ColorSync.
8 Specify the color management settings to let your printer driver handle the color management during printing.
Every printer driver has different color management options. If it’s not clear how to set color management options,
consult your printer documentation.
9 Return to the Illustrator Print dialog box, and click Print.
More Help topics
About rendering intents
Using a safe CMYK workflow
Printing with color management
Trapping
About trapping
Where colors printed from separate plates overlap or adjoin one another, press misregistration can cause gaps between
colors on the final output. To compensate for potential gaps between colors in artwork, print shops use a technique
called trapping to create a small area of overlap (called a trap) between two adjoining colors. You can use a separate,
dedicated trapping program to create traps automatically, or you can use Illustrator to create traps manually.
There are two types of trap: a spread, in which a lighter object overlaps a darker background and seems to expand into
the background; and a choke, in which a lighter background overlaps a darker object that falls within the background
and seems to squeeze or reduce the object.
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